【摘要】：電視音樂(lè)節(jié)目是音樂(lè)與電視藝術(shù)相結(jié)合的新的藝術(shù)形式,自上世紀(jì)九十年代起在我國(guó)興起以來(lái),借助電視這個(gè)傳播手段,音樂(lè)被前所未有地、以自覺(jué)或不自覺(jué)的方式普及到大眾的耳朵里,而電視也以其特有的聲畫(huà)結(jié)合的方式為音樂(lè)注入了視覺(jué)體驗(yàn)。作為電視音樂(lè)節(jié)目主角——聲音,它的創(chuàng)作體現(xiàn)了現(xiàn)代技術(shù)手段與傳統(tǒng)音樂(lè)審美的完美融合。 目前,對(duì)電視音樂(lè)節(jié)目聲音創(chuàng)作系統(tǒng)、深入地研究并未引起足夠的重視,電視從業(yè)者多以技術(shù)的角度在工作,忽略了每個(gè)音樂(lè)節(jié)目個(gè)體的音樂(lè)特征和藝術(shù)表現(xiàn)力；而音樂(lè)工作者也多把電視音樂(lè)節(jié)目的聲音制作看做是電視技術(shù)人員的工作,這兩個(gè)行業(yè)在多數(shù)情況下是脫節(jié)的,因此也導(dǎo)致了節(jié)目的藝術(shù)水準(zhǔn)難以突破。 本文通過(guò)大量的實(shí)例和圖片,以作品的藝術(shù)體現(xiàn)作為出發(fā)點(diǎn),對(duì)電視音樂(lè)節(jié)目聲音的創(chuàng)作、特別是對(duì)常見(jiàn)樂(lè)器的不同演奏形式的聲音錄制做了深入研究,總結(jié)出了其創(chuàng)作的原則,并通過(guò)對(duì)親自參與音樂(lè)會(huì)的實(shí)況錄制時(shí)聲音制作的步驟和方法的總結(jié),得出相關(guān)從業(yè)人員需要成為既懂得聲音創(chuàng)作技術(shù),又需要較高藝術(shù)素養(yǎng)做前提的結(jié)論,并引申出對(duì)音樂(lè)學(xué)院專業(yè)培養(yǎng)方面的探索。
[Abstract]:TV music programs are a new art form that combines music with television art. Since its rise in China in the 1990s, with the help of television, music has been unprecedented. It is popularized into the ears of the public consciously or unconsciously, and TV infuses the visual experience of music with its unique combination of sound and painting. As the protagonist of TV music program-sound, its creation embodies the perfect fusion of modern technology and traditional music aesthetics. At present, the deep research on the sound creation system of TV music programs has not attracted enough attention. The TV practitioners mostly work from the technical point of view, ignoring the music characteristics and artistic expression of each individual music program. Music workers see the sound production of TV music programs as the work of TV technicians, which in most cases is disjointed, thus making it difficult to break through the artistic standards of TV programs. In this paper, through a large number of examples and pictures, with the artistic embodiment of the works as the starting point, the sound creation of TV music programs, especially the sound recording of common musical instruments in different forms of performance, is studied in depth. This paper summarizes the principles of its creation, and through the summary of the steps and methods of sound production when participating in the live recording of the concert in person, draws the conclusion that the relevant practitioners need to become both know sound creation technology, It also needs the conclusion that high artistic accomplishment is the premise, and the exploration of the specialty cultivation of Conservatory of Music.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：G222;J617.6

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相關(guān)期刊論文 前1條

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本文編號(hào)：2428928