本文關(guān)鍵詞：景德鎮(zhèn)傳統(tǒng)加彩雕塑瓷與中國當(dāng)代彩繪陶瓷雕塑藝術(shù)的比較研究，由筆耕文化傳播整理發(fā)布。

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美術(shù)書法雕塑與攝影

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建筑科學(xué)與工程

戲劇電影與電視藝術(shù)

彩繪

    Research on Crafts of Colored Drawing and Gilding on Buddhist Images in LongXing Temple

    龍興寺佛教造像彩繪貼金工藝初探

短句來源

    The paper takes for example the art history of the ancient painted potty in the orginal period, the colored drawing in tombs in Qin and Han dynasty, the colored drawing in tombs and the drawing by scholars from Qin Han to Ming、 Qing dynasty. It seeks the similarity between the classical plastic arts in China and the modern plastic techniques in the West, expounds and proves the modern charm of classical plastic arts in China.

    本文以原始時(shí)期的彩陶藝術(shù)及秦漢到明清時(shí)期的陵墓彩繪、文人繪畫為例 ,尋求中國古代造型藝術(shù)與西方現(xiàn)代藝術(shù)的造型手法的相同之處 ,從而論證了中國古代造型藝術(shù)的現(xiàn)代魅力。

短句來源

    Colorful Painting, Decoration and Aesthetic Art of Chinese Ancient Ships

    中國古代船舶的彩繪、裝飾與審美藝術(shù)

短句來源

    Yangshao painted pottery has started Chinese painting art in combination with graceful moulding and colorful painting. It is characterized by the animal patterns varying from realistic style to liberal style including plant patterns and geometric patterns which embody profound cultural meaning.

    仰韶彩陶藝術(shù)開創(chuàng)了我國彩繪藝術(shù)的先河，它的優(yōu)美造型與絢麗多姿的彩繪和諧統(tǒng)一，動(dòng)物紋從寫實(shí)到寫意，植物紋圖案化，幾何紋變幻奇妙，其文化內(nèi)涵豐富深厚。

短句來源

    STUDY ABOUT JINGDEZHEN TRADITIONAL POLYCHROME SCULPTURAL CERAMIC AND CHINESE CONTEMPORARY POLYCHROME SCULPTURAL CERAMIC ART

    景德鎮(zhèn)傳統(tǒng)加彩雕塑瓷與中國當(dāng)代彩繪陶瓷雕塑藝術(shù)的比較研究

短句來源

    Decoration is a Form of Expression

    彩繪是一種表現(xiàn)

短句來源

    Body Painting

    人體彩繪(英文)

短句來源

    Analysis of the Artistic Features and Contents of the Clay Sculptures Produced in Fengxiang, Shangxi Pronvice

    淺析陜西鳳翔彩繪泥塑的藝術(shù)特征及其內(nèi)涵

短句來源

    From polychromatic sculpture to simple substance sculpture—— A historical misunderstanding of the the ancient sculpture

    從彩繪雕塑到單質(zhì)雕塑——對(duì)古代雕塑審美趣味的一種歷史性誤會(huì)

短句來源

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The author in the article made comments on Professor Hu Xianya's great artistic attainments he has achieved in the Chinese traditional pain- ting and which he puts on the coloured drawing and pattern of pottery and porcelain;his simple and vigorous artistic style;and how he creat- vely applies the traditional technics to the porcelain decoration.

文章評(píng)價(jià)了胡獻(xiàn)雅教授在國畫和瓷器彩繪藝術(shù)上的造詣;國畫筆墨簡練,寓繁于簡,意境深遂,寓實(shí)于虛,形成雄厚簡練的藝術(shù)風(fēng)格;創(chuàng)造性地以熟練的國畫技巧,繪制了大量精美的彩瓷,運(yùn)筆自然,色彩鮮明,與器型結(jié)合貼切,有著獨(dú)特的彩繪技法。

Yangshao painted pottery has started Chinese painting art in combination with graceful moulding and colorful painting.It is characterized by the animal patterns varying from realistic style to liberal style including plant patterns and geometric patterns which embody profound cultural meaning.

仰韶彩陶藝術(shù)開創(chuàng)了我國彩繪藝術(shù)的先河，它的優(yōu)美造型與絢麗多姿的彩繪和諧統(tǒng)一，動(dòng)物紋從寫實(shí)到寫意，植物紋圖案化，，幾何紋變幻奇妙，其文化內(nèi)涵豐富深厚。

There is obvious exchange relationship between the painted pottery culture of Guangdong,Fujian and Taiwan provinces and the painted pottery culture along the changjiang valley,namely,the painted pottery culture in Zhujiang Kou dune site featured by the combination of openwork,carved pattern and colored painting,the Tanshishan painted pottery culture characterized by impressed decoration and colored painting,and Zhishanyan painted pottery culture with the trait of geometric design.

以鏤孔、刻劃紋、彩繪相結(jié)合為特征的環(huán)珠江口沙丘遺址彩陶文化 ,以印紋陶加彩繪為特征的曇石山彩陶文化共同構(gòu)成了粵閩臺(tái)彩陶文化。以幾何紋飾為特征的芝山巖彩陶文化�；�、閩、臺(tái)彩陶文化與長江流域彩陶文化存在密切交流關(guān)系。

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  本文關(guān)鍵詞：景德鎮(zhèn)傳統(tǒng)加彩雕塑瓷與中國當(dāng)代彩繪陶瓷雕塑藝術(shù)的比較研究，由筆耕文化傳播整理發(fā)布。