【摘要】：電影從誕生之初到數字時代來臨,影像奇觀頻繁出現在觀眾視野。電影技術的不斷升級使人類可以更加輕易的實現想象中場景的影像化,使我們可以看到萬年前的古生物、千年后的星球奇觀等等。這些“奇觀”對電影產生了巨大的影響,這是技術和藝術完美結合的產物。本研究希望在漫長的電影史長河中梳理影像奇觀的脈絡,通過對影像奇觀發(fā)展史的梳理,針對每一個階段的技術特點和美學特征,并結合文本分析進行研究。本研究按照影像奇觀發(fā)展的四個階段進行分章,主要將論述以下內容:第一章為緒論。主要是對本論題的說明,包括研究原因,論題中“奇觀”的釋義、“影像奇觀”的限定說明,以及之所以將其分為四個階段的闡述。第二章為早期影像奇觀的研究,主要針對影像奇觀產生的背景進行總結,并主要對影像奇觀的先驅喬治·梅里埃所拍攝的《消失的女子》、《音樂狂》、《月球旅行記》三部影片進行文本分析,從而探討早期影像奇觀的技術特點和美學特征。第三章為影像奇觀發(fā)展的滯緩時期,在說明了這一時期之所以會出現發(fā)展緩慢的原因之后,對逆境而生的《金剛》進行解讀,分析這一時期影像奇觀的進步以及指出真實性欠缺的相關問題。第四章是對影像奇觀發(fā)展的轉折期的研究,轉折點是《2001太空漫游》,這一時期的關鍵問題就是解決奇觀影像的真實性問題。第五章是當代影像奇觀研究,結合數字技術的發(fā)展,針對多部影片的多個特點進行逐一研究。第六章基于上述影像奇觀發(fā)展史的研究提出了影像奇觀發(fā)展的幾個可能性。最后,對影像奇觀的整個發(fā)展脈絡進行總結和梳理,形成影像奇觀簡史。
[Abstract]:From the beginning of the birth to the advent of the digital age, film spectacles frequently appear in the audience's field of view. The continuous upgrading of film technology makes it easier for humans to visualize imaginary scenes, allowing us to see ancient creatures thousands of years ago, planetary wonders after a thousand years, and so on. These "wonders" have a great impact on the film, which is the perfect combination of technology and art. This study hopes to sort out the vein of image spectacle in the long history of film, through combing the development history of image spectacle, aiming at the technical and aesthetic characteristics of each stage, and combining with the text analysis to carry on the research. This research is divided into four stages according to the development of image spectacle. The main content will be discussed as follows: the first chapter is the introduction. It is mainly about the explanation of this topic, including the research reasons, the definition of "wonder", the definition of "image spectacle", and the explanation of the reason why it is divided into four stages. The second chapter is the study of the early image wonders, mainly aimed at the background of the image wonders, and mainly to the image spectacle pioneer George Merier shot "the disappeared woman", "Music Crazy", In this paper, three films are analyzed in order to discuss the technical and aesthetic features of the early image wonders. The third chapter is the slow period of the development of image wonders. After explaining the reasons for the slow development of this period, the author interprets the "King Kong" born from adversity. This paper analyzes the progress of the image spectacle in this period and points out the related problems of the lack of authenticity. The fourth chapter is the study of the turning point of the development of image wonders. The turning point is "2001 Space Walk". The key problem in this period is to solve the problem of the authenticity of the spectacle images. The fifth chapter is the contemporary image spectacle research, combined with the development of digital technology, aimed at the multiple characteristics of multiple films one by one. The sixth chapter puts forward several possibilities for the development of image wonders based on the research of the development history of image wonders mentioned above. Finally, the whole development of image spectacle is summarized and combed, and a brief history of image spectacle is formed.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905

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