【摘要】：近年來(lái)，恐怖片成為最受中小成本電影青睞的類型之一，內(nèi)地電影市場(chǎng)一時(shí)間涌現(xiàn)了一大批中小成本恐怖片，呈現(xiàn)了類型繁榮的現(xiàn)象�？植榔鳛橐环N類型的電影，強(qiáng)烈的視聽(tīng)沖擊力，驚心動(dòng)魄的故事情節(jié)使得恐怖片被越來(lái)越多的觀眾所接受和喜愛(ài)，恐怖電影的的研究成為日益突出的課題。而中國(guó)內(nèi)地獨(dú)特的意識(shí)形態(tài)、文化背景、心理訴求使得內(nèi)地恐怖片呈現(xiàn)了具有中國(guó)本土特點(diǎn)的恐怖類型特點(diǎn)。 本文的整體框架由四部分構(gòu)成，第一章重點(diǎn)闡述內(nèi)地恐怖片發(fā)展脈絡(luò)，主要從內(nèi)地恐怖片的歷史發(fā)展過(guò)程和現(xiàn)狀兩方面介紹。第二章重點(diǎn)闡述西方恐怖片的發(fā)展過(guò)程以及外國(guó)恐怖片對(duì)內(nèi)地恐怖片的影響，通過(guò)了解西方的文化背景、社會(huì)背景等方面來(lái)分析作為恐怖片比較成熟的國(guó)家的恐怖電影的產(chǎn)生與發(fā)展，以及他們比較成熟的恐怖電影類型及各自的類型特點(diǎn)與風(fēng)格，從而提煉出其中能對(duì)我國(guó)恐怖電影的發(fā)展起到借鑒意義的精華。第三章是本文的主體部分，，重點(diǎn)闡述了內(nèi)地恐怖片的題材特征和類型特征。通過(guò)對(duì)內(nèi)地恐怖片的深入研究，找尋中國(guó)內(nèi)地恐怖片的獨(dú)特性，針對(duì)內(nèi)地恐怖片的優(yōu)勢(shì)和不足，發(fā)揚(yáng)其優(yōu)勢(shì)，彌補(bǔ)其不足之處，使得內(nèi)地恐怖片逐漸成為中國(guó)內(nèi)地的一個(gè)更加成熟的電影類型。第四章是對(duì)內(nèi)地恐怖片未來(lái)出路的找尋和實(shí)現(xiàn)內(nèi)地恐怖片本土化的良性發(fā)展的探討。通過(guò)了解內(nèi)地恐怖電影這一電影類型目前的發(fā)展現(xiàn)狀，發(fā)現(xiàn)其中不利于其本土化發(fā)展的問(wèn)題提出幾點(diǎn)解決策略，從而找出一條適合我國(guó)內(nèi)地恐怖片生存與發(fā)展的道路，以實(shí)現(xiàn)內(nèi)地恐怖片的本土化。 國(guó)內(nèi)評(píng)論界對(duì)于內(nèi)地恐怖電影的研究更多的是兩個(gè)方面，一個(gè)是對(duì)恐怖元素的研究，一個(gè)是針對(duì)性的對(duì)某部恐怖電影的評(píng)論，這些評(píng)論缺乏對(duì)內(nèi)地恐怖電影的脈絡(luò)性研究，沒(méi)有深入的展開(kāi)來(lái)說(shuō)，因此筆者認(rèn)為對(duì)內(nèi)地恐怖電影的研究還有很大的可繼續(xù)挖掘的空間。
[Abstract]:In recent years, horror films have become one of the most popular types of medium and small cost films. A large number of small and medium cost horror films have emerged in the mainland film market at a time, showing a type of prosperity. Horror films as a type of films, strong audio-visual impact, thrilling storyline make horror films are accepted and loved by more and more audiences, the study of horror films has become increasingly prominent topic. On the other hand, the unique ideology, cultural background and psychological appeal of mainland China make the mainland horror films show the characteristics of horror types with the local characteristics of China. The whole frame of this paper consists of four parts. The first chapter focuses on the development of hinterland horror films, mainly from the historical development process and the current situation of the mainland horror films. The second chapter focuses on the development of western horror films and the impact of foreign horror films on mainland horror films, through understanding the cultural background of the West. Social background and other aspects to analyze the emergence and development of horror films in countries where horror films are relatively mature, as well as their more mature horror film types, characteristics and styles of their respective types. Thus, the essence of which can be used for reference to the development of horror films in our country. The third chapter is the main part of this paper, focusing on the theme characteristics and types of mainland horror films. Through the in-depth study of the mainland horror films, we can find the uniqueness of the mainland horror films, in view of the advantages and disadvantages of the mainland horror films, carry forward their advantages and make up for their shortcomings. Hinterland horror films have gradually become a more mature film type in mainland China. The fourth chapter is to find the future outlet of the mainland horror film and to realize the benign development of the localization of the mainland horror film. In order to find out a suitable way to survive and develop the horror films in the mainland, the author finds out the problems which are not conducive to its localization and puts forward some solutions by understanding the current situation of the development of the mainland horror films, and finds out a suitable way for the existence and development of the horror films in the mainland of China. In order to realize the localization of mainland horror films. There are more two aspects to the study of mainland horror films by domestic critics, one is the study of the elements of terror, the other is targeted comments on a horror film, these comments lack the contextual study of the horror films in the mainland. There is no in-depth development, so I think there is still a lot of room to continue to explore the study of mainland horror films.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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