本文選題：百姓消費 + 人類學(xué)視野��； 參考：《美術(shù)觀察》2017年06期

【摘要】：正民間泥塑分為大小兩類,前者主要散布于各地石窟或寺廟,后者多為民俗產(chǎn)物。小型泥塑又區(qū)別為單件精工細作的"細貨"和批量生產(chǎn)的"粗貨"。粗貨泥塑亦稱耍貨,被鄉(xiāng)土百姓消費,風(fēng)格明晰、代表性強、產(chǎn)量極高、影響廣泛。~([1])目前,藝術(shù)學(xué)領(lǐng)域的民間泥塑研究成果豐富,遺憾的是,汗牛充棟的論述多局限于運用各種美學(xué)原理分析形象之
[Abstract]:Folk clay statues are divided into two categories, the former mainly scattered around the grottoes or temples, the latter mostly folk products. Small clay sculpture is distinguished as a single piece of fine work "fine goods" and batch-produced "coarse goods." Crude clay figurines, also known as charlatans, are consumed by the local people, with a clear style, strong representativeness, extremely high output and extensive influence. At present, there are abundant achievements in folk clay sculpture research in the field of art. Unfortunately, The argumentations are limited to the use of various aesthetic principles to analyze the image
【作者單位】： 揚州大學(xué)美術(shù)與設(shè)計學(xué)院;
【分類號】：J314.7
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本文編號：2055125