本文選題：災(zāi)難片 + 審美意識(shí)��； 參考：《四川師范大學(xué)》2013年碩士論文

【摘要】：近年來(lái),災(zāi)難片作為一種電影類(lèi)型正在迅速發(fā)展,使得人們對(duì)災(zāi)難片的關(guān)注程度也不斷增加。很多專(zhuān)業(yè)學(xué)者對(duì)災(zāi)難片的評(píng)價(jià)不再僅局限于影片自身的內(nèi)容形式和電影技術(shù),而是從審美意義、現(xiàn)實(shí)意義以及藝術(shù)價(jià)值等深層的理論上對(duì)災(zāi)難片進(jìn)行剖析。本文通過(guò)四部分進(jìn)行闡述：第一章對(duì)災(zāi)難片進(jìn)行了明確的界定和分類(lèi)。然后對(duì)災(zāi)難片的發(fā)展情況進(jìn)行梳理,詳細(xì)闡述了災(zāi)難片從只表現(xiàn)單純的災(zāi)難情形的無(wú)聲默片到現(xiàn)今運(yùn)用數(shù)字化等先進(jìn)技術(shù)顯現(xiàn)出來(lái)的令人身臨其境的震撼效果和深厚的人文意義的現(xiàn)代電影的歷程。此章還對(duì)災(zāi)難片的文化意蘊(yùn)進(jìn)行詳細(xì)描寫(xiě)。通過(guò)災(zāi)難片的寓意及目的總結(jié)出其歷史意義和文化價(jià)值。第二章主要針對(duì)災(zāi)難片的美感類(lèi)型進(jìn)行分析,其審美價(jià)值很高。不僅分析了包括毀滅感、恐懼感、人情美、崇高感等感受,還發(fā)現(xiàn)了滲透其中的黑色幽默,不僅使觀(guān)眾享受視聽(tīng)大宴,而且讓觀(guān)眾思考未來(lái)。第三章深入到災(zāi)難片的創(chuàng)作技術(shù)美,主要從數(shù)字化“仿真”場(chǎng)景、兩級(jí)化跳躍銜接的景別、光線(xiàn)色彩的巧妙搭配烘托氣氛及震撼的視聽(tīng)效果四個(gè)方面入手,探索其獨(dú)特的結(jié)構(gòu)模式,分析災(zāi)難片引發(fā)心理共鳴的原因。第四章強(qiáng)調(diào)了災(zāi)難片的受眾審美體驗(yàn),分別從追求自我價(jià)值的體驗(yàn)、人文關(guān)懷及人與自然三方面進(jìn)行闡述。災(zāi)難片告訴人們要對(duì)自己有客觀(guān)的認(rèn)識(shí),不斷自省,尊重他人和理解他人,保護(hù)自然環(huán)境,壓縮人類(lèi)欲望,適度消費(fèi),以及合理發(fā)展科學(xué)技術(shù)。并結(jié)合《唐山大地震》、《2012》、《后天》等幾部代表性的電影作品表達(dá)出災(zāi)難片中視覺(jué)影像、藝術(shù)價(jià)值、人文精神的審美訴求。在一定程度上,人們?cè)跒?zāi)難片的視覺(jué)刺激下也引發(fā)了對(duì)自身生存環(huán)境以及人文價(jià)值的思考,就使得災(zāi)難片具有獨(dú)特的審美訴求和美學(xué)意蘊(yùn)。
[Abstract]:In recent years, disaster film as a kind of film is developing rapidly, which makes people pay more attention to disaster film. The evaluation of disaster film by many professional scholars is no longer limited to the content form and film technology of the film itself, but also analyzes the disaster film from the deep theory of aesthetic significance, realistic significance and artistic value. This article through four parts to elaborate: the first chapter to disaster film has carried on the clear definition and the classification. And then sort out the development of disaster films, This paper expounds in detail the course of disaster film from silent film which only shows pure disaster situation to modern film with deep humanistic significance and shocking effect of using advanced technology such as digitization. This chapter also describes the cultural implications of disaster films in detail. The historical significance and cultural value of disaster film are summarized through its moral and purpose. The second chapter mainly analyzes the aesthetic type of disaster film, and its aesthetic value is very high. It not only analyzes the feelings of destruction, fear, beauty, sublime and so on, but also finds the black humor that permeates it, which not only makes the audience enjoy the audiovisual feast, but also makes the audience think about the future. The third chapter goes deep into the creation technology beauty of disaster film, mainly from four aspects: digital "simulation" scene, the scene of two levels jumping and joining, the skillful match of light and color to the atmosphere and the shocking audiovisual effect. Explore its unique structural model and analyze the causes of psychological resonance caused by disaster film. The fourth chapter emphasizes the aesthetic experience of the disaster film audience, respectively from the pursuit of self-worth experience, humanistic care and human and nature three aspects. Disaster movies tell people to have an objective understanding of themselves, constantly introspection, respect others and understand others, protect the natural environment, reduce human desire, moderate consumption, and reasonable development of science and technology. Combined with "Tangshan earthquake", < 2012 >, "the day after tomorrow" and other representative film works to express the disaster film visual image, artistic value, humanistic spirit of aesthetic appeal. To some extent, under the visual stimulation of disaster film, people also lead to the thinking of their own living environment and humanistic value, which makes disaster film have a unique aesthetic appeal and aesthetic implication.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J905

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本文編號(hào)：1938705