【摘要】：21世紀(jì)是一個(gè)女性備受關(guān)注的“她世紀(jì)”，隨著當(dāng)代女性自我意識(shí)的覺醒，女性的社會(huì)地位、生命價(jià)值、政治權(quán)利、情感生活越來越成為社會(huì)大眾所研究探討的話題。女性身份地位的改觀體現(xiàn)在社會(huì)生活的各個(gè)方面，特別是在電影文化傳播領(lǐng)域。電影作為一種綜合的藝術(shù)形式，在營造詩意氛圍、塑造人物性格的同時(shí)，還以充滿藝術(shù)感染力的個(gè)性話語傳遞著時(shí)代的觀念和意識(shí)。近幾年來，無論是國際影壇還是中國影壇，都出現(xiàn)了一個(gè)值得關(guān)注的藝術(shù)現(xiàn)象，那就是以描寫女性生存狀態(tài)為表現(xiàn)主題并帶有鮮明獨(dú)特的女性意識(shí)的女性電影蓬勃興起。一些女性形象在女性電影中所反映出的女性意識(shí)形態(tài)不只具有性別意味，同時(shí)還具有非常豐富的社會(huì)文化內(nèi)涵。 因此，論文以新世紀(jì)之初開始萌芽發(fā)展的70后新生代電影女性導(dǎo)演作為研究對(duì)象。社會(huì)環(huán)境一定會(huì)為文藝創(chuàng)作打上時(shí)代的烙印,電影尤甚。因而對(duì)70后新生代女性導(dǎo)演的研究須結(jié)合女性導(dǎo)演們所處的社會(huì)背景和文化氛圍來看待。 這群70后新生代電影女導(dǎo)演雖然作品為數(shù)不多，但是絲毫不會(huì)影響她們凸顯女性意識(shí)的創(chuàng)作觀念的傳播以及作品對(duì)大眾的吸引力。論文將著重對(duì)其中各領(lǐng)風(fēng)騷的代表人物及其彰顯特色的代表作品作出深刻分析。從本色現(xiàn)實(shí)主義與詩意并存的電影精神，簡(jiǎn)潔的表現(xiàn)手法與黑色幽默的運(yùn)用，女性形象的全方位展示以及緊跟市場(chǎng)商業(yè)化潮流等幾個(gè)方面探討她們追求“好看”又有“意味”的電影觀念，，同時(shí)論文追溯了先輩女性導(dǎo)演們囿于束縛的女性表達(dá)，比較而言，在新世紀(jì)女性導(dǎo)演獲得了更加自由的女性表達(dá)。 她們的作品中女性意識(shí)的多元表現(xiàn)是本文研究的另一重點(diǎn)。并從女性主題的變化與拓展，女性導(dǎo)演的體驗(yàn)式表達(dá)以及男性角色的策略性規(guī)避等方面做出細(xì)致分析。最后論文就日�；臄⑹轮黝}，女性化的敘事視角，碎片化的敘事結(jié)構(gòu)、鏡像性的敘事空間以及個(gè)人化的敘事語調(diào)分析歸納了她們?cè)谧髌分星擅铎`活運(yùn)用的敘事策略。這些都是值得探索并傳播的理論和實(shí)踐范本。本文將從上述內(nèi)容和角度對(duì)新世紀(jì)的新生代電影女性導(dǎo)演進(jìn)行研究，以期能給女性的電影創(chuàng)作及電影事業(yè)的發(fā)展帶來些許參考意義。
[Abstract]:The 21st century is a century in which women are concerned. With the awakening of contemporary women's self-consciousness, women's social status, life value, political rights and emotional life are becoming more and more the topic of discussion. The change of women's status is reflected in all aspects of social life, especially in film culture. Film, as a comprehensive art form, not only creates a poetic atmosphere and shapes the characters'personality, but also conveys the ideas and consciousness of the times with artistic appeal. In recent years, there has been a noticeable artistic phenomenon in both international and Chinese film circles, that is, describing women. Female movies with vivid and unique feminine consciousness and the theme of existence flourish. Some female images in female movies not only reflect the feminine ideology of gender, but also have very rich social and cultural connotations.
Therefore, the thesis takes the Post-70s female film directors as the research object. The social environment will surely mark the era for literary and artistic creation, especially for films. Therefore, the study of Post-70s female film directors should be combined with the social background and cultural atmosphere of female directors.
Although there are few works of these Post-70s and new generation female film directors, they have no influence on the spread of their creative ideas and the attraction of their works to the public. The coexistence of film spirit, concise technique of expression and the use of black humor, the all-round display of women's images and the trend of market commercialization are discussed in this paper. Meanwhile, the paper traces back to the constrained female expression of the predecessor female directors. Women directors in the 21st century have gained more free expression of women.
The diversified expression of women's consciousness in their works is another focus of this paper. It makes a detailed analysis from the changes and development of women's themes, the experiential expression of women directors and the strategic evasion of male roles. Mirror narrative space and personalized narrative tone analysis summarize their ingenious and flexible use of narrative strategies in their works. These are worth exploring and disseminating the theoretical and practical model. This paper will study the new century from the above content and perspective of the new generation of female film directors, in order to give women's film creation. The development of film industry has brought some reference meaning.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J911

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