本文選題：水墨元素 + 文化語境��； 參考：《天津理工大學》2013年碩士論文

【摘要】：中國傳統(tǒng)水墨藝術(shù)歷史悠久，水墨藝術(shù)以其獨特的審美情趣與民族韻味延續(xù)著中國文化博大精深的藝術(shù)精髓。水墨藝術(shù)作為中國文化表現(xiàn)形式的瑰寶，詮釋著中國傳統(tǒng)文化旺盛的生命力。在現(xiàn)代平面設計中，水墨藝術(shù)成為取之不盡的思想源泉，更以其獨特的藝術(shù)表現(xiàn)形式開辟了一條新的技術(shù)與藝術(shù)結(jié)合的道路，用水墨藝術(shù)作為文化的載體弘揚著中國傳統(tǒng)藝術(shù)的精髓。 近年來，隨著社會文化的不斷發(fā)展，現(xiàn)代平面設計中水墨元素的應用越來越廣泛，在大量的設計作品中，水墨元素能夠體現(xiàn)東方的面貌與中國的精神，這是平面設計的進步所在，但是，有相當多的設計作品對待水墨藝術(shù)只是作為一種廣告宣傳的載體，并不考慮水墨設計是否符合文化內(nèi)涵，，影響著水墨文化在平面設計的發(fā)展和提高。 水墨元素在現(xiàn)代平面設計中的發(fā)展之路面臨著更高的要求和體現(xiàn)，既要突破與創(chuàng)新水墨元素在現(xiàn)代平面設計中的新形式，又要將水墨元素所體現(xiàn)的中國文化精髓發(fā)揚光大。我們應該站在一個新的角度與高度來重新認識現(xiàn)代平面設計中的水墨藝術(shù)，從而更好地在平面設計中傳達水墨文化以及中國博大精深的文化內(nèi)涵。
[Abstract]:Chinese traditional ink painting art has a long history. With its unique aesthetic taste and national charm, Chinese ink art continues the profound artistic essence of Chinese culture. As the gems of Chinese culture, ink-wash art interprets the exuberant vitality of Chinese traditional culture. In modern graphic design, ink and wash art has become an inexhaustible source of thought, and has opened up a new way of combining technology and art with its unique artistic expression. Using ink art as the carrier of culture carries forward the essence of Chinese traditional art. In recent years, with the continuous development of social culture, the application of ink elements in modern graphic design is becoming more and more extensive. In a large number of design works, ink elements can reflect the eastern face and the spirit of China. This is the progress of graphic design, but a considerable number of design works only treat ink art as a carrier of advertising, regardless of whether the ink design conforms to cultural connotations. It affects the development and improvement of ink painting culture in graphic design. The development of ink elements in modern graphic design is facing higher requirements and embodiments. It is necessary to break through and innovate the new form of ink elements in modern graphic design and to carry forward the essence of Chinese culture embodied by the elements of ink and wash. We should stand at a new angle and height to re-understand the art of ink and wash in modern graphic design, so as to better convey the culture of ink and wash and the profound cultural connotation of China in graphic design.
【學位授予單位】：天津理工大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J51

【參考文獻】

相關期刊論文 前1條

1 張紅梅;;山水有境——宋元山水畫構(gòu)圖演變及繪畫思想研究[J];吉林藝術(shù)學院學報;2007年02期

本文編號：1882161