【摘要】：影視藝術(shù)與經(jīng)典文學(xué)作品總是有著千絲萬(wàn)縷的聯(lián)系。不同時(shí)代的文學(xué)作品經(jīng)過改編重構(gòu),讓觀眾在光影藝術(shù)中感受著經(jīng)典文學(xué)的魅力。托馬斯·哈代的代表作《德伯家的苔絲》自1979年被著名導(dǎo)演波蘭斯基改編為電影作品后,就獲得了全世界影壇的一致好評(píng)。電影《苔絲》盡管以原著小說中苔絲的悲劇為故事藍(lán)本,但在敘事模式、人物刻畫、敘事語(yǔ)言三個(gè)方面都對(duì)原著進(jìn)行了顛覆性重構(gòu),讓苔絲悲劇性的宿命更加符合現(xiàn)代觀眾的審美需求,也讓文學(xué)作品的改編呈現(xiàn)出新的時(shí)代特性。
[Abstract]:Film and television art and classical literary works are always inextricably linked. The literary works of different times have been adapted and reconstructed, so that the audience can feel the charm of classical literature in the art of light and shadow. Thomas Hardy's masterpiece Tess of the Debbs was adapted into a film by famous director Polansky in 1979 and has been acclaimed by film circles all over the world. The film Tess, although based on the tragedy of Tess in the original novel, subversely reconstructs the original book in three aspects: narrative mode, character portrayal and narrative language. Make Tess's tragic destiny more in line with the aesthetic needs of the modern audience, but also let the adaptation of literary works present new characteristics of the times.
【作者單位】： 河北金融學(xué)院國(guó)際教育學(xué)院;
【分類號(hào)】：J905
，

本文編號(hào)：2450482