本文關(guān)鍵詞：中國城市雕塑的寫意內(nèi)涵研究　出處：《河南大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 寫意精神 城市雕塑 本土文化 藝術(shù)觀念 發(fā)展

【摘要】：城市雕塑所體現(xiàn)的是一種文化的積淀，是歷史的遺痕，是現(xiàn)代城市建設(shè)和城市文化建設(shè)的重要組成部分。城市雕塑以其獨(dú)特的藝術(shù)形態(tài)和藝術(shù)語言，反思社會歷史文明的歷程，彰顯現(xiàn)代文明的精神面貌。城市雕塑既可以歌頌革命的功勛，紀(jì)念歷史人物，宣揚(yáng)民族文化，反映時(shí)代精神，又可以裝點(diǎn)環(huán)境，美化和豐富人們的精神需求，陶冶人們的思想道德情操。 中國的城市雕塑伴隨著城市化進(jìn)程不斷完善，但是，中國城市雕塑快速發(fā)展的幾十年還屬于城市雕塑歷史的初級階段，城市雕塑的“進(jìn)化蛻變”并不盡善，有很多問題值得提出探討和研究。當(dāng)西方公共藝術(shù)概念引入中國之后，極大地推動了中國城市雕塑的形式材料多元化發(fā)展以及藝術(shù)風(fēng)格的創(chuàng)新。這固然對中國城市雕塑的發(fā)展起到了促進(jìn)作用，但是隨之而來的西方雕塑理念進(jìn)入中國并成為主流之后，我們本國的雕塑事業(yè)卻仿佛丟失了傳統(tǒng)，瘦弱的東方文化正在遭遇強(qiáng)壯的西方文化的侵襲。 中國藝術(shù)的魅力在于中國藝術(shù)的本原，而中國的城市雕塑在發(fā)展中所遇到的問題從思想上就是對中國藝術(shù)本原的認(rèn)識不清，這個(gè)本原就是本文所要提及的“寫意精神”。中國城市雕塑在發(fā)展過程中，受到西方藝術(shù)傳統(tǒng)的影響，并沒有形成自己獨(dú)特的美學(xué)思想、造型特色。當(dāng)中國城市雕塑的內(nèi)涵與中國本土哲學(xué)文化與藝術(shù)有巨大的矛盾的時(shí)候，那么就要進(jìn)行新一輪的對中國藝術(shù)指導(dǎo)思想的探究。任何事物在發(fā)展的過程中都不可避免的會出現(xiàn)矛盾，如果要想在展現(xiàn)中國城市雕塑的魅力以及傳承與發(fā)展的道路上尋求到較好的突破口，這就需要中國雕塑家對中國傳統(tǒng)哲學(xué)文化與寫意思想內(nèi)涵有一個(gè)更好的認(rèn)識與研究。 過去過多地使用“西式法”來塑造中國本土的城市雕塑，這在文化上有陌生感，中國文化中那種肅穆、靈秀的氣質(zhì)是西方解剖式的理性表達(dá)所難能表現(xiàn)的，所以我們應(yīng)該在更多的對傳統(tǒng)的認(rèn)識基礎(chǔ)上，，發(fā)展本土城市雕塑的風(fēng)格，來推動中國城市雕塑事業(yè)的發(fā)展。對今天中國城市雕塑的發(fā)展來講，這種心態(tài)、這種精神不要保守在以前固有的認(rèn)識，應(yīng)該用與時(shí)俱進(jìn)的認(rèn)識來對待傳統(tǒng)、來研究傳統(tǒng)。這樣創(chuàng)造出底蘊(yùn)深厚的城市雕塑作品才是大道上的探索精神，在研究中國城市雕塑的內(nèi)涵以及其文化價(jià)值的時(shí)候，是具有必要性和必須性的，并且具有時(shí)代意義。 本文旨在對中國城市雕塑做出簡要的回顧和分析，說明中國城市雕塑中寫意精神的重要性，尋求中國當(dāng)代城市雕塑與中國寫意精神的銜接，并提出建立起立足于中國本土文化的城市雕塑的藝術(shù)理念和方式。
[Abstract]:Which city sculpture is a kind of cultural heritage, is a historical legacy, is an important part of modern city construction and city culture construction. The city sculpture with its unique artistic form and artistic language, on the evolution of social history and civilization, highlighting the spiritual outlook of modern civilization. The city sculpture can sing the praises of revolution to commemorate the feats of historical figures, promote national culture, reflecting the spirit of the times, but also can decorate the environment, beautify and enrich people's spiritual needs, cultivate people's moral sentiments.
Chinese city sculpture along with the city urbanization continue to improve, but the primary stage of the rapid development of city sculpture Chinese decades also belong to the history of the city sculpture, city sculpture "evolutionary transformation" is not perfect, there are many problems worthy of discussion and study. After introducing the concept of western public art Chinese, greatly promoted innovation Chinese city sculpture material diversification and artistic style. This is the development of China city sculpture has played a catalytic role, but after the concept of Western sculpture into Chinese and become the mainstream of our own sculpture career seemed lost tradition, thin oriental culture is suffering from the strong invasion of western culture.
China China charm is the source of art, and the Chinese city sculpture in the development of the problems encountered from the ideological understanding of China is the origin of art is not clear, the origin of this paper is to mention the "freehand brushwork". China city sculpture in the process of development, influenced by Western Art Tradition, and do not form their own unique aesthetic ideology, other characteristics. When the connotation of city sculpture and China Chinese when local philosophy and culture and art has a huge contradiction, then to explore the art of Chinese guiding ideology of a new round. Everything is inevitable in the process of development will appear contradictory, if you want to to seek a good breakthrough in the show Chinese city sculpture charm and heritage and development of the road, which requires the ideological China sculptor of the freehand brushwork and Chinese traditional philosophical culture The connotation has a better understanding and research.
Excessive use of "western law" to shape China native city sculpture, the strangeness in the culture, Chinese culture that solemn, elegant temperament is western anatomy rational expression of difficult performance, so we should be more understanding based on the traditional, the development of local city the sculpture style, to promote the development of the city. The China sculpture career on the development of China city sculpture today, don't mind, the spirit of conservative in understanding before, with the times should be used to treat the traditional knowledge, traditional research. This created deep inside the city sculpture is the exploration on the avenue study on the connotation of city spirit, in Chinese sculpture as well as their cultural values, is a necessity and necessity, and has the important significance.
This paper aims to make a brief review and analysis of Chinese city sculpture, illustrates the importance of China city sculpture freehand spirit, cohesion for contemporary city sculpture and China China freehand spirit, and proposed to establish a foothold in Chinese local culture city sculpture art ideas and methods.

【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J313.2

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本文編號：1394953