【摘要】：人工智能作為一個(gè)藝術(shù)母題,曾在文學(xué)作品尤其是科幻小說中大放異彩。進(jìn)入電影作品后,在人工智能的呈現(xiàn)方式及內(nèi)容方面演變出不同的階段,包括機(jī)械軀體、人工智能的萌發(fā)與沖突、人類的反思與求同、人工智能與人類的融合。隨著"奇點(diǎn)"時(shí)刻的臨近,今后的人工智能電影必然會(huì)在內(nèi)容探索上受到影響,人工智能的外部形象會(huì)更加豐富多樣,其引發(fā)的有關(guān)人類社會(huì)命運(yùn)的思考也將更加深入。
[Abstract]:Artificial intelligence, as an artistic motif, has been brilliant in literary works, especially science fiction. After entering the film works, different stages have evolved in the presentation mode and content of artificial intelligence, including mechanical body, the germination and conflict of artificial intelligence, the reflection and common ground of human beings, and the fusion of artificial intelligence and human beings. With the approaching of the "singularity" moment, the future artificial intelligence films will inevitably be affected in the content exploration, the external images of artificial intelligence will be more rich and diverse, and the thinking about the fate of human society will be more in-depth.
【作者單位】： 江南大學(xué)數(shù)字媒體學(xué)院;
【基金】：江南大學(xué)自主科研計(jì)劃青年基金項(xiàng)目“數(shù)字影像的藝術(shù)表現(xiàn)研究”(批準(zhǔn)號(hào):JUSRP115A37)
【分類號(hào)】：J905

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