本文關鍵詞：原研哉設計理念的探究及其在牛仔服設計中的應用　出處：《江南大學》2013年碩士論文　論文類型：學位論文

  更多相關文章： 原研哉 牛仔服 設計理念 設計應用

【摘要】：原研哉現為日本設計中心代表，武藏野美術大學基礎設計學科教授。自2002年擔任無印良品（MUJI）藝術總監(jiān)以來，因其作品根植于東方傳統文化，以回歸設計的原點、關注人的設計為中心，摒棄過剩的部分，傳達一種簡約而不簡陋的精致樸素思想觀念，而被廣泛關注和研究。原研哉的設計思想應用范疇十分廣泛，尤其在平面設計、VI設計、廣告設計領域耳熟能詳。但是，其設計理念在服裝設計相關領域的發(fā)展還未深入。原研哉設計作品中對本土化文化精髓的挖掘，以及“以人為本”、“低碳環(huán)�！钡戎髁髟O計理念的體現，都值得服裝設計領域的設計師們參考與借鑒。本課題以牛仔服設計為切入點，有意探討原研哉設計理念在服設計領域的設計應用。 在全球文化大融合的時代背景下，牛仔服作為西方文化的一種代表性服飾，已成為全球服飾中不可或缺的角色。其在國內市場中也占有很大一部分比重，經過20年的發(fā)展，，我國牛仔服行業(yè)的生產加工技術已經成熟。但由于自主開發(fā)設計環(huán)節(jié)的薄弱，牛仔服行業(yè)內出現了服裝產品款式的差異性不大，缺少擁有國際競爭力的牛仔服裝品牌等一系列問題。這急需我國牛仔服設計師們做出改變。 課題首先分析原研哉設計理念產生的背景、發(fā)展階段以及應用現狀，總結出其設計理念的三大表現形式以及在造型、色彩、材質中的應用規(guī)律。其次，對國內牛仔服市場的設計現狀、發(fā)展趨勢進行調研，結合對牛仔服自身情況的分析指出原研哉設計理念在牛仔服設計中的應用條件。最后，總結原研哉設計理念在牛仔服設計中的應用原則及應用方法，并輔以設計案例說明。通過本課題的研究，嘗試構建原研哉設計理念在牛仔服設計中的理論體系，為國內自主開發(fā)設計牛仔服產品提供理論依據，更為牛仔服行業(yè)的發(fā)展創(chuàng)造的嶄新空間。
[Abstract]:Harahiya is a representative of the Japanese Design Center and professor of basic design at Musashi University of Fine Arts. He has been artistic director of Muji since 2002, because his works are rooted in the traditional culture of the East. To return to the origin of design, focus on the design of people as the center, abandon the excess part, convey a simple but not simple refined simple ideas. And has been widely concerned and studied. The original concept of design applications are very wide, especially in graphic design VI design, advertising design field familiar. But. Its design concept in the clothing design related fields has not been further developed. In the original design works of the localization of cultural essence excavation, as well as "people-oriented", "low-carbon environmental protection" and other mainstream design philosophy embodiment. This topic regards denim design as the breakthrough point, and intends to discuss the application of the original design concept in the field of clothing design. Under the background of the global cultural integration, denim, as a representative clothing of western culture, has become an indispensable role in the global clothing, and it also occupies a large proportion in the domestic market. After 20 years of development, the production and processing technology of the denim industry in China has matured, but due to the weakness of independent development and design, there is not much difference in the style of garment products in the denim industry. Lack of internationally competitive denim clothing brand and a series of problems. This is in urgent need of our jeans designers to make a change. This paper first analyzes the background, development stage and application status of the original design concept, summarizes the three forms of its design concept and its application in modeling, color and material. Secondly. This paper investigates the design status and development trend of the domestic jeans market, and points out the application conditions of the original design concept in the denim design combined with the analysis of the jeans' own situation. Finally. This paper summarizes the application principle and method of original design concept in denim design, and explains the design case. Through the research of this subject, we try to construct the theory system of original research concept in denim design. It provides a theoretical basis for the independent development and design of denim products in China, and creates a new space for the development of the denim industry.
【學位授予單位】：江南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：TS941.714.7

【參考文獻】

相關期刊論文 前10條

1 尹瑾;;色彩和材料對日本產品感官設計作用的研究[J];包裝工程;2012年14期

2 周麗婷;;素樸與豐厚——探析無印良品的色彩[J];大眾文藝;2009年24期

3 馬亦驊;;面料再設計在牛仔服裝中的藝術表現[J];國際紡織導報;2010年07期

4 李卉;;論虛無設計中的寂靜美學[J];大家;2011年24期

5 王芳;;中國書畫中“空白”的形式美分析[J];美與時代(中);2011年02期

6 王銀明;;中國畫“留白”手法對現代服裝設計的啟示[J];南通紡織職業(yè)技術學院學報;2011年01期

7 孫湘明;侯濤;;視覺設計中的通感形式應用研究[J];佳木斯教育學院學報;2012年07期

8 王新征;;淺析原研哉設計方法與設計理念[J];哈爾濱職業(yè)技術學院學報;2012年05期

9 劉鳳娟;;圣潔之美——談日語中“白”的文化內涵[J];文教資料;2007年09期

10 武旭;;簡論原研哉設計理念中的東方美學傳統[J];藝海;2011年10期

本文編號：1431589