本文選題：海昏侯墓 + 雕塑��； 參考：《中央美術(shù)學院》2017年碩士論文

【摘要】：�；韬钅故悄壳拔覈l(fā)現(xiàn)的面積最大、保存最好、內(nèi)涵最豐富的漢代列侯等級墓葬。墓葬出土器物作為中國雕塑的重要組成部分,是研究本國藝術(shù)的寶貴財富�，F(xiàn)階段,海昏侯墓的發(fā)掘工作取得了階段性的成果,出土了大量青銅器玉器等,其中不乏一些高品質(zhì)的雕塑類器物。然而,海昏侯墓葬類雕塑的研究基本停留在以物證史的研究層面以及圖片資料的匯編。本文通過之前出版的圖錄、史料研究成果與筆者收集的第一手資料,對�；韬钅钩鐾恋牡袼茴惼魑镞M行美學梳理分析,及其對雕塑領(lǐng)域交叉學科發(fā)展的展望。探討包括如何擺脫墓葬雕塑簡單的歸納入史的困局、以及如何更好的作用于雕塑創(chuàng)作實踐、論述雕塑與考古的跨學科發(fā)展等研究方向、將歷史資源轉(zhuǎn)化為多元的社會資源的途徑。
[Abstract]:Sea Evening Hou Tomb is the largest, best preserved and most abundant tomb in the Han Dynasty. As an important part of Chinese sculpture, the tomb unearthed artifacts is a valuable treasure in the study of Chinese art. At the present stage, the excavation of Hou Hou's tomb has achieved a series of achievements, and a large number of bronze and jade articles have been unearthed, among which there are some high quality sculptures. However, the research on the tomb sculpture of the sea-faint period stays on the research level of the history of physical evidence and the compilation of the picture materials. In this paper, the author makes an aesthetic analysis of the sculpture objects unearthed from the tomb of Haemi Hou by means of the previous published pictures, historical materials and first-hand information collected by the author, and the prospect of the development of the interdisciplinary disciplines in the field of sculpture. This paper discusses how to get rid of the difficulties of the simple induction of tomb sculpture into history, how to play a better role in sculpture creation practice, and how to discuss the interdisciplinary development of sculpture and archaeology. The way of transforming historical resources into pluralistic social resources.
【學位授予單位】：中央美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J305

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1 孫曉晨;�；韬钅沟袼躘D];中央美術(shù)學院;2017年

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本文編號：1900761