【摘要】：《消失的愛人》被認(rèn)為是懸疑、犯罪類的電影大師大衛(wèi)·芬奇對倫理類電影的一次嘗試。電影表面上以零度情感的方式講述了一個(gè)峰回路轉(zhuǎn)的"謀殺案",為觀眾揭示極端情況下婚姻關(guān)系的扭曲和陰暗,而實(shí)質(zhì)上,《消失的愛人》對人物非正常的、畸形的人性進(jìn)行了批判,從而使敘事超越了獵奇的層面而傳遞出一種人文關(guān)懷。文章從電影對畸變?nèi)诵缘恼故尽θ诵援惢乃菰�、揭示人性的具體策略三方面,分析《消失的愛人》對人性的批判。
[Abstract]:Lost Love is considered a suspense, and David Finch, a master of crime, is an attempt at ethical movies. The film is ostensibly about a "murder" that turns around in a zero-degree emotional way, revealing to the audience the distortion and gloom of marriage in extreme cases, while in essence, "lost Love" is abnormal to the characters. The abnormal human nature is criticized, so that the narration transcends the strange level and conveys a kind of humanistic care. This paper analyzes the criticism of human nature in the lost Love from three aspects: the display of distorted human nature in the film, the traceability of the alienation of human nature, and the concrete strategy of human nature.
【作者單位】： 周口師范學(xué)院;
【分類號(hào)】：J905

【相似文獻(xiàn)】

相關(guān)期刊論文 前1條

1 馮琪;;由《七宗罪》看好萊塢警探片的敘事方式[J];東南傳播;2014年03期

，

本文編號(hào)：2492543