天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當前位置:主頁 > 文藝論文 > 影視論文 >

21世紀美國藝術家傳記電影研究

發(fā)布時間:2019-03-05 09:45
【摘要】:傳記電影作為一個頗受關注和重視的電影類型,它在歷史上曾經輝煌,在當代也獲得了突飛猛進的發(fā)展。尤其是在西方電影注重真實的文化背景下,美國傳記電影的發(fā)展在近年來有著量的突破和質的飛躍。藝術家傳記電影作為傳記電影的一個重要的分支,藝術家傳記影片傳承了傳記電影的紀實性,同時也飽有獨特的藝術魅力。美國作為傳記電影出品的大國,自21世紀以來,拍攝的傳記電影數(shù)量龐大、品質優(yōu)越。自2000年至2016年間,共拍攝傳記電影八十余部,其中二十多部影片獲得國際大獎。之一時期的美國藝術家傳記電影呈現(xiàn)出豐富的表現(xiàn)形式和藝術形態(tài)。創(chuàng)作思路上不以虛構博噱頭,堅持以事實為依據(jù),將藝術家置于真實的時代背景和文化背景中進行重塑。同時,傳記電影的創(chuàng)作者在對傳主理想信念、人生故事、心理世界的呈現(xiàn)時,創(chuàng)作技法更加成熟,取材角度更加多元。本文一共分為五個部分對21世紀美國藝術家傳記電影進行研究。第一章緒論部分。首先,論述了選題的背景和意義,主要闡明了為什么選擇21世紀的美國藝術家傳記電影作為研究的對象;其次,對“藝術家”、“傳記電影”這些概念進行了定義;最后,簡要的分析了當下關于傳記電影的研究主要方向和研究中存在的空缺。第二章集中論述了21世紀美國藝術家傳記電影的美學特征。首先,從紀實性美學的角度闡明藝術家傳記電影,需要再現(xiàn)真實的歷史和真實的人物。其次,從藝術化的表現(xiàn)方面表明,藝術家傳記電影無論是在傳主的選擇、內容選取和視聽藝術的處理上都要展現(xiàn)藝術性。最后,表明在現(xiàn)代的傳記電影發(fā)展中,內化——心理化是傳記電影的重要特點。第三章、第四章、第五章對21世紀美國藝術家傳記電影,進行了具體的分析。從傳主的選擇、題材的選取、敘事策略和視聽語言方面著手,將這一時期美國藝術家傳記電影的創(chuàng)作規(guī)律、藝術特征進行了全面分析和深度挖掘。結語部分,通過總結這一時期美國藝術家傳記電影的優(yōu)點,反觀中國傳記電影、藝術家傳記電影創(chuàng)作的困境和不足。期望本國的傳記電影能提升藝術水平,發(fā)展的更好。
[Abstract]:Biographical film, as a film type of concern and attention, has been brilliant in history and has been developed by leaps and bounds in contemporary times. Especially under the realistic cultural background of western movies, the development of American biographies has made a breakthrough and a qualitative leap in recent years. As an important branch of the biographical film, the artist biographical film inherits the documentary nature of the biographical film and has the unique artistic charm at the same time. As a big country of biographical films, America has produced a great number of biographies since the 21st century. From 2000 to 2016, more than 80 biographies were filmed, more than 20 of which won international awards. Biographical films of American artists in one period presented rich forms of expression and artistic form. In the way of creation, the artist is remolded in the real background of the times and culture, not on the basis of false creation gimmicks, and on the basis of facts. At the same time, the creators of biographical films are more mature and diverse in their creative techniques when they present their ideals and beliefs, life stories and psychological world. This paper is divided into five parts to study the biographical films of American artists in the 21 ~ (st) century. The first chapter is introduction. First of all, it discusses the background and significance of the topic, mainly explains why the 21st century American artists biographical film is chosen as the object of study, secondly, it defines the concepts of "artist" and "biographical film", and explains why the biographical film of American artists in the 21st century is chosen as the research object. Finally, this paper briefly analyzes the main research directions and gaps in the study of biographical films. The second chapter focuses on the aesthetic characteristics of American artists' biographies in the 21 ~ (st) century. First of all, from the perspective of documentary aesthetics, the artist's biographical film needs to reproduce the real history and real characters. Secondly, from the aspect of artistic expression, the artists' biographies should show artistry in the selection of the master, the selection of the content and the treatment of the audio-visual art. Finally, it shows that internalization-psychology is an important feature of biographies in the development of modern biographies. Chapter three, chapter four and chapter five analyze the biographical films of American artists in the 21 ~ (st) century. Starting from the selection of the master, the selection of the subject matter, the narrative strategy and the audio-visual language, this paper makes a comprehensive analysis and in-depth exploration of the creation laws and artistic features of the American artists' biographies during this period. The conclusion part summarizes the advantages of American artists' biographies in this period, on the contrary, the difficulties and shortcomings of Chinese biographies and artists' biographies. We hope that the biographical films of our country can improve the artistic level and develop better.
【學位授予單位】:江西師范大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J905

【參考文獻】

相關期刊論文 前10條

1 舒也;李蕊;;從文本分析到鏡像分析——精神分析電影理論的分析策略[J];中國人民大學學報;2015年02期

2 曲德煊;;論傳記電影的完整鏡像[J];江西師范大學學報(哲學社會科學版);2013年05期

3 曲德煊;;“十七年”的傳記意識與傳記電影[J];當代電影;2013年10期

4 張金華;孫洪;;中美傳記電影對比分析[J];電影文學;2013年14期

5 王薇;;“傳記片”再認識[J];福建論壇(人文社會科學版);2012年12期

6 梁慶標;;狂歡化與西方傳記文學[J];浙江師范大學學報(社會科學版);2011年02期

7 周斌;;傳記片創(chuàng)作要有新拓展[J];電影新作;2010年05期

8 曲德煊;;從美學本體看中國傳記電影的局限性[J];美與時代(下半月);2009年12期

9 謝永康;;自由觀念:從康德、黑格爾到馬克思[J];學海;2009年06期

10 南野;;電影/鏡子與電影/夢:想象與符號[J];當代電影;2009年11期

相關重要報紙文章 前1條

1 饒曙光;楊曉云;;開掘傳記片的獨特魅力[N];人民日報;2009年

,

本文編號:2434773

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/wenyilunwen/dianyingdianshilunwen/2434773.html


Copyright(c)文論論文網All Rights Reserved | 網站地圖 |

版權申明:資料由用戶51ffa***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com