【摘要】：隨著時(shí)代的發(fā)展,社會(huì)的進(jìn)步,科學(xué)技術(shù)和文化水平的不斷提高,圖像符號(hào)已經(jīng)在人們的日常生活中起著重要的視覺(jué)傳達(dá)作用。例如廣告、攝影、設(shè)計(jì)、媒體、電影等等圖像符號(hào)已經(jīng)占據(jù)人們的生活,圖像符號(hào)的時(shí)代已經(jīng)到來(lái)。人們更傾向于對(duì)視覺(jué)圖像的接收和傳播。這種現(xiàn)象也波及到當(dāng)代藝術(shù)領(lǐng)域,藝術(shù)家們也開(kāi)始創(chuàng)造新的藝術(shù)視覺(jué)效果,建立新的藝術(shù)“符號(hào)化”語(yǔ)言。金融和商業(yè)的不斷發(fā)展導(dǎo)致消費(fèi)文化的愈發(fā)盛行,這使符號(hào)世界的變得越來(lái)越復(fù)雜。致使當(dāng)代藝術(shù)中大量的、廣泛的盲目的使用符號(hào)性語(yǔ)言作為藝術(shù)家們主要的創(chuàng)作語(yǔ)言形式。不論是盲目跟風(fēng)的還是已經(jīng)成功的運(yùn)用符號(hào)化形式進(jìn)行創(chuàng)作的創(chuàng)作模式已經(jīng)被廣泛應(yīng)用在藝術(shù)家們的創(chuàng)作之中。社會(huì)經(jīng)濟(jì)和科學(xué)文化的高速發(fā)展一定程度上推進(jìn)了當(dāng)今時(shí)代藝術(shù)的高度繁榮,相應(yīng)的也促進(jìn)了當(dāng)代藝術(shù)的符號(hào)化進(jìn)程。凡事都有兩面性,在經(jīng)歷肯定與追捧之后,符號(hào)化創(chuàng)作手段開(kāi)始泛濫,這種盲目復(fù)制模仿跟風(fēng)的現(xiàn)象遭到藝術(shù)家和批評(píng)家們的強(qiáng)烈反感。但我們不得不承認(rèn)中國(guó)當(dāng)代藝術(shù)符號(hào)化語(yǔ)言的更新進(jìn)步是具有時(shí)代意義的。這也說(shuō)明藝術(shù)在不斷的發(fā)展。因此,符號(hào)化藝術(shù)語(yǔ)言的研究也要跟隨時(shí)代和社會(huì)的腳步,使其成為藝術(shù)進(jìn)步的動(dòng)力。所以說(shuō),探索符號(hào)化形式語(yǔ)言對(duì)中國(guó)當(dāng)代藝術(shù)來(lái)說(shuō)具有深的現(xiàn)實(shí)意義。
[Abstract]:With the development of the times, the progress of society, the continuous improvement of science, technology and culture, image symbols have played an important role in the visual communication in people's daily life. For example, advertising, photography, design, media, movies and other image symbols have occupied people's lives, the age of image symbols has come. People tend to receive and transmit visual images. This phenomenon also spread to the field of contemporary art, and artists began to create new artistic visual effects and new art symbolization language. With the development of finance and commerce, consumer culture is becoming more and more popular, which makes the symbolic world more and more complicated. As a result, a large number of contemporary art, a wide range of blind use of symbolic language as the artist's main form of creative language. Regardless of blindly following the trend or has been successful in the use of symbolic forms of creative creation mode has been widely used in the creation of artists. The rapid development of social economy and science and culture to a certain extent has promoted the high prosperity of contemporary art, and also promoted the process of symbolization of contemporary art. There are two sides to everything. After experiencing affirmation and popularity, symbolic creative means began to flood, and this phenomenon of blindly copying and following the trend was strongly resented by artists and critics. But we have to admit that the renewal and progress of symbolized language in Chinese contemporary art is of great significance. This also shows that art is constantly developing. Therefore, the study of symbolic art language should follow the pace of the times and society, and make it the motive force of art progress. Therefore, the exploration of symbolic formal language is of deep practical significance to Chinese contemporary art.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J505

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相關(guān)期刊論文 前1條

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