《我在故宮修文物》對傳統(tǒng)文化的現(xiàn)代講述
發(fā)布時間：2019-03-22 20:55
【摘要】：2016年1月,一部以故宮文物修復(fù)為主題的三集紀錄片《我在故宮修文物》在央視紀錄頻道特別呈現(xiàn)。不同于10年前《故宮》的宏大敘事、莊嚴肅穆,《我在故宮修文物》以平常心態(tài)走進那些世界頂級的中國文物修復(fù)專家們的工作環(huán)境,用現(xiàn)代傳媒方式觸摸神秘滄桑、源遠流長的中華文明,將中國傳統(tǒng)文化的博大、厚重、深邃等獨特的韻味和氣質(zhì)展現(xiàn)出來,感動無數(shù)華夏兒女。本文從這部紀錄片的"傳統(tǒng)與現(xiàn)代相遇"角度入手,分析該片取得成功的原因,包括接地氣的拍攝風格、精良的后期剪輯和網(wǎng)絡(luò)平臺的宣傳。
[Abstract]:In January 2016, a three-episode documentary on the restoration of the Palace Museum, "I repair relics at the Forbidden City," was featured on CCTV record Channel. Unlike the grand narrative, solemn and solemn, of the Palace Museum 10 years ago, "I build Cultural relics in the Forbidden City" walks into the working environment of the world's top Chinese heritage restoration experts with a normal mindset, and touches the vicissitudes of mystery in the way of modern media. A long history of Chinese civilization, Chinese traditional culture will be broad, thick, profound and other unique charm and temperament to show, moved countless Chinese children. From the point of view of "the meeting of tradition and modernity", this paper analyzes the reasons for the success of the documentary, including the approachable shooting style, the fine post-editing and the propaganda of the network platform.
【作者單位】： 上海師范大學人文與傳播學院;
【分類號】：J952
，
本文編號：2445916
[Abstract]:In January 2016, a three-episode documentary on the restoration of the Palace Museum, "I repair relics at the Forbidden City," was featured on CCTV record Channel. Unlike the grand narrative, solemn and solemn, of the Palace Museum 10 years ago, "I build Cultural relics in the Forbidden City" walks into the working environment of the world's top Chinese heritage restoration experts with a normal mindset, and touches the vicissitudes of mystery in the way of modern media. A long history of Chinese civilization, Chinese traditional culture will be broad, thick, profound and other unique charm and temperament to show, moved countless Chinese children. From the point of view of "the meeting of tradition and modernity", this paper analyzes the reasons for the success of the documentary, including the approachable shooting style, the fine post-editing and the propaganda of the network platform.
【作者單位】： 上海師范大學人文與傳播學院;
【分類號】：J952
，
本文編號：2445916
本文鏈接：http://sikaile.net/wenyilunwen/dianyingdianshilunwen/2445916.html
