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論西方海洋電影中的生命意識

發(fā)布時(shí)間:2018-07-24 12:22
【摘要】:在電影發(fā)展的最初時(shí)光里,海洋便與之結(jié)緣,不久便成為電影創(chuàng)作的重要組成部分,在之后的百余年中與電影藝術(shù)共同進(jìn)步、發(fā)展,貫穿于世界電影發(fā)展史的整個(gè)脈絡(luò)之中,出現(xiàn)了諸多為人稱道的經(jīng)典之作。電影作為一種新的藝術(shù)種類也開啟了人們想象海洋、認(rèn)知海洋的新途徑,并與海洋文學(xué)、海洋音樂等多種古老藝術(shù)門類共同發(fā)展,共同建構(gòu)著豐厚多樣的海洋文化,完善人們對海洋的認(rèn)知和藝術(shù)想象。西方海洋電影既是一面鏡子,折射著海上生命的傳奇經(jīng)歷;也是一扇窗口,其中滲透著西方世界最核心的文化理念和價(jià)值追求。尤其在當(dāng)下海洋國際地位日益重要、海洋生態(tài)意識漸濃的社會語境中,展開對西方海洋電影的系統(tǒng)研究,既有較強(qiáng)的學(xué)術(shù)價(jià)值,也有著重要的現(xiàn)實(shí)意義。 本文以西方海洋電影所展現(xiàn)的生命意識為切入點(diǎn),以海上生命的傳奇經(jīng)歷為線索展開分析研究。論文共分為三章,第一部分主要是對西方海洋電影的概念、發(fā)展進(jìn)程進(jìn)行界定和梳理,并著重探討西方海洋電影中的生命精神及內(nèi)涵豐富的多重生命意象載體;第二章對海上生命個(gè)體的生存狀態(tài)展開分析,探究于極端情境中的海上所滋生的種種獨(dú)特焦慮體驗(yàn);第三章將分析的重點(diǎn)放在海上生命的傳奇經(jīng)歷所帶給人們的哲學(xué)省思上,即個(gè)體生命在不斷的價(jià)值歸位中走向超越,在歸航后找到生命個(gè)體的本真自我、社會歸屬以及生命意義的終極指向。 本文以西方海洋電影文本為基礎(chǔ),結(jié)合西方海洋電影發(fā)展的最新動態(tài),綜合運(yùn)用哲學(xué)、文學(xué)、影視美學(xué)、心理學(xué)、社會學(xué)、傳播學(xué)、政治學(xué)、文化人類學(xué)等多個(gè)學(xué)科的理論知識,展開對西方海洋電影的分析研究,以期彌補(bǔ)當(dāng)下學(xué)界和業(yè)界對西方海洋電影整體研究和認(rèn)識的不足。
[Abstract]:In the early years of film development, the ocean became an important part of film creation, and in the next hundred years and more, it made common progress and development with the film art, and ran through the whole context of the development of the world's film history. There are many laudable classics. As a new kind of art, film also opens up a new way for people to imagine and recognize the ocean, and develop together with many ancient art categories, such as marine literature, ocean music, etc., and construct rich and diverse marine culture together. Improve people's understanding of the ocean and artistic imagination. The western ocean film is not only a mirror, but also a window to reflect the legendary experience of life at sea, which permeates the core cultural idea and value pursuit of the western world. Especially in the increasingly important international status of the ocean, marine ecological awareness of the social context, to carry out a systematic study of the western ocean film, not only has strong academic value, but also has important practical significance. This paper takes the life consciousness of the western ocean film as the breakthrough point and the legendary experience of the sea life as the clue. The thesis is divided into three chapters. The first part is to define and sort out the concept and development process of western ocean film, and to discuss the life spirit and the rich carrier of life image in the western ocean film. The second chapter analyzes the living state of the individual life at sea, explores the unique anxiety experience that the sea breeds in the extreme situation, the third chapter focuses on the philosophical reflection brought to people by the legendary experience of life at sea. That is, the individual life goes beyond in the constant return of value, and finds out the true self, social belonging and the ultimate direction of the meaning of life after returning to the sea. Based on the western ocean film texts and the latest developments in the development of western ocean movies, this paper integrates the application of philosophy, literature, film and television aesthetics, psychology, sociology, communication, political science, etc. Cultural anthropology and other disciplines of theoretical knowledge, to carry out the analysis of the western ocean film, in order to make up for the current academic and industry of the western ocean film overall research and understanding of the deficiencies.
【學(xué)位授予單位】:南京師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J905

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