發(fā)布時間：2018-06-20 08:33

  本文選題：幽默 + 言語幽默��； 參考：《武漢理工大學(xué)》2008年碩士論文

【摘要】： 幽默,作為一種語言現(xiàn)象在文學(xué)、影視、廣告和日常交際中頻頻出現(xiàn),給人以輕松詼諧之感,不僅活躍氣氛、緩和矛盾,而且提高人們的精神境界,進(jìn)而影響我們的社會生活。因此越來越多的語言學(xué)、心理學(xué)、社會學(xué)、交際學(xué)及其他學(xué)科的學(xué)者,開始對幽默進(jìn)行廣泛的關(guān)注。 情景喜劇作為傳遞幽默的一種語言藝術(shù)表現(xiàn)形式,日益得到人們的喜愛和追捧。作為舶來品,情景喜劇在我國也有長足的發(fā)展。例如,作為中國第一部基于網(wǎng)絡(luò)文學(xué)基礎(chǔ)的情景喜劇《武林外傳》一經(jīng)播出便博得廣大觀眾的喜愛。其獨特、鮮明、風(fēng)趣、幽默的語言特點,獨特的外部形象,所塑造的栩栩如生的角色給觀眾留下了深刻的印象,也引發(fā)了人們對其風(fēng)格特殊的幽默語言的一番熱烈討論。結(jié)合時代背景----當(dāng)代中國正在發(fā)生史無前例的社會結(jié)構(gòu)的根本而變革,正在發(fā)生文化的巨大轉(zhuǎn)向,經(jīng)歷著媒介革命與傳播方式的深刻改革,種種跡象表明后現(xiàn)代的大眾文化和消費娛樂文化正越來越成為的中國的生活方式。作為一種大眾文化形態(tài),情景喜劇直接或曲折地反映現(xiàn)實社會生活。而《武林外傳》正是迎合這種發(fā)展趨勢走上了詼諧幽默的路子,通過對平庸瑣碎的日常生活的描摹,揭示消解生活的意義,因而體現(xiàn)一種后現(xiàn)代主義意味。 本文核心部分是從描述性語言學(xué)角度,僅對《武林外傳》的臺詞中包含幽默的語言進(jìn)行分析,是對語言學(xué)抽象理論知識的一次具體運(yùn)用。文章對于《武林外傳》的“幽默”加以界定,以次界定為前提,以相關(guān)的語言學(xué)理論作支撐,如格萊斯的合作原則、里奇和列文森的禮貌原則,以幽默理論中最有影響力的“不協(xié)調(diào)理論”為依托,通過分析,發(fā)現(xiàn)其幽默言語幽默產(chǎn)生和理解的過程。本文并沒有對這些特點面面俱到,只是對其經(jīng)典語言幽默加以分析,旨在探討其潛藏的幽默動因,即,幽默機(jī)制。 最后,作者總結(jié)全文觀點,指出本文可能在哪方面對幽默的語言學(xué)研究有所貢獻(xiàn)以及論文存在的局限性并討論了在中國展開幽默研究具有的廣發(fā)的社會和實際意義。
[Abstract]:Humor, as a language phenomenon, frequently appears in literature, film, television, advertising and daily communication, giving people a sense of relaxed humor, not only active atmosphere, ease contradictions, but also improve the spiritual realm of people, and then affect our social life. As a result, more and more scholars in linguistics, psychology, sociology, communication and other disciplines begin to pay more attention to humor. Sitcom, as a language art form of humor transmission, is increasingly popular with people. As an import, sitcoms have made great progress in our country. For example, as the first sitcom based on online literature in China, the Swordsman was popular with the audience once it was broadcast. Its unique, distinctive, funny, humorous language characteristics, unique external image, created lifelike characters left a deep impression on the audience, but also triggered a warm discussion of its style of humor language. Combined with the background of the times, contemporary China is undergoing a fundamental transformation of the unprecedented social structure, a huge cultural shift, and a profound reform of the media revolution and the way of communication. There are various signs that postmodern popular culture and consumer entertainment culture are becoming the Chinese way of life. As a form of popular culture, sitcoms directly or zigzag reflect real social life. However, Wulin Foreign Biography caters to this trend of development and takes the way of humor. Through the description of ordinary and trivial daily life, it reveals the significance of dispelling life, thus embodying a kind of postmodernism. From the perspective of descriptive linguistics, the core part of this paper is to analyze only the humorous language in the lines of Swordsman, which is a concrete application of abstract theoretical knowledge of linguistics. In this paper, the author defines "humor" in the book "Swordsman", which is supported by relevant linguistic theories, such as Grice's Cooperative principle, Richie and Levinson's politeness principle. Based on the most influential "uncoordinated theory" in humor theory, the author finds out the process of producing and understanding humorous verbal humor through analysis. This paper does not cover all aspects of these features, but analyzes its classical humor in order to explore its underlying humor motivation, that is, humor mechanism. Finally, the author summarizes the views of the full text, points out where this thesis may contribute to the linguistic study of humor and the limitations of the thesis, and discusses the social and practical significance of the study of humor in China.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：H15

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 王曉晶;中國情景喜劇《武林外傳》中的幽默分析[D];內(nèi)蒙古大學(xué);2011年

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本文編號：2043665