【摘要】：論文通過(guò)對(duì)蒙古族傳統(tǒng)紋樣的歷史起源，現(xiàn)在的演變和發(fā)展?fàn)顩r，以及蒙古族傳統(tǒng)紋樣的圖案和其他符號(hào)、字體、色彩等研究，來(lái)解讀蒙古族傳統(tǒng)文化的深刻內(nèi)涵。從圖案、色彩等藝術(shù)表現(xiàn)角度，結(jié)合現(xiàn)代設(shè)計(jì)中不同的表現(xiàn)手法，重新對(duì)蒙古族傳統(tǒng)紋樣進(jìn)行審視，使民族化元素更多的應(yīng)用于現(xiàn)代設(shè)計(jì)中，既體現(xiàn)出民族個(gè)性感，又具有時(shí)代創(chuàng)新意識(shí)。當(dāng)今世界正處于一個(gè)日新月異、飛速發(fā)展的信息時(shí)代，對(duì)于這種發(fā)展趨勢(shì)，保持傳統(tǒng)文化的多樣性和可持續(xù)發(fā)展，無(wú)疑是經(jīng)歷了現(xiàn)代化、國(guó)際化思潮后的又一嶄新的課題。 通過(guò)嘗試對(duì)傳統(tǒng)“真、善、美”的行為和意志的研究，尋求能符合現(xiàn)代社會(huì)繼承和發(fā)揚(yáng)的可能性途徑，從而賦予傳統(tǒng)民族文化以及新的內(nèi)容與精神形態(tài)。本文通過(guò)梳理和探究蒙古族傳統(tǒng)裝飾藝術(shù)的視覺(jué)表現(xiàn)形態(tài)以及造型特點(diǎn)，，結(jié)合蒙古民族的生活習(xí)俗、宗教信仰等傳統(tǒng)文化因素，總結(jié)歸納出蒙古族傳統(tǒng)的裝飾藝術(shù)特征和審美價(jià)值。重點(diǎn)分析了蒙古族傳統(tǒng)裝飾藝術(shù)的歷史源流、發(fā)展軌跡和當(dāng)今風(fēng)貌，以建筑、服飾、器具等為典型素材，對(duì)裝飾特點(diǎn)、形態(tài)、裝飾方法展開(kāi)系統(tǒng)全面的研究�？陀^分析了蒙古族傳統(tǒng)裝飾元素的現(xiàn)狀，并結(jié)合歷史軌跡預(yù)測(cè)和展望了未來(lái)的發(fā)展趨勢(shì)。 對(duì)蒙古族的分布區(qū)域、形成原因，以及蒙古族的歷史文化發(fā)展進(jìn)行分析，了解他是怎樣形成了自己獨(dú)特的藝術(shù)風(fēng)格。其次，對(duì)蒙古族傳統(tǒng)紋樣進(jìn)行解析。蒙古族傳統(tǒng)紋樣來(lái)源于生活，主要有服飾、圖形、符號(hào)、文字、色彩等題材，充分顯示了蒙古族深邃的傳統(tǒng)文化底蘊(yùn)。最后，在蒙古族傳統(tǒng)紋樣多方面分析的基礎(chǔ)上，探討蒙古族傳統(tǒng)紋樣在現(xiàn)代標(biāo)志設(shè)計(jì)、CI(V1)設(shè)計(jì)、廣告設(shè)計(jì)、包裝設(shè)計(jì)、服裝設(shè)計(jì)等現(xiàn)代設(shè)計(jì)領(lǐng)域中的運(yùn)用。西部大開(kāi)發(fā)使這些文化類的財(cái)富重新破土而出，通過(guò)協(xié)調(diào)的發(fā)展讓蒙古族傳統(tǒng)文化更好的與時(shí)代接軌。
[Abstract]:Through the historical origin of Mongolian traditional patterns, the current evolution and development, as well as the Mongolian traditional patterns and other symbols, fonts, color and other research, to interpret the profound connotation of Mongolian traditional culture. From the angle of artistic expression, such as pattern, color and so on, combined with different expression methods in modern design, the traditional patterns of Mongolian nationality are re-examined, so that the nationalized elements can be more applied in modern design, which reflects the national sex appeal. Also has the time innovation consciousness. Nowadays, the world is in an information age of rapid change and rapid development. For this development trend, maintaining the diversity and sustainable development of traditional culture is undoubtedly another new subject after the modernization and internationalization trend of thought. By trying to study the behavior and will of the traditional "truth, goodness and beauty", the author tries to find a possible way to inherit and carry forward the traditional society, thus endowing the traditional national culture with new contents and spiritual forms. By combing and exploring the visual expression and modeling characteristics of the Mongolian traditional decorative art, this paper combines the traditional cultural factors such as the Mongolian people's living customs, religious beliefs and other traditional cultural factors. Summed up the Mongolian traditional decorative art characteristics and aesthetic value. This paper mainly analyzes the historical origin, development track and present style of the Mongolian traditional decorative art. Taking architecture, clothing and utensils as the typical materials, the paper makes a systematic and comprehensive study on the decorative characteristics, forms and methods of decoration. The present situation of traditional decoration elements of Mongolian nationality is analyzed objectively, and the future development trend is forecasted and forecasted based on the historical track. This paper analyzes the distribution region, formation reason and historical and cultural development of Mongolian nationality, and finds out how he formed his own unique artistic style. Secondly, the Mongolian traditional patterns are analyzed. The Mongolian traditional pattern comes from the life, mainly has the clothing, the figure, the symbol, the character, the color and so on subject matter, has fully displayed the Mongolian profound traditional culture inside information. Finally, based on the analysis of Mongolian traditional patterns, this paper discusses the application of Mongolian traditional patterns in modern logo design, such as CI (V1) design, advertising design, packaging design, clothing design and so on. The great development of western China makes the wealth of these kinds of culture come out of the ground again, and through the coordinated development, the traditional culture of Mongolian nationality is better connected with the times.
【學(xué)位授予單位】：青島理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J504

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