本文選題：國際化 + 中國都市電影�。� 參考：《電影文學(xué)》2017年16期

【摘要】：隨著電影產(chǎn)業(yè)全球化進(jìn)程的發(fā)展,中國都市電影發(fā)展趨勢走向國際化,然而其未從根本上對國際化趨勢進(jìn)行理解和做出適度的反應(yīng),只是隨行就市地追隨電影產(chǎn)業(yè)發(fā)展的腳步。于是,體現(xiàn)在中國都市電影中的一種過多關(guān)注表現(xiàn)"全球人""去地區(qū)化空間"的影像悠然而生,這也直接導(dǎo)致了中國電影本土化敘事的缺失。本文通過研究中國都市電影的國際化發(fā)展和趨勢,對本土文化的缺失現(xiàn)象進(jìn)行了深入的剖析,探討助推中國都市電影國際化進(jìn)程和本土化的潛在動力。
[Abstract]:With the development of the globalization of the film industry, the trend of urban film development in China is going to be internationalized. However, it does not fundamentally understand and make a moderate response to the internationalization trend, but only follows the pace of the development of the film industry. Therefore, a kind of image which shows "global people" and "deregionalization space" appears leisurely in Chinese urban movies, which directly leads to the lack of local narration in Chinese films. By studying the development and trend of the internationalization of Chinese urban films, this paper makes a deep analysis of the phenomenon of the lack of local culture, and discusses the potential motive force to promote the internationalization and localization of Chinese urban films.
【作者單位】： 東北農(nóng)業(yè)大學(xué);
【分類號】：J943
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本文編號：1939953