【摘要】：本文以“穿越劇"為研究對象,2010年始,穿越題材成為熒屏上最盛行的影視題材之一,穿越劇受到熱烈追捧。穿越劇作為后現(xiàn)代文化語境下衍生出來的流行文化的一種,迎合了當下大眾文化的娛樂化追求,切合了觀眾注重瞬間感官愉悅和夢幻滿足的接受心理。其在敘事策略和藝術表現(xiàn)手法上的創(chuàng)新更是穿越熱潮形成的原因所在,值得以后的電視劇創(chuàng)作借鑒。 本文以敘事學、后現(xiàn)代主義、女性主義、接受美學等理論為基礎,對近年來中國大陸興起的穿越劇進行了較為全面和系統(tǒng)的研究。文章分為四部分。首先,在第一章對穿越劇的概念和范圍作出了界定,從其生成語境上分析了穿越劇為何能夠盛行的原因,另外還對其進行了大致的分類。其次,分別在第二章、第三章探討了穿越劇的主題和人物形象。穿越劇主要表現(xiàn)了反封建和倡民主這兩大主題,塑造了具備穿越身份的現(xiàn)代男女主人公和古代歷史人物這兩種截然不同的人物形象。在第四章中,本文重點分析了穿越劇的敘事特征,闡述了穿越劇特殊的敘事視角和敘事時空,總結出穿越劇模塊式的敘事結構和荒誕派的敘事策略。本文還把穿越劇中古今元素雜糅、對比的不同效果進行了說明,概括了穿越劇與網(wǎng)絡游戲之間的密切聯(lián)系。
[Abstract]:Since 2010, the theme of traversing has become one of the most popular film themes on the screen, and traversing drama has been warmly sought after. As a kind of popular culture derived from the post-modern cultural context, traversing drama caters to the entertainment pursuit of the present popular culture and meets the reception psychology of the audience which pays attention to instant sensory pleasure and dreamlike satisfaction. The innovation of its narrative strategy and artistic expression is the reason of its formation through the upsurge, which is worthy of future TV drama creation. Based on the theories of narratology, postmodernism, feminism and receptive aesthetics, this paper makes a comprehensive and systematic study of the traversing drama that has arisen in mainland China in recent years. The article is divided into four parts. First of all, in the first chapter, the concept and scope of traversing drama are defined, and the reasons why traversing drama can prevail are analyzed from its generating context. In addition, it is roughly classified. Secondly, in the second chapter, the third chapter discusses the theme and characters of traversing drama. Traversing drama mainly shows the two themes of anti-feudalism and advocating democracy, and shapes two distinct characters, namely, the modern hero and the hero with the identity of crossing and the historical figures in ancient times. In the fourth chapter, this paper focuses on the narrative characteristics of the traversing drama, expounds the special narrative perspective and narrative time and space of the traversing drama, summarizes the narrative structure of the module-style traversing drama and the narrative strategy of the absurd. This article also mixes the elements of the traversing drama, compares the different effects, and generalizes the close relation between the traversing drama and the online game.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905

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本文編號：2141490