本文選題：陳英雄電影 + 色彩語言　； 參考：《河北大學》2013年碩士論文

【摘要】：色彩是電影視覺元素之一，除了具有再現(xiàn)功能外，還具有塑造人物形象、表達內(nèi)心情感和創(chuàng)造意境等作用。電影工作者將自己的創(chuàng)作意圖通過對客觀色彩進行主觀概括，將作品在真實與虛幻之間切換，豐富了電影的表現(xiàn)力，并使其藝術(shù)性得以體現(xiàn)。色彩在表現(xiàn)人物內(nèi)心情感的同時，還能夠激發(fā)觀眾相應的心理感受，產(chǎn)生情感共鳴，從而達到深刻領(lǐng)會作品思想內(nèi)涵的目的。色彩的運用也是創(chuàng)作者內(nèi)心情感和人文精神的體現(xiàn)，并已成為一種具有精神內(nèi)涵的文化符號。而導演也在這一系列的創(chuàng)造性勞動中形成了自己作品的影片風格。 陳英雄的電影作品具有強烈的色彩思維，，他通過色彩建構(gòu)空間表達自己的情感，并通過色彩語言對人物的內(nèi)心活動進行了深入細致的描寫，營造出一種理想與現(xiàn)實相結(jié)合的視覺空間。由于其所受的西方教育背景，與其自身東方傳統(tǒng)文化思想觀念產(chǎn)生了矛盾沖突，而這種碰撞形成了巨大的創(chuàng)作空間。陳英雄在這種矛盾沖突中，通過影像將東方文化的美感展現(xiàn)給了觀眾，他的創(chuàng)作采用東方理念與西方電影技術(shù)相結(jié)合的手法，因此其作品具有表現(xiàn)事物的獨特思維和視角，并且在電影創(chuàng)作中找到了平衡點。其所創(chuàng)作的電影無論在主題與形式上，都融入了東方民族的文化元素。在東西方理念碰撞的同時表達出對現(xiàn)實的批判精神。他從世界的角度審視故鄉(xiāng)的苦難，通過作品抒發(fā)自己內(nèi)心的情感，以電影人的方式用影像畫面展現(xiàn)人性善惡和表達自己的思想。他通過色彩語言，使其作品創(chuàng)造出一種具有東方文化的沉靜內(nèi)斂和從容敦厚的氛圍，使之成為了當代電影導演運用色彩語言敘事表意的經(jīng)典之作。因此通過對陳英雄的電影色彩語言的研究，對于提高電影藝術(shù)鑒賞力非常有意義。 本文力圖從陳英雄電影作品的色彩主觀性、文化性、地域性和格式塔心理學等方面對其色彩語言藝術(shù)風格進行全面分析，并從東西方電影色彩觀念的對比中，尋找其作品產(chǎn)生影響力的原因，為國產(chǎn)影片的發(fā)展提供借鑒，為加快文化發(fā)展，提高我國文化軟實力盡一份力。
[Abstract]:Color is one of the visual elements of the film, which not only has the function of reproduction, but also has the functions of shaping the character image, expressing the inner emotion and creating the artistic conception. Through subjective generalization of objective color, film workers change their creative intention between reality and illusion, which enriches the expressive power of the film and embodies its artistry. Color can also arouse the audience's corresponding psychological feelings and produce emotional resonance, so as to get a deep understanding of the ideological connotation of the works. The use of color is also the embodiment of the creator's inner emotion and humanistic spirit, and has become a cultural symbol with spiritual connotation. In this series of creative work, the director also formed his own film style. Chen Xiong's film works have a strong color thinking, he expresses his feelings through color construction space, and through color language to describe the inner activities of the characters in depth and meticulous. Create a visual space that combines ideal and reality. Because of its western educational background, it conflicts with its traditional cultural ideas of the East, and this kind of collision forms a huge creative space. In this contradiction and conflict, the aesthetic sense of oriental culture is shown to the audience through images. His creation adopts the combination of oriental idea and western film technology, so his works have the unique thinking and visual angle of expressing things. And found the balance in the film creation. His films, both in theme and form, incorporate the cultural elements of the oriental nation. At the same time, it expresses the critical spirit of reality. From the perspective of the world, he examines the sufferings of his hometown, expresses his inner feelings through his works, and expresses his thoughts by the way of the filmmakers. Through the color language, he made his works create a quiet, introverted and relaxed atmosphere with oriental culture, making it a classic for contemporary film directors to use color language to narrate ideas. Therefore, it is of great significance to improve the appreciation of film art through the study of Chen Xiong's film color language. This paper tries to analyze the artistic style of color language from the aspects of color subjectivity, culture, region and Gestalt psychology of Chen Xiong's film works. To find out the causes of the influence of his works, to provide reference for the development of domestic films, to speed up the development of culture, and to improve the soft power of Chinese culture.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J911

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