本文選題：電影　切入點：大眾傳播媒介　出處：《遼寧大學(xué)》2007年碩士論文　論文類型：學(xué)位論文

【摘要】： 電影是一種重要的傳播媒介,作為一種大眾傳播媒介和視聽文化載體,電影具有一切大眾傳播媒介所具有的功能。但時至今日,人們似乎仍然只記得電影是一門藝術(shù),而電影作為媒介的事實,卻常常被忽略。而娛樂功能作為大眾傳播媒介的重要功能之一,在傳播學(xué)領(lǐng)域中也是個被人遺忘的角落。正如費舍爾所說:“娛樂——重要而被低估的傳播功能�！北菊撐囊浴秺蕵芬暯窍轮袊缙陔娪�(1905-1949)》為題,框定了論文研究的范圍就是娛樂功能之下中國早期電影媒介演進(jìn)史,全文的核心是作為大眾傳播媒介的電影與其所具有的“娛樂功能”。通過對中國早期電影史娛樂性分析,探討作為大眾傳播媒介的電影其娛樂功能在不同時期的不同體現(xiàn)及其現(xiàn)實意義。 全文由八部分組成,主要內(nèi)容如下: 第一部分是緒論,大致介紹了選題的價值和意義;選題國內(nèi)外研究現(xiàn)狀及個人新見解;選題研究的基本思路和章節(jié)安排。 第二部分是從1896年到1905年,介紹了中國最初放映電影的情況,包括放映的時間、場所、內(nèi)容等,以及其中所包含的娛樂要素。 第三部分是從1905年到1921年,包括四個方面的內(nèi)容:第一,京劇與電影的聯(lián)姻,說明電影是一種娛樂;第二,是文明戲把“解題”這一娛樂因素引入到電影當(dāng)中;第三,商務(wù)印書館對電影本質(zhì)功能的探索;第四,最初三部故事長片具有的娛樂價值。 第四部分是從1922年到1930年,通過對張石川娛樂電影創(chuàng)作和天一公司娛樂帝國形成的介紹,以及對早期類型片發(fā)展?fàn)顩r的梳理,探討中國早期電影中的娛樂因素,以及作為大眾媒介的電影,其娛樂功能的體現(xiàn);有聲電影的出現(xiàn)使得電影音樂成為重要的娛樂內(nèi)容。 第五部分是從1931年到1937年,通過明晰新興電影運動的內(nèi)涵,了解新興電影運動的興起及電影評論的熱潮,來探討新興電影運動所帶來的“解題”型的影片以及之后的中國電影“解題”的時代。 第六部分是從1937年到1945年,這一部分包括三個方面,第一,探討“孤島”時期,中國類型電影的豐富和完善;第二,分析“孤島”影人及其類型電影的創(chuàng)作特點;第三,通過對中國早期動畫電影的介紹,說明為什么中國動畫電影從一開始便背離了娛樂的本質(zhì)。 第七部分是從1945年到1949年,提出“超類型”電影的概念,并探討中國電影的又一個高峰中,“超類型”電影對娛樂因素的運用與簡單類型電影有何不同。 第八部分,也就是結(jié)語,主要是用娛樂論的視角,重新評價中國早期電影和電影人,以及以娛樂視角看待中國早期電影有何現(xiàn)實意義。 另外,本論文還加有一個附錄,其內(nèi)容是從1921-1937年間《申報》所登載的電影廣告關(guān)鍵詞,通過對關(guān)鍵詞的歸納整理,來分析其中所包含的娛樂因素。
[Abstract]:Film is an important medium of communication, as a mass media and audio-visual cultural carrier, film has all the functions of mass media. But today, people seem to only remember that film is an art. But the fact that the film is the medium is often ignored, and the entertainment function is one of the important functions of the mass media. It is also a forgotten corner in the field of communication. As Fisher put it: "Entertainment-an important and underestimated function of communication." The scope of this paper is the evolution history of Chinese early film media under the function of entertainment. The core of this paper is the film as a mass media and its "entertainment function". This paper discusses the entertainment function of film as a mass media in different periods and its practical significance. The full text consists of eight parts, the main contents are as follows:. The first part is the introduction, which introduces the value and significance of the topic, the status quo of the topic selection at home and abroad and personal new opinions, the basic ideas and chapter arrangement of the topic selection research. The second part, from 1896 to 1905, introduces the first film screening in China, including the time, place, content, and entertainment elements. The third part is from 1905 to 1921, including four aspects: first, the marriage of Beijing Opera and film, which shows that film is an entertainment; second, the civilized play introduced the entertainment factor of "problem solving" into the film; third, The commercial press explores the essential function of the film; 4th, the entertainment value of the first three story features. The 4th part is from 1922 to 1930, through the introduction of Zhang Shichuan's entertainment film creation and the formation of the entertainment empire of Tianyi Company, as well as the combing of the development of the early types of films, this paper probes into the entertainment factors in the early Chinese films. As well as the mass media of the film, its entertainment function, the emergence of sound films make film music become an important entertainment content. The 5th part is from 1931 to 1937, through clarifying the connotation of the new movie movement, understand the rising of the new movie movement and the hot wave of the movie review. To explore the emerging film movement brought about by the "problem-solving" type of film and later Chinese film "problem solving" era. The 6th part is from 1937 to 1945. This part includes three aspects: first, it discusses the enrichment and perfection of the Chinese films of the "isolated island" period; secondly, it analyzes the creative characteristics of the "isolated island" filmmakers and their type films; third, it discusses the characteristics of the creation of the "isolated island" filmmakers and their type films. Through the introduction of Chinese early animated films, this paper explains why Chinese animation films deviated from the essence of entertainment from the beginning. The 7th part, from 1945 to 1949, puts forward the concept of "super type" film, and discusses the difference between the use of "super type" film and simple type film in another peak of Chinese film. Part 8th, that is, the conclusion, mainly uses the angle of entertainment theory to re-evaluate the early Chinese movies and filmmakers, as well as the realistic significance of viewing the early Chinese films from the perspective of entertainment. In addition, there is also an appendix in this paper, which is from 1921 to 1937 when the key words in the movie advertisement were published, and analyzed the entertainment factors contained in them by summarizing and arranging the keywords.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J909.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 蘇全有;鄒寶剛;;對近代中國電影史研究的回顧與反思[J];南陽理工學(xué)院學(xué)報;2011年03期

相關(guān)碩士學(xué)位論文 前1條

1 劉斌;體育新聞的娛樂要素研究[D];遼寧大學(xué);2011年

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本文編號：1614420