【摘要】：有著影壇"鬼才"之稱的美國導(dǎo)演昆汀·塔倫蒂諾,在其帶有獨(dú)特個(gè)人敘事風(fēng)格的《殺死比爾》和《被解救的姜戈》之后,繼續(xù)在西部片中探索未知的電影領(lǐng)域�！栋藧喝恕肥撬牡诎瞬孔髌�,盡管該片依然延續(xù)了昆汀極端的個(gè)人化風(fēng)格,但導(dǎo)演終于不滿足于混亂的街頭暴力,而將目光投向美國本土的歷史。電影用一種史詩般的電影鏡頭,講述了美式文明中的正義與沖突。導(dǎo)演通過個(gè)人的價(jià)值觀反思戰(zhàn)爭(zhēng)的正義性,最后隱隱約約地勾勒出美國的輪廓。
[Abstract]:American director Quentin Tarantino, who has the title of "ghost talent" in the film world, after his unique personal narrative style, "Kill Bill" and "rescued Jango," Continue to explore unknown areas of film in western films. The Octopus, his eighth work, continues Quentin's extreme personal style, but the director is finally not content with the chaos of street violence. And look at the history of the United States. The film uses an epic film lens to tell about justice and conflict in American civilization. The director reflected on the justice of the war through personal values, and finally sketched out the outline of the United States.
【作者單位】： 河北師范大學(xué)匯華學(xué)院;衡水學(xué)院;
【分類號(hào)】：J905

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