大足石刻瓔珞在珠寶設(shè)計(jì)中的應(yīng)用研究
發(fā)布時(shí)間:2018-07-29 13:46
【摘要】:我國珠寶設(shè)計(jì)經(jīng)過三十年的快速發(fā)展,正在面臨全球一體化進(jìn)程帶來的激烈競爭。具有民族風(fēng)格特色的設(shè)計(jì)聚焦了越來越多的視線。[1]大足石刻瓔珞有著獨(dú)具特色的裝飾風(fēng)格,是大足石刻裝飾藝術(shù)藝術(shù)的內(nèi)容之一。大足石刻藝術(shù)不僅是國石刻藝術(shù)中的一顆璀璨明珠,其奪目的藝術(shù)光輝更奠定了她在世界石刻藝術(shù)之林的重要地位。 大足石刻瓔珞是大足石刻裝飾藝術(shù)的具體表達(dá),大足石刻瓔珞以繁縟富麗、優(yōu)雅端莊的裝飾風(fēng)格詮釋了大足石刻造像的包容、厚重與博大精深。大足石刻瓔珞自早期發(fā)展到鼎盛的兩宋時(shí)期,瓔珞結(jié)構(gòu)形式不斷發(fā)展與創(chuàng)新,裝飾元素不斷豐富,,并伴有濃厚的世俗審美心理。大足石刻體現(xiàn)了外來宗教的中國化,大足石刻瓔珞也是外來宗教裝飾藝術(shù)的本土化,體現(xiàn)了外來宗教文化和中國本土世俗文化的完美契合。大足石刻瓔珞作為本土化了的宗教裝飾藝術(shù),正體現(xiàn)了早期“中國化珠寶設(shè)計(jì)”的自然發(fā)展的內(nèi)在藝術(shù)精神。中國的珠寶設(shè)計(jì)經(jīng)過了30年的高速發(fā)展,具有民族民族意識的設(shè)計(jì)與創(chuàng)作正在快速發(fā)展。將大足石刻瓔珞的民族藝術(shù)精神與藝術(shù)形式應(yīng)用在現(xiàn)在的珠寶設(shè)計(jì)中,是民族化的珠寶設(shè)計(jì)的嘗試,順應(yīng)了我國珠寶設(shè)計(jì)時(shí)代發(fā)展的潮流。同時(shí),對大足石刻瓔珞的創(chuàng)新發(fā)展是對大足石刻文物的發(fā)展提出了新的保護(hù)思路,是對我國大足石刻藝術(shù)新的傳承與發(fā)展。
[Abstract]:After thirty years of rapid development, China's jewelry design is facing fierce competition from the process of global integration. The design of national style focuses on the more and more eyes of.[1] Dazu stone carving with unique decorative style. It is one of the contents of great stone carving art. A bright pearl in the art of stone carving has laid an important role in the world's stone carving art.
The great foot stone carving is the concrete expression of the stone carving art of big foot. It is rich and with strong secular aesthetic psychology. Dazu stone carving embodies the Sinicization of foreign religions. Great foot stone carving is the localization of foreign religious ornament art. It embodies the perfect fit of foreign religious culture and the local secular culture of China. The natural development of "Chinese jewelry design" is the inherent artistic spirit of the natural development of the Chinese jewelry design. After 30 years of rapid development of Chinese jewelry design, the design and creation of national national consciousness are developing rapidly. Try to conform to the trend of the development of China's jewelry design era. At the same time, the innovation and development of big foot stone carving is a new protection idea for the development of big foot stone carvings. It is a new inheritance and development of great stone carving art in China.
【學(xué)位授予單位】:重慶師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J526.1;J314.3
本文編號:2152866
[Abstract]:After thirty years of rapid development, China's jewelry design is facing fierce competition from the process of global integration. The design of national style focuses on the more and more eyes of.[1] Dazu stone carving with unique decorative style. It is one of the contents of great stone carving art. A bright pearl in the art of stone carving has laid an important role in the world's stone carving art.
The great foot stone carving is the concrete expression of the stone carving art of big foot. It is rich and with strong secular aesthetic psychology. Dazu stone carving embodies the Sinicization of foreign religions. Great foot stone carving is the localization of foreign religious ornament art. It embodies the perfect fit of foreign religious culture and the local secular culture of China. The natural development of "Chinese jewelry design" is the inherent artistic spirit of the natural development of the Chinese jewelry design. After 30 years of rapid development of Chinese jewelry design, the design and creation of national national consciousness are developing rapidly. Try to conform to the trend of the development of China's jewelry design era. At the same time, the innovation and development of big foot stone carving is a new protection idea for the development of big foot stone carvings. It is a new inheritance and development of great stone carving art in China.
【學(xué)位授予單位】:重慶師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J526.1;J314.3
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