“小鮮肉”:中國電影的男性身體書寫
發(fā)布時間：2018-09-06 12:16
【摘要】：在最近幾年里,"小鮮肉"作為一道"奇觀"登上了大銀幕,他們顛覆了傳統(tǒng)的主動的/男性與被動的/女性之間的二元關(guān)系,將自己的身體與女性身體進(jìn)行置換供觀眾觀看。因此,"小鮮肉"的身體書寫與女性的身體書寫存在著既相同又相異的地方。本文希望通過剖析"小鮮肉"身體在銀幕上的呈現(xiàn),進(jìn)而分析出隱藏在他們身體之后的獨(dú)特的商品邏輯、意識形態(tài)話語以及文化內(nèi)涵。
[Abstract]:In recent years, "little meat" has appeared on the big screen as a "wonder", overturning the traditional dual relationship between active / male and passive / female, replacing their bodies with women's bodies for the audience to watch. Therefore, there are similarities and differences between body writing and female body writing. This paper hopes to analyze the presentation of "little fresh meat" bodies on the screen, and then analyze the unique commodity logic, ideological discourse and cultural connotations hidden behind their bodies.
【作者單位】： 重慶工商大學(xué);
【分類號】：J905
，
本文編號：2226323
[Abstract]:In recent years, "little meat" has appeared on the big screen as a "wonder", overturning the traditional dual relationship between active / male and passive / female, replacing their bodies with women's bodies for the audience to watch. Therefore, there are similarities and differences between body writing and female body writing. This paper hopes to analyze the presentation of "little fresh meat" bodies on the screen, and then analyze the unique commodity logic, ideological discourse and cultural connotations hidden behind their bodies.
【作者單位】： 重慶工商大學(xué);
【分類號】：J905
，
本文編號：2226323
本文鏈接：http://sikaile.net/wenyilunwen/dianyingdianshilunwen/2226323.html
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