【摘要】： 我國古代封建社會(huì)中,統(tǒng)治階級(jí)在宮殿、陵墓前建立雕像的制度,根據(jù)文獻(xiàn)記載,周、秦時(shí)代已經(jīng)肇始,只是宮殿早已毀去,帝王陵墓前亦少有遺留;野人抱熊石雕是漢武帝時(shí)期霍去病墓大型石雕之一,就造型藝術(shù)形式而言,野人抱熊石刻造型藝術(shù)有著顯著的特點(diǎn):造型的表象形式在繼承中有突破和發(fā)展,在遵循前代循石造像處理傳統(tǒng)過程中有新的創(chuàng)造,熊與人動(dòng)靜結(jié)合天衣無縫,在平衡中求變化,追求新的對(duì)稱性格式;造型藝術(shù)表現(xiàn)形式上體現(xiàn)出剪影式裝飾化審美追求;在表現(xiàn)手法上,以尊重原石的天然特征為前提,不作鏤空,而是線刻、圓雕、浮雕、減地凸雕相結(jié)合綜合運(yùn)用;從而形成了有別于同墓其它石雕造型風(fēng)格的獨(dú)特藝術(shù)風(fēng)格。野人抱熊石雕造型藝術(shù)風(fēng)格在霍去病墓石雕群整體風(fēng)格中是一個(gè)明顯的轉(zhuǎn)折點(diǎn),它繼承并發(fā)展了以往的樣式而展示了嶄新的氣象,為后世在造型形式,意向表現(xiàn)上起了重要的開拓作用。
[Abstract]:In the ancient feudal society of China, the ruling class established the system of statues in front of palaces and mausoleums. According to the literature, the Zhou and Qin dynasties had already begun, only the palaces had already been destroyed, and the emperors' mausoleums were rarely left behind. As far as the art form of plastic arts is concerned, the art of holding bear stone carvings has remarkable characteristics: the appearance form of modeling has breakthrough and development in inheritance. There is new creation in the process of following the traditional process of dealing with the stone statue in the former generation, the bear and the human being combine perfectly and seamlessly, seek the change in the balance, pursue the new symmetry format, the expression form of the plastic art embodies the aesthetic pursuit of the silhouette decoration; In the expression technique, regard respect the natural characteristic of the original stone as the premise, do not hollow out, but line engraving, round carving, relief, reduce the ground convex carving to combine the comprehensive application, thus formed the unique artistic style which is different from the other stone sculpture modeling style of the same tomb. The art style of rock sculpture in Huo Qiang's tomb is an obvious turning point. It inherits and develops the previous style and shows a brand new atmosphere for later generations. Intention performance plays an important pioneering role.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：K879.4;J305

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王凱;;漢代雕塑與人物陶藝的寫意性研究[J];中國陶瓷;2010年12期

，

本文編號(hào)：2275996