21世紀新生代電影女性導演創(chuàng)作研究
發(fā)布時間：2018-08-13 17:27
【摘要】：21世紀是一個女性備受關注的“她世紀”，隨著當代女性自我意識的覺醒，女性的社會地位、生命價值、政治權利、情感生活越來越成為社會大眾所研究探討的話題。女性身份地位的改觀體現(xiàn)在社會生活的各個方面，特別是在電影文化傳播領域。電影作為一種綜合的藝術形式，在營造詩意氛圍、塑造人物性格的同時，還以充滿藝術感染力的個性話語傳遞著時代的觀念和意識。近幾年來，，無論是國際影壇還是中國影壇，都出現(xiàn)了一個值得關注的藝術現(xiàn)象，那就是以描寫女性生存狀態(tài)為表現(xiàn)主題并帶有鮮明獨特的女性意識的女性電影蓬勃興起。一些女性形象在女性電影中所反映出的女性意識形態(tài)不只具有性別意味，同時還具有非常豐富的社會文化內涵。 因此，論文以新世紀之初開始萌芽發(fā)展的70后新生代電影女性導演作為研究對象。社會環(huán)境一定會為文藝創(chuàng)作打上時代的烙印,電影尤甚。因而對70后新生代女性導演的研究須結合女性導演們所處的社會背景和文化氛圍來看待。 這群70后新生代電影女導演雖然作品為數(shù)不多，但是絲毫不會影響她們凸顯女性意識的創(chuàng)作觀念的傳播以及作品對大眾的吸引力。論文將著重對其中各領風騷的代表人物及其彰顯特色的代表作品作出深刻分析。從本色現(xiàn)實主義與詩意并存的電影精神，簡潔的表現(xiàn)手法與黑色幽默的運用，女性形象的全方位展示以及緊跟市場商業(yè)化潮流等幾個方面探討她們追求“好看”又有“意味”的電影觀念，同時論文追溯了先輩女性導演們囿于束縛的女性表達，比較而言，在新世紀女性導演獲得了更加自由的女性表達。 她們的作品中女性意識的多元表現(xiàn)是本文研究的另一重點。并從女性主題的變化與拓展，女性導演的體驗式表達以及男性角色的策略性規(guī)避等方面做出細致分析。最后論文就日常化的敘事主題，女性化的敘事視角，碎片化的敘事結構、鏡像性的敘事空間以及個人化的敘事語調分析歸納了她們在作品中巧妙靈活運用的敘事策略。這些都是值得探索并傳播的理論和實踐范本。本文將從上述內容和角度對新世紀的新生代電影女性導演進行研究，以期能給女性的電影創(chuàng)作及電影事業(yè)的發(fā)展帶來些許參考意義。
[Abstract]:The 21st century is a "her century" for women. With the awakening of women's self-consciousness, women's social status, life value, political rights and emotional life have become more and more a topic of study and discussion by the public. The improvement of women's status is reflected in all aspects of social life, especially in the field of film culture communication. As a comprehensive art form, film not only creates poetic atmosphere and character, but also conveys the concept and consciousness of the times with artistic appeal. In recent years, both international and Chinese film circles have witnessed a remarkable artistic phenomenon, that is, the vigorous rise of female films with distinctive female consciousness and depicting the living state of women. Some female images reflect not only the gender connotation but also the social and cultural connotations in the female films. Therefore, the paper takes the new generation of female film directors who began to sprout and develop at the beginning of the new century as the research object. The social environment will surely mark the times for literary and artistic creation, especially movies. Therefore, the study of the female directors of the post-70 's should be considered in the light of the social background and cultural atmosphere of the female directors. Although this group of female directors of the new generation of post-70s films has few works, it will not affect the dissemination of creative ideas that highlight the female consciousness and the appeal of the works to the public. The thesis will make a deep analysis of the representative figures and their representative works. From the essence of realism and poetic spirit of the film, concise expression techniques and the use of black humor, The all-around display of women's images and the trend of commercialization of the market explore their concept of "good looking" and "meaning". At the same time, the paper traces the expression of women in the restraint of the female directors of the previous generation. In the new century, female directors have gained more freedom of female expression. The multiple expression of female consciousness in their works is another focus of this paper. It also makes a detailed analysis on the change and expansion of female theme, the experiential expression of female director and the strategic circumvention of male role. At last, the thesis sums up the narrative strategies which are skillfully and flexibly used in their works by analyzing the daily narrative theme, the feminine narrative perspective, the fragmented narrative structure, the mirror narrative space and the individual narrative tone. These are theoretical and practical models worth exploring and spreading. This paper will study the new generation of female film directors in the new century from the above contents and angles in order to bring some reference significance to women's film creation and the development of film career.
【學位授予單位】：湖南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J911
本文編號：2181681
[Abstract]:The 21st century is a "her century" for women. With the awakening of women's self-consciousness, women's social status, life value, political rights and emotional life have become more and more a topic of study and discussion by the public. The improvement of women's status is reflected in all aspects of social life, especially in the field of film culture communication. As a comprehensive art form, film not only creates poetic atmosphere and character, but also conveys the concept and consciousness of the times with artistic appeal. In recent years, both international and Chinese film circles have witnessed a remarkable artistic phenomenon, that is, the vigorous rise of female films with distinctive female consciousness and depicting the living state of women. Some female images reflect not only the gender connotation but also the social and cultural connotations in the female films. Therefore, the paper takes the new generation of female film directors who began to sprout and develop at the beginning of the new century as the research object. The social environment will surely mark the times for literary and artistic creation, especially movies. Therefore, the study of the female directors of the post-70 's should be considered in the light of the social background and cultural atmosphere of the female directors. Although this group of female directors of the new generation of post-70s films has few works, it will not affect the dissemination of creative ideas that highlight the female consciousness and the appeal of the works to the public. The thesis will make a deep analysis of the representative figures and their representative works. From the essence of realism and poetic spirit of the film, concise expression techniques and the use of black humor, The all-around display of women's images and the trend of commercialization of the market explore their concept of "good looking" and "meaning". At the same time, the paper traces the expression of women in the restraint of the female directors of the previous generation. In the new century, female directors have gained more freedom of female expression. The multiple expression of female consciousness in their works is another focus of this paper. It also makes a detailed analysis on the change and expansion of female theme, the experiential expression of female director and the strategic circumvention of male role. At last, the thesis sums up the narrative strategies which are skillfully and flexibly used in their works by analyzing the daily narrative theme, the feminine narrative perspective, the fragmented narrative structure, the mirror narrative space and the individual narrative tone. These are theoretical and practical models worth exploring and spreading. This paper will study the new generation of female film directors in the new century from the above contents and angles in order to bring some reference significance to women's film creation and the development of film career.
【學位授予單位】：湖南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J911
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