本文選題：許鞍華 + 現(xiàn)實(shí)主義�。� 參考：《上海師范大學(xué)》2013年碩士論文

【摘要】：許鞍華是華語(yǔ)電影圈里叱咤風(fēng)云的女性導(dǎo)演，，在男性導(dǎo)演占據(jù)大半江山的電影世界里，許鞍華以自己獨(dú)立特行的風(fēng)格立足于影壇，是香港近30年以來(lái)最具影響力的電影導(dǎo)演之一。從影三十多年以來(lái)，她執(zhí)導(dǎo)了將近三十部影片，雖然題材風(fēng)格在變，但對(duì)人的關(guān)注不變，對(duì)歷史環(huán)境與現(xiàn)實(shí)的觸及似乎已經(jīng)成了她創(chuàng)作的慣性思維，她多次問(wèn)鼎臺(tái)灣金馬獎(jiǎng)、香港金像獎(jiǎng)，是香港獲得國(guó)際聲譽(yù)的重要女導(dǎo)演。 許鞍華執(zhí)著于表現(xiàn)現(xiàn)實(shí)，她的影片總是在不斷探討現(xiàn)實(shí)主義下的人物的命運(yùn)走向。本文以許鞍華除鬼片、武俠片以外的十五部劇情片為研究對(duì)象，以現(xiàn)實(shí)主義為切入點(diǎn)，挖掘其作品的精神內(nèi)涵，探討她如何用個(gè)性化的電影語(yǔ)言做到了自我內(nèi)心世界與情感的表達(dá)。 本文在全面梳理許導(dǎo)演的從影歷程及電影作品的基礎(chǔ)上，歸納總結(jié)出她的不同類型的電影題材。繼而以許鞍華數(shù)部作品中的主要女性為剖析目標(biāo)，從女性意識(shí)、角色、年齡三個(gè)角度探討現(xiàn)實(shí)關(guān)懷下女性的生存狀態(tài)，影片中的女性經(jīng)歷了從悲情角色升華為獨(dú)立個(gè)體的發(fā)展演變。接著分析許鞍華如何從電影語(yǔ)言的角度來(lái)體現(xiàn)現(xiàn)實(shí)主義，圍繞著個(gè)性化、真實(shí)性兩部分解讀她的電影語(yǔ)言。最后指出了許鞍華從影后現(xiàn)實(shí)主義風(fēng)格的演變，這既體現(xiàn)了許鞍華能夠順勢(shì)而變的聰慧，也體現(xiàn)了她渾厚的電影造詣與洗練的敘事能力，更是她面對(duì)現(xiàn)實(shí)人生觀、價(jià)值觀及思辨能力的獨(dú)特體現(xiàn)。
[Abstract]:Xu Anhua is the all-powerful female director in the Chinese film circle. In the film world where male directors occupy most of the world, Xu Anhua is based on the film world in his own style. It is one of the most influential film directors in Hong Kong for nearly 30 years. In the past 30 years or so, she has directed nearly 30 films. Although her theme style is changing, her concern for people has not changed. Touching on the historical environment and reality seems to have become the habitual thinking of her creation. She has won the Taiwan Golden Horse Award many times. The Hong Kong Academy Award is an important female director of Hong Kong's international reputation. Xu Anhua is obsessed with expressing reality, and her films always discuss the fate of the characters under realism. This paper takes 15 drama films other than ghost films and swordsman films as the research object, takes realism as the breakthrough point, and excavates the spiritual connotation of his works. This paper discusses how she can express her inner world and emotion with individualized film language. On the basis of comprehensively combing director Xu's film history and film works, this paper sums up her different types of film themes. Then, taking the main women in several works of Xu Anhua as the analysis goal, this paper discusses the living conditions of women under realistic care from the perspectives of female consciousness, role and age. The women in the film have experienced the evolution from the tragic role to the independent individual. Then it analyzes how Xu Anhua reflects realism from the angle of film language and interprets her film language around individuation and authenticity. Finally, the author points out the evolution of Xu Anhua's realistic style from the back of the film, which not only reflects Xu Anhua's wisdom and wisdom, but also reflects her profound film attainments and narrative ability, and her outlook on life in the face of reality. The unique embodiment of values and speculative ability.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 杜冬穎;;從《黃金時(shí)代》看許鞍華的特立獨(dú)行[J];電影文學(xué);2015年04期

相關(guān)碩士學(xué)位論文 前1條

1 謝麗娟;論許鞍華的電影創(chuàng)作[D];山東師范大學(xué);2014年

本文編號(hào)：2115973