數(shù)碼設(shè)計(jì)藝術(shù)思維與創(chuàng)意方法研究
發(fā)布時(shí)間:2018-06-18 20:10
本文選題:數(shù)碼設(shè)計(jì)藝術(shù) + 創(chuàng)新思維; 參考:《東華大學(xué)》2009年碩士論文
【摘要】:人類的創(chuàng)造性活動(dòng)隨著思維與實(shí)踐能力的提高而在深度和廣度上不斷擴(kuò)展。進(jìn)入計(jì)算機(jī)和網(wǎng)絡(luò)時(shí)代以來,數(shù)字化技術(shù)給我們的工作、生活帶來了巨大的沖擊。同樣,隨著計(jì)算機(jī)在設(shè)計(jì)藝術(shù)領(lǐng)域廣泛使用,也就產(chǎn)生了新的設(shè)計(jì)藝術(shù)類型——數(shù)碼設(shè)計(jì)藝術(shù),并使得新出現(xiàn)的數(shù)碼設(shè)計(jì)藝術(shù)創(chuàng)作實(shí)踐過程的全部或部分使用了數(shù)字化表現(xiàn)手段。數(shù)碼設(shè)計(jì)藝術(shù)是以數(shù)碼科技和傳媒技術(shù)為基礎(chǔ),人的科學(xué)的理性思維和藝術(shù)的感性思維融為一體的新的設(shè)計(jì)藝術(shù)形式。數(shù)碼設(shè)計(jì)藝術(shù)思維的發(fā)生與發(fā)展正是由于新科技對(duì)人類自身能力束縛的新解放,設(shè)計(jì)工具和表達(dá)手段的數(shù)碼化、非物質(zhì)化趨勢(shì)的體現(xiàn),是創(chuàng)造性新思維在設(shè)計(jì)藝術(shù)中應(yīng)用的成果。 數(shù)碼創(chuàng)意實(shí)踐作品泛指使用各種數(shù)字方式、信息技術(shù)制作的各種形式的有獨(dú)立審美價(jià)值的藝術(shù)作品,以具有交互性和虛擬化為最基本特征,F(xiàn)已廣泛滲透并涵蓋到數(shù)字電視、數(shù)字電影、平面設(shè)計(jì)、廣告計(jì)、工業(yè)設(shè)計(jì)、展示設(shè)計(jì)、服裝設(shè)計(jì)、建筑設(shè)計(jì)、環(huán)境設(shè)計(jì)等各項(xiàng)計(jì)與藝術(shù)創(chuàng)作之中。其外延所涉及到的則更為廣泛,包括:數(shù)碼影、卡通動(dòng)漫、多媒體、網(wǎng)絡(luò)游戲、互動(dòng)裝置等。 本論文注重多學(xué)科交融,以跨學(xué)科的視角審視數(shù)碼設(shè)計(jì)藝術(shù)這一新興的設(shè)計(jì)藝術(shù)分支學(xué)科,采取交叉學(xué)科的研究方法,系統(tǒng)整合思維科學(xué)、設(shè)計(jì)藝術(shù)學(xué)科中共通的、有效的模式與方法,并強(qiáng)調(diào)其“數(shù)碼化”的本質(zhì)特征,使之具有一般意義上的設(shè)計(jì)藝術(shù)特性,又有其非常規(guī)的個(gè)性色彩。全文從理論推導(dǎo)過程中分析了數(shù)碼設(shè)計(jì)藝術(shù)中技術(shù)與藝術(shù)的相互關(guān)系,強(qiáng)調(diào)思維方法在這個(gè)具有高技術(shù)特質(zhì)的應(yīng)用型設(shè)計(jì)的重要性。創(chuàng)新思維學(xué)理論的梳理與創(chuàng)造方法的思路理清將對(duì)設(shè)計(jì)藝術(shù)的創(chuàng)作有著具指導(dǎo)性的重要作用。文章嘗試構(gòu)建較完整的數(shù)碼設(shè)計(jì)藝術(shù)思維方法教學(xué)研究與應(yīng)用體系,以期推動(dòng)我國數(shù)碼設(shè)計(jì)藝術(shù)教育的發(fā)展。
[Abstract]:With the improvement of thinking and practical ability, the creative activities of human beings are expanding in depth and breadth. Since the computer and network era, digital technology has brought us a tremendous impact on our work and life. Similarly, with the widespread use of computers in the field of design art, a new type of design art, digital design art, has emerged. And make the new digital design art creation process of all or part of the use of digital means of expression. Digital design art is a new form of design art, which is based on digital technology and media technology, and integrates the rational thinking of human science and the perceptual thinking of art. The emergence and development of the artistic thinking of digital design is the embodiment of the trend of digitalization and dematerialization of design tools and means of expression due to the new liberation of the new science and technology to the shackles of human ability. It is the result of the application of creative new thinking in design art. Digital creative practice works generally refer to various forms of artistic works with independent aesthetic value produced by various digital means and information technology, with interactive and virtualization as the most basic characteristics. It has been widely used in digital television, digital film, graphic design, advertising, industrial design, display design, clothing design, architectural design, environmental design and so on. Its extension involves a wider range, including: digital film, cartoon animation, multimedia, online games, interactive devices and so on. In this paper, we focus on the blending of many subjects, examine the new branch of design art from an interdisciplinary perspective, adopt cross-disciplinary research methods, systematically integrate thinking science, and design art. The effective mode and method, and emphasizes its "digital" essential characteristic, causes it to have the general meaning design artistic characteristic, also has its unconventional individuality color. This paper analyzes the relationship between technology and art in digital design art from the process of theoretical derivation, and emphasizes the importance of thinking method in the applied design with high technical characteristics. The combing of creative thinking theory and the thinking of creative method will play an important guiding role in the creation of design art. This paper attempts to construct a complete teaching research and application system of digital design art thinking method in order to promote the development of digital design art education in China.
【學(xué)位授予單位】:東華大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2009
【分類號(hào)】:J504
【參考文獻(xiàn)】
相關(guān)期刊論文 前4條
1 張潤東;;淺談CG及中國CG的發(fā)展[J];長春師范學(xué)院學(xué)報(bào);2007年12期
2 黃劍輝;魏n,
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