發(fā)布時間：2018-02-26 12:13

  本文關(guān)鍵詞： 水墨動畫 裝飾風(fēng)格 MAYA技術(shù) 后效合成　出處：《上海交通大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：隨著科技的不斷發(fā)展，計算機(jī)生成數(shù)字圖像的技術(shù)也日漸成熟，能夠表達(dá)的圖形越來越豐富，數(shù)字水墨動畫的表現(xiàn)形式也呈現(xiàn)出多樣化的發(fā)展趨勢。在傳統(tǒng)的數(shù)字水墨動畫中，大多通過水墨擴(kuò)散、物體發(fā)射流體等實現(xiàn)水墨畫的效果，在其他視覺特征上少有實現(xiàn)的效果研究。本文所實現(xiàn)的三維水墨動畫是基于2D水墨畫作品，這是將裝飾風(fēng)格水墨畫的水墨、顏色、肌理、布局等視覺特征在三維虛擬環(huán)境中進(jìn)行表達(dá)，同時使用后效合成技術(shù)實現(xiàn)動畫效果，使水墨藝術(shù)更加具有視覺美感。 本文通過實驗學(xué)習(xí)，研究如何把筆觸肌理等視覺特征應(yīng)用在未來新媒體的表現(xiàn)上，研究如何更真實模擬和再現(xiàn)具有裝飾風(fēng)格水墨畫。運(yùn)用數(shù)字技術(shù)設(shè)計制作裝飾風(fēng)格三維水墨動畫，來實現(xiàn)對2D藝術(shù)繪畫觀賞的真實感和視覺美感。論文分析了水墨畫裝飾風(fēng)格這一表現(xiàn)形式獨特的視覺特征，以及不同特征的視覺差異，提出各特征效果的MAYA軟件實現(xiàn)方法，以及該方法下考慮設(shè)置的合理參數(shù)范圍。最后，結(jié)合現(xiàn)代裝飾水墨畫作品，利用After Effects進(jìn)行后效合成，設(shè)計實現(xiàn)了裝飾風(fēng)格水墨動畫視頻，此數(shù)字視頻能夠更加形象化的真實再現(xiàn)藝術(shù)作品。通過動畫形式為藝術(shù)家提供了一種新的展示繪畫作品方法。 本文的研究重點和主要成果如下： 通過對裝飾風(fēng)格水墨畫與其他繪畫種類的視覺效果特征研究分析，提出并實現(xiàn)了一套基于裝飾風(fēng)格數(shù)字水墨動畫的設(shè)計和制作方案。從視覺效果上分析總結(jié)裝飾風(fēng)格水墨畫的視覺特征屬性。從藝術(shù)化視覺效果角度出發(fā)，提出將MAYA、Photoshop、After Effects等多個軟件的優(yōu)勢整合來作為實現(xiàn)水墨動畫的開發(fā)工具。 分析HSV色彩模型原理，基于水墨畫裝飾風(fēng)格彩墨肌理特征屬性研究，為使模型的材質(zhì)貼圖更好的表現(xiàn)裝飾風(fēng)格效果，，采用學(xué)習(xí)方法，對在3D模型中的顏色設(shè)置進(jìn)行彩墨紋理的試驗渲染，并確定了合理的設(shè)置范圍。 分析2D水墨作品中的構(gòu)圖法則和影視廣告中的鏡頭語言，在三維虛擬場景中運(yùn)用三分法則、“S”型韻律法則、強(qiáng)調(diào)對比法則進(jìn)行水墨動畫的設(shè)計構(gòu)圖。嘗試在三維裝飾風(fēng)格水墨動畫制作中，把鏡頭焦距，景別等鏡頭語言元素結(jié)合起來營造畫面的運(yùn)動感。最后實現(xiàn)裝飾風(fēng)格水墨畫虛擬場景的建立。 根據(jù)上述藝術(shù)理論研究分析和數(shù)字動畫實驗結(jié)果，實現(xiàn)了彩墨裝飾風(fēng)格水墨動畫視頻。進(jìn)一步將藝術(shù)理論和技術(shù)實現(xiàn)相結(jié)合，把裝飾風(fēng)格水墨畫應(yīng)用在新媒體的表現(xiàn)上。通過測試驗證了設(shè)計構(gòu)想，達(dá)到了最初的目標(biāo)為藝術(shù)家們提供了一個作品展示的新途徑。
[Abstract]:With the development of science and technology, the technology of generating digital image by computer is becoming more and more mature, the graphics can be expressed more and more abundant, and the expression forms of digital ink and ink animation also present a diversified development trend. Most of the effects of ink painting are realized through the diffusion of ink and ink and the emission of fluid by objects, but there is little research on the effect of other visual features. The 3D ink and wash animation realized in this paper is based on 2D ink painting works. This is the decorative style of ink, color, texture, layout and other visual features in the three-dimensional virtual environment to express, while the use of post-effect synthesis technology to achieve animation effect, so that the ink art has a more visual aesthetic. Through experimental study, this paper studies how to apply the visual features such as brushstroke texture to the performance of new media in the future. This paper studies how to simulate and reproduce painting with decorative style more truthfully. Using digital technology to design and make 3D ink animation with decorative style, This paper analyzes the unique visual features of the decorative style of ink and wash painting, as well as the visual differences of different features, and puts forward the implementation method of MAYA software for each feature effect. Finally, combining with the modern decorative ink painting works, using After Effects to synthesize the aftereffects, we design and realize the decorative style ink animation video. This digital video can reproduce the art works in a more visual way, which provides a new way for artists to display their paintings through animation. The research focus and main results of this paper are as follows:. Through the research and analysis of the visual effect characteristics of decorative style ink painting and other kinds of painting, This paper puts forward and realizes a set of design and production scheme of digital ink animation based on decorative style, analyzes and summarizes the visual characteristic attribute of decorative style ink painting from the visual effect, and sets out from the angle of artistic visual effect, This paper proposes to integrate the advantages of many softwares, such as Maya Photoshop after Effects, as a tool for the development of ink and ink animation. This paper analyzes the principle of HSV color model, based on the study of texture properties of color ink in ink painting decoration style, in order to make the material texture map of the model better express the decorative style effect, the learning method is adopted. The color setting in 3D model is experimentally rendered with color ink texture, and the reasonable setting range is determined. This paper analyzes the composition principle in 2D ink and ink works and the lens language in film and television advertisement, and applies the three-point rule and "S" prosodic law in 3D virtual scene. Emphasize the principle of contrast in the design and composition of ink animation. Try to focus the lens in the production of three dimensional decorative style ink animation. Scene and other lens language elements combined to create a sense of motion. Finally, the establishment of decorative style ink painting virtual scene. According to the research and analysis of the above art theory and the experimental results of digital animation, the color ink decorative style ink animation video is realized. The decorative style of ink painting is applied to the performance of new media. The design concept has been tested and the original goal has been achieved, which provides a new way for artists to display their works.
【學(xué)位授予單位】：上海交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TP391.41

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