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徽州木刻藝術(shù)的傳承與發(fā)展研究

發(fā)布時(shí)間:2018-10-15 08:12
【摘要】:我國的木刻藝術(shù)起源于印刷術(shù),距今已有一千三百多年的歷史,比西方木刻藝術(shù)早五百多年,作為文化的載體推動著社會發(fā)展的進(jìn)程。木刻藝術(shù)的題材、創(chuàng)作方式、造型藝術(shù)蘊(yùn)含著深厚的文化意蘊(yùn),在畫家、刻工、印工三者通力合作下,已發(fā)展成為了中華民族重要的一個(gè)藝術(shù)門類;瘴幕鳛橐环N傳統(tǒng)歷史文化,是古代農(nóng)耕社會后期在徽州地區(qū)中所產(chǎn)生中華文化的縮影,蘊(yùn)含了儒家文化精神思想,具有較強(qiáng)的地域文化特征。徽州木刻藝術(shù)是反映徽州人們的民族風(fēng)俗和對生活的美好向往的重要表現(xiàn)形式;罩菽究趟囆g(shù)作為非物質(zhì)文化遺產(chǎn),具有極高的文化價(jià)值、教育價(jià)值、藝術(shù)價(jià)值,體現(xiàn)了徽州人的智慧,是徽文化的重要組成部分。本論文從徽州木刻藝術(shù)發(fā)展的脈絡(luò)入手,分析徽州木刻藝術(shù)形成的地理環(huán)境、人文因素、科技因素和社會經(jīng)濟(jì)因素等,探究了徽州木刻藝術(shù)與“徽州三雕”藝術(shù)相互影響的關(guān)系,深入研究從木刻到木雕一一從平面到立體的發(fā)展,揭示徽州木刻藝術(shù)與三雕藝術(shù)在創(chuàng)作技法、藝術(shù)風(fēng)格、題材、內(nèi)容的同源性特征。從平面設(shè)計(jì)、產(chǎn)品設(shè)計(jì)、環(huán)境設(shè)計(jì)等領(lǐng)域,通過對徽州傳統(tǒng)優(yōu)秀木刻作品的藝術(shù)風(fēng)格和審美價(jià)值的研究,對木刻藝術(shù)的應(yīng)用設(shè)計(jì)方法進(jìn)行了總結(jié),具體分析了徽州木刻藝術(shù)在現(xiàn)代設(shè)計(jì)中的運(yùn)用與創(chuàng)新。本文通過對徽州木刻藝術(shù)的發(fā)展現(xiàn)狀與對當(dāng)前存在的困境和問題進(jìn)行分析,對木刻藝術(shù)的保護(hù)與傳承提出了具體建議和辦法。在現(xiàn)代審美語境下為了更好的保護(hù)和傳承木刻藝術(shù),政府方應(yīng)積極發(fā)揮其政策法規(guī)引導(dǎo)的職能,對徽州木刻藝術(shù)的宣傳與保護(hù),給予人們相應(yīng)的約束和鼓勵,同時(shí)給予經(jīng)濟(jì)方面的支持與補(bǔ)助;大力開展非物質(zhì)文化產(chǎn)業(yè)園建設(shè),努力開拓旅游市場;建立激勵傳承人有效機(jī)制,保護(hù)刻手工藝技法,在經(jīng)費(fèi)的投入上有所保障,加強(qiáng)進(jìn)行相關(guān)的學(xué)術(shù)研究整理;將徽州木刻藝術(shù)經(jīng)過系統(tǒng)的總結(jié)完善后融入學(xué)院專業(yè)教育,運(yùn)用專業(yè)學(xué)校的教育作用對其進(jìn)行發(fā)展與傳承。只有做到政府高度重視、專業(yè)人才后繼有人,徽州木刻藝術(shù)才會重放異彩。
[Abstract]:The woodcut art of our country originates from printing, it has a history of more than 1300 years, more than 500 years earlier than the western woodcut art, as the carrier of culture, it promotes the process of social development. The theme, the creation method and the plastic arts of woodcut art contain profound cultural implication. With the cooperation of painters, engravers and printers, they have developed into an important category of art in the Chinese nation. As a kind of traditional historical culture, Hui culture is the epitome of Chinese culture produced in Huizhou area in the late period of ancient farming society. It contains Confucian cultural spirit thought and has strong regional cultural characteristics. The woodcut art of Huizhou is an important expression form of reflecting the folk customs and the beautiful yearning for life in Huizhou. As an intangible cultural heritage, Huizhou woodcut art has very high cultural value, educational value and artistic value. It embodies the wisdom of Huizhou people and is an important part of Huizhou culture. Starting with the development of Huizhou woodcut art, this paper analyzes the geographical environment, humanistic factors, scientific and technological factors and social and economic factors of the formation of Huizhou woodcut art. This paper probes into the relationship between Huizhou woodcut art and "Huizhou SanDiao" art, deeply studies the development from woodcut to woodcarving from plane to three-dimensional, and reveals that Huizhou woodcut art and three carvings art are creating techniques, artistic style and subject matter. The homology of content. From the aspects of graphic design, product design, environment design and so on, this paper summarizes the applied design methods of woodcut art through the research on the artistic style and aesthetic value of Huizhou traditional excellent woodcut works. This paper analyzes the application and innovation of Huizhou woodcut art in modern design. Based on the analysis of the present situation of the development of Huizhou woodcut art and the existing difficulties and problems, this paper puts forward some concrete suggestions and methods for the protection and inheritance of woodcut art. In order to better protect and inherit woodcut art in the modern aesthetic context, the government should give full play to its function of guiding policies and regulations, publicize and protect the woodcut art of Huizhou, and give people corresponding restraint and encouragement. At the same time, we should give economic support and subsidies; vigorously carry out the construction of immaterial and cultural industrial parks and strive to open up the tourist market; and establish an effective mechanism to encourage inheritors, protect the craftsmanship of engraving, and ensure the investment of funds. Strengthen the relevant academic research; Huizhou woodcut art after a systematic summary and perfection into the college professional education, the use of professional schools to develop and inherit the role of education. Only when the government attaches great importance and professionals succeed, the woodcut art of Huizhou will replay the splendor.
【學(xué)位授予單位】:安徽工程大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2015
【分類號】:J314.2

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