本文選題：現(xiàn)代數(shù)碼插畫　切入點：傳統(tǒng)插畫　出處：《湖南師范大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：社會文化的繁榮與發(fā)展,科學(xué)技術(shù)的進(jìn)步與應(yīng)用,促進(jìn)現(xiàn)當(dāng)代藝術(shù)以不斷蓬勃躍進(jìn)。隨著越來越多、越來越先進(jìn)的科技不斷應(yīng)用于社會,各種新奇的媒體技術(shù)和視覺效果展示平臺成為了商業(yè)廣告宣傳和產(chǎn)品展示的最佳工具和媒介。在這種社會發(fā)展的大潮流下,現(xiàn)代商業(yè)社會消費文化下所誕生的插畫藝術(shù)也由原來傳統(tǒng)的二維平面藝術(shù),進(jìn)入到了以電腦數(shù)字技術(shù)、多媒體技術(shù)為主要視覺效果展示媒介的數(shù)碼插畫藝術(shù)時代。擺脫了傳統(tǒng)插畫依賴于單一的二維平面展示,以一種新的形式和罕見的速度得以發(fā)展。 現(xiàn)代數(shù)碼插畫打破了原有的傳統(tǒng)插畫的設(shè)計范疇和表現(xiàn)與展示領(lǐng)域,產(chǎn)生了嶄新的插畫創(chuàng)作理念和新的藝術(shù)形式特點�，F(xiàn)代數(shù)碼插畫的應(yīng)用范疇早已經(jīng)超出了書籍雜志、報紙廣告等傳統(tǒng)的出版設(shè)計、視覺展示的簡單范疇,而被廣泛運用于影視動畫、時尚潮流、網(wǎng)絡(luò)文化以及電子移動通訊等領(lǐng)域。21世紀(jì)的插畫藝術(shù)已成為一門多技術(shù)多形式多載體的實用藝術(shù),并通過其天生的滲透力和龐大的商業(yè)文化體系,其影響力已經(jīng)涉及到了當(dāng)今社會政治經(jīng)濟、商業(yè)文化、日常生活等各個角落。而在新的時代背景下,雖然傳統(tǒng)的插畫藝術(shù)已經(jīng)不再居于主體的地位,但由于藝術(shù)自身的發(fā)展特點和社會審美意識形態(tài)的延續(xù)性,傳統(tǒng)插畫也依然保持著很好的活力,并在插畫藝術(shù)的整體發(fā)展形式中占有著一席之地。為什么現(xiàn)代數(shù)碼插畫發(fā)展到了一定的高度,而傳統(tǒng)插畫依然有其旺盛的生命力,并持續(xù)被人們關(guān)注。藝術(shù)自身的發(fā)展特點和形式主義特點為什么能夠在社會時代的發(fā)展與變遷中而魅力不減?因此從傳統(tǒng)的純粹的藝術(shù)本質(zhì)角度,來探討現(xiàn)代數(shù)碼插畫藝術(shù)與傳統(tǒng)插畫的藝術(shù)核心價值和藝術(shù)形式支撐體系十分必要的。 本文首先通過對插畫歷史發(fā)展歷程的簡單梳理,從現(xiàn)代數(shù)碼插畫和傳統(tǒng)的插畫藝術(shù)之間的表現(xiàn)形式、發(fā)展衍化趨勢和技術(shù)承載等方面進(jìn)行對比研究,探討二者之間最大的異同特點和相互關(guān)系變化。其次通過對社會商業(yè)文化發(fā)展形勢、意識形態(tài)發(fā)展變化以及科技拓展,從時代的變化對人們審美心理審美趣味的影響進(jìn)行認(rèn)真的分析、歸納,來探討現(xiàn)代數(shù)碼插畫藝術(shù)和傳統(tǒng)插畫二者最為本質(zhì)的最具核心價值之所在,探究藝術(shù)自身價值的唯一性和永恒性。 本文以插畫藝術(shù)的傳統(tǒng)繪畫技法為主要理論技術(shù)支撐點,來論證現(xiàn)代插畫藝術(shù)無論社會科技水平怎樣發(fā)展,視覺展示平臺和角度如何全面,媒體媒介多么豐富；無論是曾經(jīng)產(chǎn)生的還是將要形成的插畫藝術(shù)語言形式和技術(shù)特點變化,仍然需要在對藝術(shù)自身價值和最為本質(zhì)的傳統(tǒng)繪畫語言和表現(xiàn)技法的基礎(chǔ)上進(jìn)行一定繼承,才能得到更好地持續(xù)發(fā)展。
[Abstract]:The prosperity and development of social culture, the progress and application of science and technology, promote the development of modern and contemporary art. As more and more advanced science and technology are used in society, Various novel media technology and visual display platforms have become the best tools and media for commercial advertising and product display. The illustration art born under the consumption culture of the modern commercial society also entered the computer digital technology from the original traditional two-dimensional graphic art. The digital illustration art era in which multimedia technology is the main medium of visual effect display. It gets rid of the traditional illustration relying on a single two-dimensional plane display and develops with a new form and rare speed. The modern digital illustration has broken the original traditional illustration design category and the performance and the display domain, has produced the brand-new illustration creation idea and the new artistic form characteristic, the modern digital illustration application category has already exceeded the book magazine, Traditional publishing design, such as newspaper advertisements, and simple categories of visual display are widely used in film and television animation, fashion trends, The art of illustration in the 21st century, such as network culture and electronic mobile communication, has become a practical art of multi-technology, multi-form and multi-carrier, and through its inherent penetration and huge commercial culture system, Its influence has reached every corner of today's society, such as politics and economy, business culture, daily life and so on. But in the new era, although the traditional illustration art is no longer in the main position, However, due to the development characteristics of art itself and the continuity of social aesthetic ideology, the traditional illustration still maintains a good vitality. And occupies a place in the overall development form of illustration art. Why modern digital illustration has developed to a certain height, while traditional illustration still has its vigorous vitality, And continue to be concerned about the development of art itself and formalism characteristics why can in the development and change of the social era and the charm of the undiminished? Therefore, it is necessary to discuss the core value of modern digital illustration art and the supporting system of art form from the point of view of traditional pure artistic essence. In this paper, first of all, through a simple combing of the historical development of illustration, from the modern digital illustration and the traditional illustration art between the form of expression, development and evolution of the trend and technology bearing and other aspects of comparative research. To explore the greatest similarities and differences between the two characteristics and the relationship between the changes. Secondly, through the development of social business culture, ideological development and scientific and technological development, From the change of times on the influence of people's aesthetic psychology and aesthetic taste, this paper analyzes and sums up the most essential core value of modern digital illustration art and traditional illustration art. Explore the uniqueness and permanence of art's own value. This paper takes the traditional painting techniques of illustration art as the main theoretical and technical support to demonstrate that the modern illustration art no matter how the development of social science and technology, visual display platform and angle how comprehensive, how rich the media; Whether the form and technical characteristics of illustration language have been or will be formed, it is still necessary to inherit the traditional painting language and performance techniques based on the value and essence of art itself. In order to get better sustainable development.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J218.5

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