本文選題：烏拉特　切入點(diǎn)：“紅駝”泥塑　出處：《裝飾》2017年10期

【摘要】：內(nèi)蒙古烏拉特紅駝泥塑工藝匠心獨(dú)具之處在于其取戈壁材料之精巧、展草原風(fēng)貌之妙曼的同時(shí),體現(xiàn)出對(duì)地域生態(tài)極大的順從與皈依。因?yàn)趵?紅駝"泥塑工藝具有鮮明的地域性與唯一性,筆者數(shù)次深入內(nèi)蒙古巴彥淖爾市巴音寶力格鎮(zhèn)進(jìn)行相關(guān)的田野考察,對(duì)其工藝步驟進(jìn)行了周詳?shù)恼{(diào)研與梳理,對(duì)其工藝特征進(jìn)行了細(xì)致的分析與總結(jié),旨在弘揚(yáng)烏拉特泥塑藝術(shù)的同時(shí)揭示其工藝所蘊(yùn)含的生態(tài)理念。
[Abstract]:The unique craftsmanship of the clay sculpture of the red camel in Wulat, Inner Mongolia, is that it takes the exquisite material of Gobi and develops the style and features of the prairie, at the same time, it embodies the great obedience and conversion to the regional ecology.Because of the distinct regional and uniqueness of the clay sculpture technology of "Red Camel" in Urat, the author went deep into Bayan Nur City, Inner Mongolia several times to carry on the related field investigation, and carried on the thorough investigation and the combing to its craft step.The characteristics of the process are analyzed and summarized in detail in order to carry forward the clay sculpture art of Ulat and to reveal the ecological concept contained in the process at the same time.
【作者單位】： 清華大學(xué)美術(shù)學(xué)院;中國(guó)地質(zhì)大學(xué)珠寶學(xué)院;
【分類號(hào)】：J314.7

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本文編號(hào)：1722573