本文選題：飛機(jī)圖像　切入點(diǎn)：洋貨　出處：《裝飾》2016年10期

【摘要】：本文從物質(zhì)史和后殖民理論角度,探討20世紀(jì)上半葉中國視覺藝術(shù)的飛機(jī)圖像;從月份牌廣告、海報、商標(biāo)、照片等材料,探討現(xiàn)代交通圖像的科技性和現(xiàn)代性。檢視飛機(jī)圖投射的西方想象,以及它再現(xiàn)西方與中國、"本我"與"他者"之間的差異和融合。
[Abstract]:From the perspective of material history and postcolonial theory, this paper probes into the plane images of Chinese visual arts in the first half of the 20th century, and discusses the scientific and technological nature and modernity of modern traffic images from the materials such as monthly advertisements, posters, trademarks, photographs and so on.Examine the Western imagination of the plane's projection, and its reappearance of the differences and fusion between the West and China, the ego and the other.
【作者單位】： 廈門大學(xué)嘉庚學(xué)院;
【基金】：福建高等學(xué)校科研創(chuàng)新平臺“兩岸語言應(yīng)用與敘事文化研究中心”重點(diǎn)項(xiàng)目“兩岸廣告語言審美批評”(項(xiàng)目編號:LAYY2016004)成果
【分類號】：J524
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本文編號：1722718