皮胎雕漆工藝在現(xiàn)代箱包設(shè)計上的應(yīng)用
發(fā)布時間：2018-10-23 20:18
【摘要】：“換換口味吧，雕漆也可以這樣用！”。把雕漆做成為人們所使用的、有功能性的生活用品，以這種方式普及雕漆，讓人們認(rèn)識和接受雕漆。這就是我想表達(dá)的簡單想法。 雕漆，始于大約一千五百年前，它是中華工藝文明的重要組成部分，有著悠久的歷史和輝煌的成就。雕漆是由中國原始造物藝術(shù)延續(xù)而來的工藝文化，，開始便成為權(quán)貴的象征。雕漆所形成的器皿所體現(xiàn)的技藝與尺寸構(gòu)成的物與物、人與物關(guān)系的空間，不斷地反映出人們社會生活的行為方式和思維方式，正如歷朝歷代的雕漆所呈現(xiàn)的形態(tài)多為擺件，大多不能為人們所使用。然而傳統(tǒng)雕漆工藝因工藝技術(shù)、研發(fā)設(shè)計、營銷方式等各方面因素的制約沒能適應(yīng)現(xiàn)代社會生活而出現(xiàn)的發(fā)展瓶頸。在手工業(yè)面臨危機的當(dāng)下，傳統(tǒng)雕漆迫切需要進(jìn)行現(xiàn)代表現(xiàn)形式方面的嘗試，在完整地傳統(tǒng)技藝精髓傳承下去的同時，更迫切需要設(shè)計和創(chuàng)作出融入時代特色、能為較廣泛人群接受的現(xiàn)代雕漆作品。 2003年10月17日聯(lián)合國教科文組織通過的《保護(hù)非物質(zhì)文化遺產(chǎn)公約》指出：“保護(hù)”指采取措施，確保非物質(zhì)文化遺產(chǎn)的生命力，包括這種遺產(chǎn)各個方面的確認(rèn)、立檔、研究、保存、保護(hù)、宣傳、弘揚、承傳（主要通過正規(guī)和非正規(guī)教育）和振興�！雹賹W(xué)習(xí)雕漆，探究中國傳統(tǒng)文化的現(xiàn)代價值，思考中國傳統(tǒng)文化對人類未來可能有的貢獻(xiàn)無疑是有益的。 本文通過學(xué)習(xí)傳統(tǒng)雕漆技藝，學(xué)習(xí)大師的設(shè)計思路融合皮革設(shè)計所學(xué)知識，以皮胎雕漆為線索，研究其歷史、恢復(fù)其工藝，來呈現(xiàn)雕漆的現(xiàn)代化表現(xiàn)形式。通過功能化雕漆使人們認(rèn)識和接受雕漆，這樣才能更好的傳承、發(fā)展。讓雕漆這份美麗珍貴的傳統(tǒng)手工技藝遺產(chǎn)一代代傳下去是我們的責(zé)任。
[Abstract]:"change your taste, and you can use the carving paint like this!" Make the carving lacquer become the people's use, the functional daily necessities, in this way popularize the carving lacquer, let people know and accept the carving lacquer. This is the simple idea I want to express. Carving lacquer, which began about 1500 years ago, is an important part of Chinese craft civilization, with a long history and brilliant achievements. Carving lacquer is from the Chinese original creation art from the continuation of the craft culture, began to become a symbol of power. The objects and objects of the craft and the size of the vessels formed by the carving lacquer, the space of the relationship between people and things, constantly reflect the ways of behavior and thinking of people's social life, just as the forms of the carving lacquers of the past dynasties are mostly ornaments. Most cannot be used by people. However, the traditional lacquer process has not been able to adapt to the development bottleneck of modern social life due to the constraints of various factors such as technology, R & D design, marketing methods and so on. At the moment when handicraft industry is facing crisis, traditional carving lacquer urgently needs to try on modern expression form, while inheriting the essence of traditional art completely, it is more urgent to design and create to blend into the characteristics of the times. The Convention for the Protection of the Intangible Cultural Heritage, adopted by the United Nations Educational, Scientific and Cultural Organization on 17 October 2003, states that "protection" means measures taken, Ensuring the viability of the intangible cultural heritage, including the recognition, archiving, research, preservation, protection, promotion, inheritance (mainly through formal and non-formal education) and revitalization of all aspects of such heritage. "1 It is undoubtedly beneficial to explore the modern value of Chinese traditional culture and to think about its possible contribution to the future of mankind. In this paper, by studying the traditional techniques of carving lacquer and learning the design ideas of the master, the author combines the knowledge of leather design, taking the leather tyre carving paint as the clue, studies its history, restores its craft, and presents the modern expression form of the carved lacquer. Through functional carving paint to enable people to understand and accept carving paint, so as to better inheritance and development. It is our duty to pass on this beautiful and precious heritage of traditional handicraft skills.
【學(xué)位授予單位】：北京服裝學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TS563.4;J314.6
[Abstract]:"change your taste, and you can use the carving paint like this!" Make the carving lacquer become the people's use, the functional daily necessities, in this way popularize the carving lacquer, let people know and accept the carving lacquer. This is the simple idea I want to express. Carving lacquer, which began about 1500 years ago, is an important part of Chinese craft civilization, with a long history and brilliant achievements. Carving lacquer is from the Chinese original creation art from the continuation of the craft culture, began to become a symbol of power. The objects and objects of the craft and the size of the vessels formed by the carving lacquer, the space of the relationship between people and things, constantly reflect the ways of behavior and thinking of people's social life, just as the forms of the carving lacquers of the past dynasties are mostly ornaments. Most cannot be used by people. However, the traditional lacquer process has not been able to adapt to the development bottleneck of modern social life due to the constraints of various factors such as technology, R & D design, marketing methods and so on. At the moment when handicraft industry is facing crisis, traditional carving lacquer urgently needs to try on modern expression form, while inheriting the essence of traditional art completely, it is more urgent to design and create to blend into the characteristics of the times. The Convention for the Protection of the Intangible Cultural Heritage, adopted by the United Nations Educational, Scientific and Cultural Organization on 17 October 2003, states that "protection" means measures taken, Ensuring the viability of the intangible cultural heritage, including the recognition, archiving, research, preservation, protection, promotion, inheritance (mainly through formal and non-formal education) and revitalization of all aspects of such heritage. "1 It is undoubtedly beneficial to explore the modern value of Chinese traditional culture and to think about its possible contribution to the future of mankind. In this paper, by studying the traditional techniques of carving lacquer and learning the design ideas of the master, the author combines the knowledge of leather design, taking the leather tyre carving paint as the clue, studies its history, restores its craft, and presents the modern expression form of the carved lacquer. Through functional carving paint to enable people to understand and accept carving paint, so as to better inheritance and development. It is our duty to pass on this beautiful and precious heritage of traditional handicraft skills.
【學(xué)位授予單位】：北京服裝學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TS563.4;J314.6
【共引文獻(xiàn)】
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