數(shù)字藝術(shù)在當(dāng)代藝術(shù)創(chuàng)作中與傳統(tǒng)視覺藝術(shù)關(guān)系的思考
本文選題:傳統(tǒng)視覺藝術(shù) + 數(shù)字藝術(shù) ; 參考:《南昌大學(xué)》2012年碩士論文
【摘要】:傳統(tǒng)視覺形式藝術(shù)在本文泛指多以手工制作為主的藝術(shù)形式,其文化內(nèi)核是建立在各自的歷史文化、程式語言、地域風(fēng)情、審美情感等基礎(chǔ)之上,并在技術(shù)與審美上有各自的定勢與傳承。數(shù)字藝術(shù)泛指在當(dāng)今文化境域里被培育起來的,利用電子技術(shù)、數(shù)字技術(shù)制作的數(shù)字化圖像藝術(shù)作品或產(chǎn)品。數(shù)字藝術(shù)與傳統(tǒng)視覺藝術(shù)創(chuàng)作上的不同,主要表現(xiàn)在創(chuàng)作的媒介手段,以及與傳統(tǒng)不同的文化境遇培養(yǎng)出的視覺樣式、圖像語言、審美傾向上的感知不同。如果說傳統(tǒng)視覺藝術(shù)是神秘性、精英型、專業(yè)化、獨(dú)創(chuàng)的、靜態(tài)的,那么數(shù)字藝術(shù)可以描述為直接性、民主型、大眾化、技術(shù)性、動(dòng)態(tài)的,現(xiàn)在常見的網(wǎng)絡(luò)游戲、DV、電腦動(dòng)畫、影視廣告、數(shù)碼攝影、數(shù)碼觀念作品等都屬于數(shù)字藝術(shù)范疇——借助數(shù)字科技產(chǎn)生圖像,復(fù)制圖像、流傳在網(wǎng)上、手機(jī)上或通過其他數(shù)字媒介上。當(dāng)今這兩類藝術(shù)同時(shí)并存于當(dāng)代藝術(shù)潮流中,盡管彼此間存在一定排異心理,但藝術(shù)創(chuàng)作的根基相同,同屬于人類精神生產(chǎn)的文化產(chǎn)物,能彼此相互聯(lián)系,相互影響,在融合中獲得共生發(fā)展。
[Abstract]:The traditional visual form art in this article generally refers to the art form which is mainly made by hand, and its cultural core is based on their respective historical culture, programming language, regional customs, aesthetic feelings, etc.And in the technical and aesthetic have their own stereotypes and heritage.Digital art refers to the digital image art works or products produced by electronic technology and digital technology.The difference between digital art and traditional visual art is mainly reflected in the media means of creation and the different perception of visual style, image language and aesthetic tendency developed from different cultural circumstances.If traditional visual art is mystical, elite, professional, original, static, then digital art can be described as direct, democratic, popular, technical, dynamic, now common online games such as DVV, computer animation,Film and television advertising, digital photography, digital concept works, and so on are all in the category of digital art-using digital technology to produce images, copy images, spread on the Internet, on mobile phones or through other digital media.These two kinds of art coexist in the contemporary art trend at the same time. Although there is a certain rejection psychology among each other, the foundation of artistic creation is the same, and the two kinds of art belong to the cultural products produced by the human spirit, which can relate to each other and influence each other.To achieve symbiotic development in the process of integration.
【學(xué)位授予單位】:南昌大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:J524
【共引文獻(xiàn)】
相關(guān)期刊論文 前10條
1 梁偉;;現(xiàn)代設(shè)計(jì)美學(xué)產(chǎn)生的背景及原因[J];徐州工程學(xué)院學(xué)報(bào);2006年06期
2 陳曉敏;;談我國民族色彩傳統(tǒng)與現(xiàn)代色彩設(shè)計(jì)的關(guān)系[J];徐州工程學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2009年01期
3 宗廷虎;錢鐘書的理解修辭理論[J];平頂山師專學(xué)報(bào);2000年01期
4 何麗思;周怡;;革制品設(shè)計(jì)中的簡約與裝飾[J];皮革科學(xué)與工程;2009年06期
5 劉蕓;姚云鶴;;后現(xiàn)代主義語境下異形鞋跟的藝術(shù)性[J];皮革科學(xué)與工程;2012年03期
6 吳平平;;藝術(shù)史寫作的二難:藝術(shù)永恒性與藝術(shù)的終結(jié)[J];文化藝術(shù)研究;2008年03期
7 文江濤;;“以意逆志”與解釋學(xué)美學(xué)——中國傳統(tǒng)文學(xué)釋義方法與西方解釋學(xué)的對話[J];萍鄉(xiāng)高等專科學(xué)校學(xué)報(bào);2005年03期
8 彭艷芳;陳波;;對我校工業(yè)設(shè)計(jì)專業(yè)建設(shè)的探索[J];西南石油大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2008年00期
9 許軍;秦t,
本文編號(hào):1742029
本文鏈接:http://sikaile.net/wenyilunwen/guanggaoshejilunwen/1742029.html