本文選題：揚(yáng)州剪紙　切入點(diǎn)：應(yīng)用　出處：《河北大學(xué)》2013年碩士論文

【摘要】：中國(guó)剪紙藝術(shù)歷史悠久、人文藝術(shù)價(jià)值深厚，它繼承了原始藝術(shù)的實(shí)用性和審美性，是中華民族文化遺產(chǎn)中不可忽視的重要組成部分。傳統(tǒng)的揚(yáng)州民間剪紙以窗戶、花燈、服飾為載體。從刺繡花樣中脫離出來(lái)，，形成獨(dú)特風(fēng)格的揚(yáng)州剪紙具有很強(qiáng)的裝飾性和工藝性。揚(yáng)州剪紙受中國(guó)傳統(tǒng)國(guó)畫的深遠(yuǎn)影響，風(fēng)格上趨于文人畫的唯美與高雅，題材以花鳥魚蟲、四時(shí)花卉為主，輔以人物、動(dòng)物、吉祥圖案、風(fēng)景名勝等，內(nèi)容多寓意吉祥如意、福壽安康。 揚(yáng)州剪紙以平面紙張為基本材料,以線、面為基本語(yǔ)言符號(hào),采用二維表現(xiàn)的構(gòu)成方式，形成了剪紙平面化的表現(xiàn)特征。按照美的視覺(jué)效果、力學(xué)的原理,運(yùn)用剪紙的符號(hào)與圖形，將紋樣進(jìn)行編排和組合。 由于歷史、環(huán)境、民族、風(fēng)俗、人文的差異，形成了地區(qū)之間剪紙風(fēng)格的差異，而在風(fēng)格迥異的外形之內(nèi)，民間剪紙符號(hào)又蘊(yùn)含了豐富多彩的象征內(nèi)涵。揚(yáng)州民間剪紙藝術(shù)，具有它自身獨(dú)特的藝術(shù)體系和造型體系。這種藝術(shù)體系和造型體系不是依照事物原本的形象來(lái)表達(dá)創(chuàng)作者的思想觀念，而是用創(chuàng)作者的思維、觀念去描述某種事物。揚(yáng)州民間剪紙的創(chuàng)作者們?cè)谥谱鲿r(shí)不會(huì)受特定時(shí)間、空間等觀念的制約，他們把不同時(shí)間、不同空間的物象呈現(xiàn)于一個(gè)畫面中，平面鋪開、互不遮擋，盡情地表現(xiàn)自己想要的物象。 由于科技的進(jìn)步，現(xiàn)代繡品已廣泛采用電腦繡花，揚(yáng)州剪紙從繡品花樣中脫離出來(lái)成為獨(dú)立的藝術(shù)形式。揚(yáng)州剪紙藝術(shù)作為一種傳統(tǒng)的民間藝術(shù)要適應(yīng)時(shí)代的潮流并繼承發(fā)展，現(xiàn)在已經(jīng)開始嘗試了很多創(chuàng)新。 揚(yáng)州剪紙?jiān)诒Ａ魝鹘y(tǒng)的同時(shí)以藝術(shù)和科技聯(lián)姻，積極打造精品、開發(fā)新品，先后開發(fā)出剪紙掛歷、剪紙賀卡、剪紙相冊(cè)等便于攜帶的剪紙新產(chǎn)品,為揚(yáng)州剪紙適應(yīng)人們的需求尋找新的載體形式。因此，揚(yáng)州剪紙既具備了觀賞性的同時(shí)實(shí)用的功能也日益突出。現(xiàn)代社會(huì)，在產(chǎn)品設(shè)計(jì)，包裝設(shè)計(jì)，廣告設(shè)計(jì)，室內(nèi)設(shè)計(jì)，平面設(shè)計(jì)，郵票設(shè)計(jì)，期刊，舞臺(tái)設(shè)計(jì)，漫畫，電影和其他方面都有它的身影，揚(yáng)州剪紙的載體形式日益豐富。 舊時(shí)揚(yáng)州剪紙圖案大多采用刺繡，內(nèi)容，題材，但也更多的民俗風(fēng)味。然而，如此迅速地融入現(xiàn)代生活多元化的社會(huì)物質(zhì)文明的飛速發(fā)展，許多傳統(tǒng)的民族的東西慢慢衰落，湮沒(méi)，最經(jīng)典的剪紙圖案也已與時(shí)代脫節(jié)，這是歷史發(fā)展的趨勢(shì)，也自然發(fā)展的時(shí)代的文化現(xiàn)象。傳承剪紙的民間手工藝人越來(lái)越少，揚(yáng)州剪紙藝術(shù)所具備的原生態(tài)特點(diǎn)與現(xiàn)代都市社會(huì)之間的不協(xié)調(diào)則是內(nèi)在危機(jī)。 作為一種傳統(tǒng)的民間藝術(shù)，揚(yáng)州剪紙想要傳承下去并且走得更遠(yuǎn)，現(xiàn)在已經(jīng)開始在材料、技法、色彩等方面試著進(jìn)行許多創(chuàng)新，揚(yáng)州剪紙?jiān)诰邆溆^賞性特點(diǎn)的同時(shí)，向?qū)嵱眯苑矫嫱卣埂?隨著現(xiàn)代設(shè)計(jì)藝術(shù)創(chuàng)意的日益多元化，必然要求創(chuàng)作者的藝術(shù)視野更加寬廣,他們既要吸收傳統(tǒng)藝術(shù)中的精髓，又要綜合當(dāng)代藝術(shù)。因此只有立足社會(huì)生活，將傳統(tǒng)因素和當(dāng)前的時(shí)代精神融為一體，才有可能為現(xiàn)代設(shè)計(jì)藝術(shù)領(lǐng)域創(chuàng)造出一條成功之路。
[Abstract]:Chinese paper-cut art has a long history, profound cultural value of art, it inherits the practicality and aesthetics of primitive art, is an important part of Chinese cultural heritage. Yangzhou folk paper-cut in the traditional windows, lanterns, clothing as the carrier. From the embroidery pattern, formed a unique style of Yangzhou paper-cut has strong decoration and craft. Yangzhou paper-cut by the profound influence China in traditional Chinese painting, literati painting style tends to be beautiful and elegant, with the theme of flower, four flowers, with figures, animal, auspicious patterns, scenic spots, more content of moral luck, longevity and health.
Yangzhou paper-cut to the plane of the paper as the basic material, with the line, surface as the basic language symbols, forms the two performance, forming features of paper-cut flat. According to the beautiful visual effect, mechanical principle, the use of graphic symbols and paper-cut patterns, will be arranged and combined.
Due to historical, environmental, ethnic customs, cultural differences, differences between regions formed paper-cut style, and in different styles of appearance, folk paper-cut symbols contains rich and colorful art. The symbolic connotation of Yangzhou folk paper-cut, has its own unique art system and modeling system. This system and other art the system is not in accordance with the things to express the image of the creator of the concept, but the artist's thought, concept to describe something. The creators of Yangzhou folk paper-cut are not subject to a specific time in the production, the concept of space constraints, they have different time, different space images are displayed on a screen, the plane rolled out and do not block, you want to enjoy the performance of the object.
Due to the progress of science and technology, modern embroidery has been widely used in computer embroidery, Yangzhou paper-cut from the embroidery pattern as an independent art form. Yangzhou paper-cut art as a traditional folk art to adapt to the trend of the times and the inheritance and development, has now started to try a lot of innovation.
Yangzhou paper-cut art and technology in marriage to retain the traditional at the same time, actively build quality, develop new products, has developed a paper-cut paper-cut calendar, greeting cards, new products such as portable paper-cut paper-cut album, to meet the demands of people for the Yangzhou paper-cut vector of new forms. Therefore, Yangzhou paper-cut has both ornamental and practical the function has become increasingly prominent. In modern society, product design, packaging design, advertising design, interior design, graphic design, stamp design, stage design, journals, cartoons, movies and other aspects has its shadow, form Yangzhou paper-cut is increasingly rich.
Most of the old Yangzhou paper-cut embroidery, content, subject matter, but also more folk flavor. However, with the rapid development of modern life diversified social material civilization so rapidly, many traditional ethnic things slowly fading, annihilation, the most classic paper-cut patterns have been out of touch with the times, this is the trend of historical development also, cultural phenomenon of the natural development of the era. The inheritance of paper-cut folk craftsmen less, between the original ecological characteristics and modern urban society of Yangzhou paper-cut art with the coordination is the internal crisis.
As a traditional folk art, Yangzhou paper-cut is going to inherit and go further. Now, many innovations have been made in materials, techniques, colors and other aspects of interview. Yangzhou paper-cut is expanding with practicality while it has the characteristics of appreciation.
Along with the diversification of modern design art creation, the creator of the art requires the broader field of vision, they should not only absorb the essence of traditional art, but also a comprehensive contemporary art. Therefore only based on social life, the traditional factors and the spirit of the times into a body, have the potential to create a successful path for modern the field of art and design.

【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J528.1

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