【摘要】：傳記電影作為一個(gè)頗受關(guān)注和重視的電影類型,它在歷史上曾經(jīng)輝煌,在當(dāng)代也獲得了突飛猛進(jìn)的發(fā)展。尤其是在西方電影注重真實(shí)的文化背景下,美國(guó)傳記電影的發(fā)展在近年來(lái)有著量的突破和質(zhì)的飛躍。藝術(shù)家傳記電影作為傳記電影的一個(gè)重要的分支,藝術(shù)家傳記影片傳承了傳記電影的紀(jì)實(shí)性,同時(shí)也飽有獨(dú)特的藝術(shù)魅力。美國(guó)作為傳記電影出品的大國(guó),自21世紀(jì)以來(lái),拍攝的傳記電影數(shù)量龐大、品質(zhì)優(yōu)越。自2000年至2016年間,共拍攝傳記電影八十余部,其中二十多部影片獲得國(guó)際大獎(jiǎng)。之一時(shí)期的美國(guó)藝術(shù)家傳記電影呈現(xiàn)出豐富的表現(xiàn)形式和藝術(shù)形態(tài)。創(chuàng)作思路上不以虛構(gòu)博噱頭,堅(jiān)持以事實(shí)為依據(jù),將藝術(shù)家置于真實(shí)的時(shí)代背景和文化背景中進(jìn)行重塑。同時(shí),傳記電影的創(chuàng)作者在對(duì)傳主理想信念、人生故事、心理世界的呈現(xiàn)時(shí),創(chuàng)作技法更加成熟,取材角度更加多元。本文一共分為五個(gè)部分對(duì)21世紀(jì)美國(guó)藝術(shù)家傳記電影進(jìn)行研究。第一章緒論部分。首先,論述了選題的背景和意義,主要闡明了為什么選擇21世紀(jì)的美國(guó)藝術(shù)家傳記電影作為研究的對(duì)象;其次,對(duì)“藝術(shù)家”、“傳記電影”這些概念進(jìn)行了定義;最后,簡(jiǎn)要的分析了當(dāng)下關(guān)于傳記電影的研究主要方向和研究中存在的空缺。第二章集中論述了21世紀(jì)美國(guó)藝術(shù)家傳記電影的美學(xué)特征。首先,從紀(jì)實(shí)性美學(xué)的角度闡明藝術(shù)家傳記電影,需要再現(xiàn)真實(shí)的歷史和真實(shí)的人物。其次,從藝術(shù)化的表現(xiàn)方面表明,藝術(shù)家傳記電影無(wú)論是在傳主的選擇、內(nèi)容選取和視聽(tīng)藝術(shù)的處理上都要展現(xiàn)藝術(shù)性。最后,表明在現(xiàn)代的傳記電影發(fā)展中,內(nèi)化——心理化是傳記電影的重要特點(diǎn)。第三章、第四章、第五章對(duì)21世紀(jì)美國(guó)藝術(shù)家傳記電影,進(jìn)行了具體的分析。從傳主的選擇、題材的選取、敘事策略和視聽(tīng)語(yǔ)言方面著手,將這一時(shí)期美國(guó)藝術(shù)家傳記電影的創(chuàng)作規(guī)律、藝術(shù)特征進(jìn)行了全面分析和深度挖掘。結(jié)語(yǔ)部分,通過(guò)總結(jié)這一時(shí)期美國(guó)藝術(shù)家傳記電影的優(yōu)點(diǎn),反觀中國(guó)傳記電影、藝術(shù)家傳記電影創(chuàng)作的困境和不足。期望本國(guó)的傳記電影能提升藝術(shù)水平,發(fā)展的更好。
[Abstract]:Biographical film, as a film type of concern and attention, has been brilliant in history and has been developed by leaps and bounds in contemporary times. Especially under the realistic cultural background of western movies, the development of American biographies has made a breakthrough and a qualitative leap in recent years. As an important branch of the biographical film, the artist biographical film inherits the documentary nature of the biographical film and has the unique artistic charm at the same time. As a big country of biographical films, America has produced a great number of biographies since the 21st century. From 2000 to 2016, more than 80 biographies were filmed, more than 20 of which won international awards. Biographical films of American artists in one period presented rich forms of expression and artistic form. In the way of creation, the artist is remolded in the real background of the times and culture, not on the basis of false creation gimmicks, and on the basis of facts. At the same time, the creators of biographical films are more mature and diverse in their creative techniques when they present their ideals and beliefs, life stories and psychological world. This paper is divided into five parts to study the biographical films of American artists in the 21 ~ (st) century. The first chapter is introduction. First of all, it discusses the background and significance of the topic, mainly explains why the 21st century American artists biographical film is chosen as the object of study, secondly, it defines the concepts of "artist" and "biographical film", and explains why the biographical film of American artists in the 21st century is chosen as the research object. Finally, this paper briefly analyzes the main research directions and gaps in the study of biographical films. The second chapter focuses on the aesthetic characteristics of American artists' biographies in the 21 ~ (st) century. First of all, from the perspective of documentary aesthetics, the artist's biographical film needs to reproduce the real history and real characters. Secondly, from the aspect of artistic expression, the artists' biographies should show artistry in the selection of the master, the selection of the content and the treatment of the audio-visual art. Finally, it shows that internalization-psychology is an important feature of biographies in the development of modern biographies. Chapter three, chapter four and chapter five analyze the biographical films of American artists in the 21 ~ (st) century. Starting from the selection of the master, the selection of the subject matter, the narrative strategy and the audio-visual language, this paper makes a comprehensive analysis and in-depth exploration of the creation laws and artistic features of the American artists' biographies during this period. The conclusion part summarizes the advantages of American artists' biographies in this period, on the contrary, the difficulties and shortcomings of Chinese biographies and artists' biographies. We hope that the biographical films of our country can improve the artistic level and develop better.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J905

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