本文選題：當(dāng)代雕塑 + 新材料　； 參考：《沈陽大學(xué)》2017年碩士論文

【摘要】：在傳統(tǒng)的觀念中,人們將雕塑稱之為“凝固的藝術(shù)”,在雕塑發(fā)展的幾百年間,它一直以靜態(tài)的、可視的、可觸的三維物體形象出現(xiàn)在世人面前,并通過藝術(shù)家對(duì)雕塑作品的造型形象的把握和空間形式的處理反映創(chuàng)作初衷或社會(huì)現(xiàn)實(shí)。雕塑作品因其靜態(tài)的特征僅能夠傳達(dá)出事物在運(yùn)動(dòng)過程中的一個(gè)轉(zhuǎn)瞬即逝的動(dòng)勢(shì),因此,這即成為它不具備自然敘述性的主要原因,卻又成為雕塑作品能以生動(dòng)、活靈活現(xiàn)的狀態(tài)呈現(xiàn)給觀眾的重要原因。然而,伴隨著科學(xué)技術(shù)的不斷發(fā)展和人們審美觀念的轉(zhuǎn)變,在現(xiàn)代雕塑藝術(shù)中新材料的運(yùn)用成為了一個(gè)熱點(diǎn)話題,隨之而來的出現(xiàn)了反傳統(tǒng)的聲光藝術(shù)、動(dòng)態(tài)雕塑以及軟雕塑等等倚靠新材料發(fā)展起來的雕塑藝術(shù)作品。本文首先論述了材料在雕塑藝術(shù)中的決定性作用,并將傳統(tǒng)雕塑與當(dāng)代雕塑進(jìn)行對(duì)比,提出對(duì)于綜合材料的運(yùn)用與拓展。中國(guó)當(dāng)代雕塑創(chuàng)作中材料的轉(zhuǎn)變經(jīng)歷了繼承傳統(tǒng)、借鑒西方和個(gè)性創(chuàng)新三個(gè)階段,并在材料的運(yùn)用中呈現(xiàn)創(chuàng)新與個(gè)性化趨勢(shì),提出新材料在我國(guó)當(dāng)代雕塑創(chuàng)作中的作用與意義,以及科技的發(fā)展對(duì)于我國(guó)新材料運(yùn)用的影響。新材料的種類層出不窮,本文以有機(jī)高分子材料、軟材料、紙材料、光材料、負(fù)離子材料和現(xiàn)成品為例,論述了新材料在我國(guó)當(dāng)代雕塑創(chuàng)作中的探索與應(yīng)用。在對(duì)于新材料語言的運(yùn)用上,總結(jié)了材料的組合、材料的錯(cuò)位、材料的提煉及材料的改造四種創(chuàng)新手法,將材料在當(dāng)代雕塑藝術(shù)創(chuàng)作中的運(yùn)用上提供了更多的可能性�？偠灾�,新材料在我國(guó)當(dāng)代雕塑藝術(shù)的發(fā)展過程中祈禱的作用是顯而易見的,但藝術(shù)家們要發(fā)揮主觀能動(dòng)性,將新材料合理地運(yùn)用到藝術(shù)創(chuàng)作中,以創(chuàng)作主體的態(tài)度來看待材料的發(fā)展與創(chuàng)新。在現(xiàn)代雕塑藝術(shù)創(chuàng)作中,對(duì)于新材料的使用和探索層出不窮,對(duì)于高科技的運(yùn)用也屢見不鮮。材料作為雕塑藝術(shù)的載體呈現(xiàn)了百花齊放,百家爭(zhēng)鳴的繁榮局勢(shì),我國(guó)在雕塑藝術(shù)的新材料發(fā)展上要以開放而嚴(yán)謹(jǐn)?shù)膽B(tài)度迎接機(jī)遇與挑戰(zhàn)。
[Abstract]:In the traditional concept, people call sculpture "solidified art". In the hundreds of years of its development, sculpture has been appearing in the world as a static, visible, touchable three-dimensional image. It also reflects the original intention or social reality through the artist's grasp of the sculptural image and the processing of the spatial form. Sculpture works, because of their static characteristics, can only convey a fleeting movement of things in the process of movement. Therefore, this becomes the main reason why sculpture does not have the nature of narration, but it also becomes that sculpture works can be vivid. An important reason for presenting the audience with a living state. However, with the continuous development of science and technology and the change of people's aesthetic concept, the application of new materials in modern sculpture art has become a hot topic, followed by the emergence of anti-traditional acousto-optic art. Dynamic sculpture and soft sculpture and so on rely on new materials to develop sculpture works of art. This paper first discusses the decisive role of materials in sculpture art, and compares traditional sculpture with contemporary sculpture, and puts forward the application and expansion of comprehensive materials. The transformation of materials in Chinese contemporary sculpture creation has experienced the inheritance tradition, drawing lessons from the three stages of western and personality innovation, presenting the trend of innovation and individuation in the application of materials, and putting forward the function and significance of new materials in the contemporary sculpture creation of our country. And the impact of the development of science and technology on the application of new materials in China. There are many kinds of new materials. This paper takes organic polymer materials, soft materials, paper materials, light materials, negative ion materials and existing products as examples to discuss the exploration and application of new materials in contemporary sculpture creation in China. In the application of the new material language, this paper summarizes the combination of materials, the dislocation of materials, the extraction of materials and the transformation of materials, which provides more possibilities for the application of materials in contemporary sculpture art creation. In short, the role of new materials in the development of contemporary sculpture art in China is obvious, but artists should play a subjective role in the rational application of new materials to artistic creation. Look at the development and innovation of materials with the attitude of creative subject. In the creation of modern sculpture art, the use and exploration of new materials are endless, and the use of high technology is common. Material as the carrier of sculpture art presents a prosperous situation of a hundred flowers blossom and a hundred schools of thought contend. In the development of new materials of sculpture art, our country should take an open and rigorous attitude to meet the opportunities and challenges.
【學(xué)位授予單位】：沈陽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J304

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本文編號(hào)：2018758