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“烏托邦”與“惡托邦”的二重奏——好萊塢生態(tài)科幻電影中的異質(zhì)空間書寫

發(fā)布時間:2019-08-01 14:55
【摘要】:好萊塢生態(tài)科幻電影是近年來較為熱門的電影題材類型,其影像文本中存在著大量異質(zhì)空間的書寫。這些異質(zhì)空間往往成為一種巧妙的敘事技巧與手段,它不僅是故事發(fā)生的場域和敘事要素,更是電影藝術(shù)家借以表達(dá)生態(tài)價值觀念與精神訴求的有效敘事方法。一方面,好萊塢生態(tài)電影藝術(shù)家借助"惡托邦"異質(zhì)空間的危情呈現(xiàn),展開對現(xiàn)實生態(tài)問題的揭示與批判;另一方面,通過"烏托邦"異質(zhì)空間的美好世界想象形成對社會與人性的精神重構(gòu)與救贖?疾旌萌R塢生態(tài)科幻電影中異質(zhì)空間表現(xiàn)方式有助于我們更好地把握生態(tài)電影敘事的真諦,建構(gòu)全方位的生態(tài)電影批評觀。
[Abstract]:Hollywood ecological science fiction film is a hot film subject type in recent years, and there are a lot of heterogeneous space writing in its image text. These heterogeneous spaces often become a clever narrative skills and means, it is not only the field and narrative elements of the story, but also an effective narrative method for film artists to express ecological values and spiritual demands. On the one hand, Hollywood ecological film artists reveal and criticize the real ecological problems with the help of the dangerous presentation of the heterogeneous space of "dystopia"; on the other hand, through the imagination of the beautiful world of the heterogeneous space of "utopia", they form the spiritual reconstruction and redemption of society and human nature. The investigation of heterogeneous spatial expression in Hollywood ecological science fiction films is helpful for us to better grasp the true meaning of ecological film narration and construct an all-round view of ecological film criticism.
【作者單位】: 浙江科技學(xué)院藝術(shù)設(shè)計學(xué)院;
【分類號】:J905

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相關(guān)期刊論文 前10條

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本文編號:2521816


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