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美國“瑪格南圖片社”(Magnum Photos)現(xiàn)象研究

發(fā)布時(shí)間:2018-03-05 04:05

  本文選題:“瑪格南圖片社” 切入點(diǎn):新聞攝影 出處:《河南大學(xué)》2007年碩士論文 論文類型:學(xué)位論文


【摘要】: “瑪格南圖片社”一直在倡導(dǎo)寫實(shí)主義的攝影風(fēng)格。它強(qiáng)調(diào)的是對(duì)客觀世界的映現(xiàn),深入人類的生存實(shí)際,真正的了解并尊重被攝對(duì)象,不虛構(gòu)、不粉飾、不夸張,以抓拍的方式再現(xiàn)真實(shí)的場景。因此,瑪格南的攝影作品大多都是紀(jì)實(shí)性的。 今天,我們已經(jīng)處于被視像所構(gòu)置的光怪陸離的景象全面包圍的世界,各種機(jī)械復(fù)制的視像,如圖片、廣告、電影、電視、電腦、DV、VCD、DVD等仿真圖景可謂是已到了泛濫成災(zāi)的地步,視像在不斷地繁衍增殖、曲變擴(kuò)延,形成了當(dāng)代文化的視像的內(nèi)爆。與以印刷文化為主的重文字的傳統(tǒng)文化不同,當(dāng)代人的文化感知和接受更多地依賴于仿真的視像。進(jìn)入信息技術(shù)時(shí)代或后工業(yè)社會(huì)以來,數(shù)字信息處理技術(shù)在使傳統(tǒng)的攝影、電影、錄音、電視等不斷升級(jí)換代的同時(shí),發(fā)明了電腦及互聯(lián)網(wǎng),使機(jī)械復(fù)制的文化生產(chǎn)與傳播步入到了一個(gè)令人驚嘆不已的高科技發(fā)展階段。這些巨大的變化,創(chuàng)生出與傳統(tǒng)全然不同的文化生產(chǎn)和傳播方式,從根本上改變了人類的文化生存狀態(tài),改變了人類的文化感知、文化體驗(yàn)和文化想象的方式,同時(shí)也改變了人類文化價(jià)值的指向。 在信息化、全球化的時(shí)代背景下,瑪格南圖片社的傳統(tǒng)攝影理念受到了巨大沖擊,數(shù)字化技術(shù)不斷影響和改變著當(dāng)代新聞攝影的未來走向。首先,在圖像化時(shí)代的影像傳播環(huán)境中,新聞攝影成為了新聞媒介中最為活躍的傳播手段。優(yōu)秀的新聞圖片簡潔直觀、一目了然,大大提高了新聞信息傳播的速度和效率;它突破了語言的障礙,適應(yīng)了全球化背景下跨文化傳播的需求。其次,影像電子化為新聞攝影工作者提供了一個(gè)絕好的機(jī)遇,它打破了媒體的壟斷,建立起一個(gè)技術(shù)壁壘。第三,新聞攝影的技術(shù)得到了擴(kuò)展。媒體的圖像化導(dǎo)致了版面上照片表現(xiàn)形式的多樣化,特寫照片、插圖照片、設(shè)計(jì)攝影、人物肖像、環(huán)境人物肖像、圖片故事等報(bào)道形式的興起和繁榮,不僅豐富了新聞攝影的表現(xiàn)形式,也對(duì)攝影師的拍攝技術(shù)技巧提出了新的要求。第四,新聞攝影表現(xiàn)形式的多元化和個(gè)性化。以中國的新聞攝影為例,許多新聞攝影工作者,特別是年輕一代的作品,西方新聞攝影的審美已被中國人所了解、接受和運(yùn)用,逐漸成為我們攝影語言的有機(jī)組成部分,成為我國攝影多元化的一個(gè)重要標(biāo)志。可以預(yù)見,會(huì)有越來越多的中國攝影師將通過了解、接受、掌握和運(yùn)用這些攝影語言,在國內(nèi)更好地傳達(dá)信息,在國外更好的與西方主流文化交流。此外,年輕一代的新聞攝影師,在拍攝上越來越個(gè)性化,拍出來的照片是別人無法模仿的,有著非常獨(dú)特的想法、手段和眼光。
[Abstract]:Magnum has been advocating a realistic photographic style. It emphasizes the reflection of the objective world, the reality of human existence, the true understanding of and respect for the subject, not fiction, no whitewash, no exaggeration, no exaggeration, no exaggeration. As a result, Magnum's photographic works are mostly documentary. Today, we are in a world completely surrounded by the bizarre images constructed by the video, and all kinds of mechanically copied videos, such as pictures, advertisements, movies, television, computer DVDs and VCD-DVDs, have reached the point of flooding. The video is proliferating and expanding, thus forming the implosion of the visual image of contemporary culture, which is different from the traditional culture with the emphasis on the printed culture. The cultural perception and acceptance of contemporary people depend more on the visual simulation. Since entering the information technology era or post-industrial society, the digital information processing technology has made the traditional photography, film, sound recording, television and so on constantly upgraded. With the invention of computers and the Internet, the cultural production and dissemination of mechanical reproduction has entered an amazing stage of high-tech development. These tremendous changes have created ways of cultural production and communication that are completely different from traditional ones. It has fundamentally changed the living state of human culture, changed the way of human cultural perception, cultural experience and cultural imagination, but also changed the direction of human cultural value. Under the background of information technology and globalization, the traditional photography idea of Magnum Photo Agency has been greatly impacted. Digital technology is constantly influencing and changing the future trend of contemporary news photography. In the image communication environment of the image age, news photography has become the most active means of communication in the news media. Excellent news pictures are simple and intuitive, which can greatly improve the speed and efficiency of the dissemination of news information. It has broken through the language barrier and adapted to the needs of cross-cultural communication in the context of globalization. Secondly, the electronic image has provided a great opportunity for journalists, and it has broken the monopoly of the media. A technical barrier has been established. Thirdly, the technology of news photography has been expanded. The image of the media has led to the diversification of the presentation of photographs on the page, including close-up photos, illustrations, design photography, portraits, environmental portraits, The rise and prosperity of the reporting forms, such as photo stories, not only enriches the expression of news photography, but also puts forward new requirements for photographers' shooting techniques. 4th, The diversity and individualization of the forms of expression of news photography. Taking Chinese news photography as an example, many journalists, especially the younger generation, have learned, accepted and applied the aesthetics of Western journalism photography. It has gradually become an integral part of our photography language and an important symbol of the diversity of photography in our country. It can be predicted that more and more Chinese photographers will learn, accept, master and use these photography languages through understanding, accepting, mastering and using them. Better convey information at home, better exchange with mainstream Western culture abroad. In addition, the younger generation of news photographers are becoming more and more individualized in taking photos that others cannot imitate and have very unique ideas. Means and vision
【學(xué)位授予單位】:河南大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2007
【分類號(hào)】:G219.712

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前4條

1 俞高峰;紀(jì)實(shí)攝影界說及創(chuàng)作風(fēng)格[D];內(nèi)蒙古大學(xué);2012年

2 畢超;試析災(zāi)難性圖片報(bào)道中的新聞倫理問題[D];東北師范大學(xué);2012年

3 呂珍;論紀(jì)實(shí)攝影的主觀性與客觀性[D];山東工藝美術(shù)學(xué)院;2013年

4 鄧天佑;布列松新聞攝影思想研究[D];湘潭大學(xué);2012年

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