本文關(guān)鍵詞：消費(fèi)時(shí)代背景下的中國(guó)當(dāng)代雕塑藝術(shù)，由筆耕文化傳播整理發(fā)布。

1.

In the course of constructing the Olympic facilities and undertaking other urban development projects, importance will be attached to sculptures that compliment the buildings.

在奧運(yùn)場(chǎng)館和其他城市建設(shè)中，注重形成與建筑相宜的雕塑景觀。

2.

Contest of Traditional Sculpture in Landscape Architecture Based on Modern Art

基于現(xiàn)代藝術(shù)的園林景觀雕塑的反叛

3.

Look at the Relationship between Sculpture and Landscape by the Image Making Plan of Laozi

從老子造像計(jì)劃看雕塑與景觀的關(guān)系

4.

The exposition will unfurl2008 Olympic Landscape Sculpture Designs Contest Selected Artworks Exhibition.

2008奧運(yùn)景觀雕塑方案征集大賽入選藝術(shù)精品展。

5.

Revelations of Nature and Re-creating of Human Landscape--On Varied Sculpture;

自然的啟示、人文景觀的再創(chuàng)造──談變異的雕塑

6.

SCULPTURING OF SPACE: THE LANDSCAPE DESIGN OF ARTIST ISAMU NOGUCHI;

空間的雕塑——藝術(shù)家野口勇的景觀設(shè)計(jì)作品解讀

7.

Application and Development Trend of Urban Sculpture in Landscape Design

城市雕塑在景觀設(shè)計(jì)中的應(yīng)用與發(fā)展趨勢(shì)探討

8.

Sculpture as a Language of Landscape Design-Analysis of the California Scenario

雕塑作為景觀空間的語言——對(duì)“加州情景園”的設(shè)計(jì)評(píng)析

9.

A GRAND SIGHT OF URBAN SCULPTURE ABROAD BRITISH URBAN SCULPTURE

外國(guó)城市雕塑大觀——①英國(guó)城市雕塑

10.

A GRAND SIGHT OF FOREIGN CITIES URBAN SCULPTURES OF PHILADELPHIA

外國(guó)城市雕塑大觀 費(fèi)城城市雕塑

11.

A Grand Sight of Foreign Cities Urban Sculptures of ltaly

外國(guó)城市雕塑大觀——意大利城市雕塑

12.

A Grand View of Foreign Urban Sculptures Urban Sculptures in Australia

外國(guó)城市雕塑大觀——澳大利亞城市雕塑

13.

And the sensitive observer of sculpture,

因此，敏銳的雕塑觀賞者，

14.

LANDSCAPE RESTORATION OF THE INDUSTRIAL WASTELAND IN THE CENTER OF A CITY--CASE STUDY ON SEATTLE'S OLYMPIC SCULPTURE PARK

城市中心區(qū)工業(yè)廢棄地的景觀改造——西雅圖奧林匹克雕塑公園

15.

A Grand View of Foreign Urban Sculptures- Urban Sculptures in Tel Aviv, Israel

外國(guó)城市雕塑大觀——以色列特拉維夫城市雕塑

16.

the sculpture creation flourished in the 1950s.

50年代，雕塑創(chuàng)作出現(xiàn)了繁榮的景象，，

17.

Modern Sculpture Art of China in a Consuming-age Background;

消費(fèi)時(shí)代背景下的中國(guó)當(dāng)代雕塑藝術(shù)

18.

a relief in which the figures project only slightly from the surrounding plane surface; no figures are undercut.

雕塑的形體只從背景平面上突起一小部分的浮雕；沒有雕出形象來。

  本文關(guān)鍵詞：消費(fèi)時(shí)代背景下的中國(guó)當(dāng)代雕塑藝術(shù)，由筆耕文化傳播整理發(fā)布。