本文選題：史東山 + 美學(xué)追求　； 參考：《西南大學(xué)》2014年碩士論文

【摘要】：作為中國(guó)早期電影的開(kāi)創(chuàng)者,史東山始終以矛盾、復(fù)雜的形象出現(xiàn)在中國(guó)電影的歷史敘述當(dāng)中,一方面他綿亙于二十年代中期到五十年代初,像一個(gè)地標(biāo)性的建筑見(jiàn)證了國(guó)家的戰(zhàn)爭(zhēng)與瘡傷,民族的蒙昧與啟迪,人性的沉淪與拯救,值得人們抽絲剝繭,條分縷析的闡釋電影和歷史之間的斷裂與融合;另一方面,他“扁平”而非“豐滿”的形象,讓其在“強(qiáng)敵環(huán)伺”的代際劃分中,始終默默無(wú)聞。從發(fā)軔時(shí)期的唯美傾向到觀念嬗變后的國(guó)防電影,再到宏幅巨制的憂患史詩(shī),以及最后歌頌人民戰(zhàn)爭(zhēng)的革命美學(xué),他的作品始終帶有強(qiáng)烈的民族感和時(shí)代性,然而囿于特定歷史觀念和電影觀念的影響,主流價(jià)值卻并未給予他應(yīng)有的認(rèn)可,因此,重讀史東山及其電影作品成為了電影史中非常重要的一個(gè)議題。 論文共分為三個(gè)章節(jié),分別從電影作為藝術(shù)形式,電影作為社會(huì)機(jī)構(gòu)以及電影作為技術(shù)體系來(lái)闡述史東山影片當(dāng)中反映出來(lái)的美學(xué)追求,社會(huì)問(wèn)題和技術(shù)發(fā)展。
[Abstract]:As the pioneer of early Chinese films, Shi Dongshan always appeared in the historical narration of Chinese films with contradictory and complicated images. On the one hand, he lasted from the mid-twenties to the early 1950s. Like a landmark building that witnessed the wars and sores of the country, the ignorance and enlightenment of the nation, the sinking and saving of human nature, it is worth drawing a cocoon to explain the rupture and fusion between the film and history; on the other hand, His image of "flat" rather than "plump" kept him in obscurity in the intergenerational division of enmity. From the aesthetic tendency of the initial period to the national defense film after the change of concept, to the epic of suffering in the grand scale system, and finally to the revolutionary aesthetics of the people's war, his works always have a strong sense of nationality and the character of the times. However, due to the influence of specific historical concepts and film concepts, the mainstream value does not give him the recognition he deserves. Therefore, rereading Shi Dongshan and his films has become a very important topic in the history of film. The paper is divided into three chapters, respectively from the film as an art form, film as a social organization and film as a technical system to explain the aesthetic pursuit, social problems and technological development reflected in Shi Dongshan films.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J905

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本文編號(hào)：1883160