論吳宇森動(dòng)作片的文化內(nèi)涵與鏡像話語
發(fā)布時(shí)間：2018-09-06 12:31
【摘要】：動(dòng)作片作為日益成熟的電影類型,越來越受到大眾的認(rèn)可,并在世界范圍內(nèi)廣泛流傳。在眾多的動(dòng)作片中,吳宇森的動(dòng)作片憑借其獨(dú)特的文化內(nèi)涵與電影手法脫穎而出。吳宇森將自己的英雄情結(jié)融入到動(dòng)作片的鏡頭語言中,創(chuàng)造了一個(gè)又一個(gè)的英雄世界,給觀眾留下了經(jīng)久不衰的銀幕形象。 吳宇森的動(dòng)作片雖然分為香港時(shí)期與好萊塢時(shí)期,但是他所創(chuàng)作的動(dòng)作片都離不開對(duì)英雄人物的崇拜,以及蘊(yùn)含其中的男性情結(jié),從中我們可以窺視到導(dǎo)演的內(nèi)心情懷、彼時(shí)彼地的社會(huì)文化以及現(xiàn)代人的情感傾向。在他的每一部影片中,我們都可以看到創(chuàng)作者那不變的英雄情結(jié)。導(dǎo)演運(yùn)用了各種電影手法將自己心目中的男性人物進(jìn)行了崇高的儀式化塑造,留給觀眾的不僅僅是內(nèi)心情感的表達(dá)與宣泄,更多的是動(dòng)作片作為一種電影類型所蘊(yùn)含的社會(huì)文化道德。 吳宇森的動(dòng)作片雖然都是基于虛構(gòu)和想象,但是其中所達(dá)出來的英雄崇拜、理想化的男性情義以及其中的社會(huì)文化烙印,都經(jīng)過精湛的電影藝術(shù)手段使得吳宇森的動(dòng)作片成為類型電影史上不可忽視的電影片種。在現(xiàn)代觀眾的觀影體驗(yàn)中,吳氏動(dòng)作片以不同的影像出現(xiàn)在屏幕上,但是萬變不離其宗,其形形色色的銀幕形象都在訴說著吳氏電影的一個(gè)共同主題,所投射的不僅僅是創(chuàng)作者的心路情感變化,更是用想象的力量彌補(bǔ)了人們現(xiàn)實(shí)世界對(duì)英雄的渴望與缺憾,最終成為好萊塢商業(yè)電影上的銀幕神話。 本文的前言部分介紹了吳宇森動(dòng)作片的研究意義與研究概況。第一章主要是對(duì)電影類型和動(dòng)作片做了概述,并介紹了吳宇森兩個(gè)時(shí)期的動(dòng)作片創(chuàng)作。第二章結(jié)合具體影片從原型理論、精神分析角度、女性主義角度以及社會(huì)文化方面來闡釋吳氏動(dòng)作片所表現(xiàn)出來的男性英雄情結(jié)。第三章主要從電影語言方面探討吳氏動(dòng)作片的影像表達(dá),以及他如何運(yùn)用了電影語言來塑造英雄情懷,達(dá)到與觀眾的情感共鳴。通過對(duì)吳宇森動(dòng)作片的英雄情結(jié)以及男性情義的研究,力圖深入到吳氏創(chuàng)作的深層,開掘其電影背后的文化與社會(huì)意義,探尋其獨(dú)特的電影藝術(shù)魅力。
[Abstract]:As an increasingly mature type of film, action films are more and more recognized by the public, and widely circulated around the world. Among the many action films, Wu Yusen's action films stand out with their unique cultural connotations and film techniques. Wu Yusen integrated his hero complex into the action film lens language, created one hero world after another, and left a lasting screen image for the audience. Although Wu Yusen's action films are divided into the Hong Kong period and the Hollywood period, the action films he created can not be separated from the worship of heroes and the male complex contained therein, from which we can see the director's inner feelings. At that time, the social culture of other places and the emotional tendency of modern people. In each of his films, we can see the constant hero complex of the creator. The director used a variety of film techniques to shape the male characters in his mind with lofty ritualization, leaving the audience with more than just the expression and catharsis of his inner feelings. More is the action film as a type of film contained in social culture and morality. Although Wu Yusen's action films are based on fiction and imagination, they have achieved hero worship, idealized male affections and social and cultural imprints. Wu Yusen's action film has become a kind of film that can not be ignored in the history of genre film. In the modern audience's film viewing experience, Wu's action films appear on the screen with different images, but they are always changing, and their various screen images are telling a common theme of Wu's films. What is projected is not only the emotional change of the creator's heart, but also the power of imagination to make up for the yearning and imperfection of the hero in the real world, and finally become the screen myth of Hollywood commercial film. The foreword of this paper introduces the research significance and general situation of Wu Yusen action film. The first chapter summarizes the types of films and action films, and introduces Wu Yusen's creation of action films in two periods. The second chapter explains the male hero complex of Wu's action film from the perspective of archetype theory, psychoanalysis, feminism and social culture. The third chapter mainly discusses the image expression of Wu's action film from the aspect of film language, and how he uses film language to shape heroic feelings and achieve emotional resonance with the audience. Through the study of the hero complex of Wu Yusen action film and the male sentiment, the author tries to go deep into Wu's creation, explore the cultural and social significance behind his film, and explore the unique artistic charm of his film.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J911
本文編號(hào)：2226360
[Abstract]:As an increasingly mature type of film, action films are more and more recognized by the public, and widely circulated around the world. Among the many action films, Wu Yusen's action films stand out with their unique cultural connotations and film techniques. Wu Yusen integrated his hero complex into the action film lens language, created one hero world after another, and left a lasting screen image for the audience. Although Wu Yusen's action films are divided into the Hong Kong period and the Hollywood period, the action films he created can not be separated from the worship of heroes and the male complex contained therein, from which we can see the director's inner feelings. At that time, the social culture of other places and the emotional tendency of modern people. In each of his films, we can see the constant hero complex of the creator. The director used a variety of film techniques to shape the male characters in his mind with lofty ritualization, leaving the audience with more than just the expression and catharsis of his inner feelings. More is the action film as a type of film contained in social culture and morality. Although Wu Yusen's action films are based on fiction and imagination, they have achieved hero worship, idealized male affections and social and cultural imprints. Wu Yusen's action film has become a kind of film that can not be ignored in the history of genre film. In the modern audience's film viewing experience, Wu's action films appear on the screen with different images, but they are always changing, and their various screen images are telling a common theme of Wu's films. What is projected is not only the emotional change of the creator's heart, but also the power of imagination to make up for the yearning and imperfection of the hero in the real world, and finally become the screen myth of Hollywood commercial film. The foreword of this paper introduces the research significance and general situation of Wu Yusen action film. The first chapter summarizes the types of films and action films, and introduces Wu Yusen's creation of action films in two periods. The second chapter explains the male hero complex of Wu's action film from the perspective of archetype theory, psychoanalysis, feminism and social culture. The third chapter mainly discusses the image expression of Wu's action film from the aspect of film language, and how he uses film language to shape heroic feelings and achieve emotional resonance with the audience. Through the study of the hero complex of Wu Yusen action film and the male sentiment, the author tries to go deep into Wu's creation, explore the cultural and social significance behind his film, and explore the unique artistic charm of his film.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J911
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