【摘要】：電影是反映意識(shí)形態(tài)的文化產(chǎn)品,滲透著國(guó)家意志和國(guó)民價(jià)值觀。在日本科幻電影中,書(shū)寫(xiě)自然,呼喚人們對(duì)生存環(huán)境有所關(guān)注,宣揚(yáng)人與自然和諧、友好相處的價(jià)值理念,是一個(gè)經(jīng)久不衰的話題,這也是其國(guó)民意識(shí)的反映。我們?cè)诳吹饺毡究苹秒娪霸谒囆g(shù)特色和技術(shù)上的成就的同時(shí),也應(yīng)該對(duì)其中的生態(tài)主義思想有所關(guān)注。文章從人類中心主義批判、現(xiàn)代工業(yè)反思、人類重生之路思考三方面,以生態(tài)主義視角審視日本科幻電影。
[Abstract]:Film is a cultural product reflecting ideology, permeating the will of the state and national values. In Japanese science fiction movies, writing nature calls for people to pay attention to the living environment and propagate the value concept of harmony and friendship between man and nature, which is also a reflection of his national consciousness. While we see the artistic characteristics and technical achievements of Japanese science fiction films, we should also pay attention to the ecologism. This paper examines Japanese sci-fi films from the perspective of ecologism from three aspects: the criticism of humanitarianism, the reflection of modern industry and the thinking of the road of human rebirth.
【作者單位】： 江蘇商貿(mào)職業(yè)學(xué)院;
【分類號(hào)】：J905

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