本文選題：新世紀(jì) + 重慶　； 參考：《西南大學(xué)》2013年碩士論文

【摘要】：進(jìn)入新世紀(jì)以來(lái),伴隨著國(guó)民經(jīng)濟(jì)的飛速發(fā)展,我國(guó)文化事業(yè)也順著這股東風(fēng)大跨步前進(jìn)。在文化領(lǐng)域的眾多門(mén)類中,影視劇、特別是電視劇作為一個(gè)年輕且欣欣向榮的藝術(shù)形式,由于其傳播方式多樣化、傳播范圍大眾化、傳播內(nèi)容包羅萬(wàn)千,電視劇在強(qiáng)勢(shì)占領(lǐng)熒屏、占據(jù)公眾休閑時(shí)間的同時(shí),與之而來(lái)的諸多正負(fù)面的影響,也為我們的研究營(yíng)造了環(huán)境和空間。 電視劇,已經(jīng)成為我國(guó)目前最大眾化的精神文化消費(fèi)產(chǎn)品之一。在群眾日常生活中占據(jù)重要的地位,在社會(huì)輿論中有著廣泛的價(jià)值導(dǎo)向作用,在和諧社會(huì)和社會(huì)主義核心價(jià)值體系的構(gòu)建中,電視劇,也往往扮演者急先鋒角色。我國(guó)的電視劇產(chǎn)業(yè),經(jīng)過(guò)了50多年坎坷曲折的歷程,在21世紀(jì)的第二個(gè)十年這樣的節(jié)點(diǎn)上,基本實(shí)現(xiàn)了產(chǎn)品商業(yè)化、生產(chǎn)規(guī)模化、生產(chǎn)主體社會(huì)化和資源配置市場(chǎng)化。 數(shù)據(jù)顯示,2010年,我國(guó)電視劇總產(chǎn)量為436部、1.47萬(wàn)集,是世界上最大的生產(chǎn)國(guó)；全年電視劇總投資51億元,平均每集生產(chǎn)成本35萬(wàn)元；電視劇總銷售額為62億元,廣告收入約為300億元；我國(guó)共有1764個(gè)電視頻道,全年播出電視劇超過(guò)500萬(wàn)集,占總播出量的28.4%、總收視量的31.8%,是世界第一大電視劇收視國(guó)。 以上數(shù)字表明,我國(guó)電視劇總制作、銷售、播出和消費(fèi)等諸多環(huán)節(jié),總體上呈現(xiàn)持續(xù)上升的趨勢(shì)。雖然不排除有一定量的電視劇,由于種種原因入不敷出、收益慘淡,但整個(gè)電視劇市場(chǎng)還是屬于“一分耕耘一分收獲”的常態(tài)化局面。 與電影市場(chǎng)相似,近年來(lái)電視劇市場(chǎng)資本進(jìn)入量節(jié)節(jié)攀高。從2008年投產(chǎn)的戰(zhàn)爭(zhēng)題材電視劇《我的團(tuán)長(zhǎng)我的團(tuán)》開(kāi)始,創(chuàng)下了我國(guó)電視劇單集投入超過(guò)100萬(wàn)的記錄。而且眼下,這個(gè)數(shù)字還在不斷刷新。熱錢(qián)的涌入帶來(lái)了競(jìng)爭(zhēng)的加劇,同時(shí),高強(qiáng)度的競(jìng)爭(zhēng)帶來(lái)的也是高風(fēng)險(xiǎn)的侵入。通常來(lái)說(shuō),影視劇行業(yè)規(guī)避風(fēng)險(xiǎn)的有效手法之一是形成成熟的類型化、產(chǎn)業(yè)化制作。于是,在這樣的大背景下,國(guó)內(nèi)多個(gè)地區(qū),如北京、上海等地,已經(jīng)形成了一套相對(duì)完善的電視劇產(chǎn)業(yè)鏈。也正是由于有了各種“類型”廣泛存在的前提,也就有了本文研究的基礎(chǔ)。 重慶,地處西南、山勢(shì)險(xiǎn)峻,扼守長(zhǎng)江咽喉、腹擁云貴川藏,自古是戰(zhàn)略要地。重慶歷史悠久,她不僅是一個(gè)擁有3000多年歷史的古城,更在上個(gè)世紀(jì)三四十年代一躍成為全世界聚焦的地方。國(guó)民政府戰(zhàn)時(shí)陪都和同盟國(guó)中國(guó)戰(zhàn)區(qū)統(tǒng)帥部的身份,讓這樣一個(gè)本就水火交融、傳奇不斷的城市,更有了說(shuō)不完的故事。 本文所論及的“新世紀(jì)以來(lái)的重慶革命歷史題材”的電視劇,主要是指：大部分內(nèi)容反映重慶本地、大部分場(chǎng)景在重慶范圍內(nèi)拍攝、并且主要講述的是共產(chǎn)黨領(lǐng)導(dǎo)下的新民主主義革命的歷史題材電視劇。在這樣的一個(gè)定義域內(nèi),能符合上述條件的電視劇片目數(shù)量,截止目前搜集的數(shù)量為30余部。本文就將對(duì)這30余部電視劇進(jìn)行整體上的概覽和梳理,并挑取其中比較具有代表性的個(gè)別作品,作進(jìn)一步的分析。 本文的具體架構(gòu)如下： 第一章：緒論 第二章：新世紀(jì)重慶革命歷史題材電視劇概述 第三章：重慶諜戰(zhàn)劇的困境與突圍 第四章：革命歷史劇的荒誕化書(shū)寫(xiě) 第五章：紅巖題材的改編 第六章：重慶重大革命歷史題材劇的創(chuàng)作 第七章：結(jié)語(yǔ)：成就、不足與展望
[Abstract]:Since entering the new century , along with the rapid development of the national economy , our country ' s cultural undertakings have also stepped forward along with this shareholder ' s wind . In many categories of cultural field , film and television series , especially TV series , is a young and thriving art form , because of its diverse modes of communication , the popularization of the spread spectrum , the spread of content , and the positive and negative effects of TV series on the screen , taking up the leisure time of the public , and creating an environment and space for our research .

TV series , which has become one of the most popular spiritual and cultural consumption products in our country , plays an important role in the daily life of the masses , plays an important role in the construction of harmonious society and socialist core value system , plays a pioneer role in the construction of harmonious society and socialist core value system .

According to the data , in 2010 , the total production of TV series in China was 436 , and 1.47 million sets , the largest producer in the world ;
In the whole year , the total investment of TV series totaled 51 billion yuan , with an average production cost of RMB 350,000 yuan ;
The total sales volume of the TV series is RMB 6.2 billion yuan , and the advertising revenue is about RMB 30 billion ;
There are 1764 TV channels in our country , with more than 5 million TV series broadcast throughout the year , accounting for 28 . 4 % of the total broadcast amount and 31.8 % of the total viewing amount , which is the first TV series of TV series in the world .

The above figures show that the overall production , sales , broadcasting and consumption of TV series in our country have a tendency of rising continuously . Although there is not a certain amount of TV series , the income is bleak , but the whole TV series market still belongs to the " one - to - one - field " situation .

Similar to the film market , in recent years , TV series market capital entered the festival to climb high . From the war theme TV series put into production in 2008 , my head group began to create a record of more than 1 million TV series investment . At the moment , one of the effective ways to avoid the risk is to form a relatively perfect series of TV series industry chains in many parts of China , such as Beijing , Shanghai and so on .

Chongqing , which is located in the southwest , is steep in the mountains , is a strategic place to choke the Yangtze ' s throat and support the Yungui River . Chongqing has a long history . She is not only an ancient city with more than 3000 years of history , but it has become the focus of the world in the 1930s and 1940s .

This paper deals with the TV series of Chongqing ' s Revolutionary Historical Theme in the New Century , which mainly refers to the fact that most of the content reflects Chongqing ' s local , most of the scenes are taken in Chongqing , and mainly about the historical theme TV series of the new - democratic revolution under the leadership of the Communist Party . In such a domain , the number of TV dramas that can meet the above conditions is more than 30 . In this paper , we will summarize and comb these 30 series of TV series , and choose the individual works which are representative of them to make further analysis .

The specific architecture of this article is as follows :

Chapter 1 : Introduction

Chapter II : A Summary of the TV Series of Chongqing ' s Revolutionary History in the New Century

Chapter Three : The Dilemma and Breakthrough of the Operation in Chongqing

Chapter Four : Absuration of Revolutionary History

Chapter 5 : Adaptation of Red Rock Theme

Chapter 6 : Creation of the Historical Theme of the Great Revolution in Chongqing

Chapter 7 : Conclusion : Achievements , shortcomings and prospects
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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