本文選題：意象精神 + 雕塑��； 參考：《西安美術(shù)學(xué)院》2015年碩士論文

【摘要】：幾千年的中國(guó)傳統(tǒng)文化形成了屬于自己獨(dú)特的美學(xué)思想，這種美學(xué)思想體現(xiàn)在繪畫、文學(xué)、音樂、詩歌等很多領(lǐng)域。其中，，這種美學(xué)思想在雕塑藝術(shù)中所呈現(xiàn)出來的“意象性”貫穿著本土雕塑藝術(shù)的發(fā)展。這種意象性的表達(dá)方式與西方以再現(xiàn)寫實(shí)主義的具象造型形成了鮮明的對(duì)比。本文旨在通過中國(guó)古代雕塑的意象性表達(dá)和當(dāng)代意象雕塑的現(xiàn)狀分析來闡述“意象”精神貫穿中國(guó)雕塑發(fā)展脈絡(luò)，并進(jìn)一步通過理論與實(shí)際創(chuàng)作出發(fā)，感受“意象”精神在雕塑中地表達(dá)。
[Abstract]:For thousands of years, Chinese traditional culture has formed its own unique aesthetic thought, which is embodied in many fields, such as painting, literature, music, poetry and so on. Among them, the "imagery" of this aesthetic thought in sculpture art runs through the development of local sculpture art. This kind of image expression forms the sharp contrast with the western reappearance realism concrete modelling. The purpose of this paper is to expound the spirit of "image" through the development of Chinese sculpture through the image expression of ancient Chinese sculpture and the analysis of the present situation of contemporary image sculpture, and proceed from the theoretical and practical creation. Feel the spirit of "image" expressed in sculpture.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J304

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 張進(jìn);;雕塑中的意象[J];美與時(shí)代(中);2011年07期

2 楊西文;;意象：雕塑藝術(shù)之“魂”[J];美術(shù)觀察;2006年03期

本文編號(hào)：1898954