【摘要】：正新世紀(jì)以來,面對經(jīng)濟(jì)消長與右翼勢力回潮,日本社會發(fā)展陷入低迷階段,政府亟需通過大眾媒介創(chuàng)造新的話語輿論,恢復(fù)喪失已久的民族文化自尊心,重塑日本國家認(rèn)同,消解處于轉(zhuǎn)型期民眾的心靈困境、集體焦慮和民族危機(jī)意識。這一時(shí)期出現(xiàn)了一系列新類型元素的戰(zhàn)爭片,在編劇技巧和電影鏡頭語言方面反復(fù)強(qiáng)化這一類型片特征和影像符號,通過對意識形態(tài)和大眾趣味的藝術(shù)平衡,影響并重塑民眾的公共記憶與民族認(rèn)同,在日本現(xiàn)代歷
[Abstract]:Since the beginning of the new century, in the face of the return of economic growth and decline and right-wing forces, the social development of Japan has fallen into a depressed stage. The government urgently needs to create new discourse public opinion through the mass media, restore the long-lost national cultural self-esteem, reshape the Japanese national identity, resolve the spiritual predicament, collective anxiety and national crisis consciousness of the people in the transitional period. During this period, a series of new types of war films appeared, which repeatedly strengthened the characteristics and image symbols of this type of film in terms of screenwriting skills and film lens language. Through the artistic balance between ideology and public interest, the public memory and national identity of the people were influenced and reshaped in the Japanese modern calendar.
【作者單位】： 南京大學(xué);江蘇第二師范學(xué)院;

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