本文選題：《淡綠色的月亮》 + 《夜色撩人》��； 參考：《電影文學(xué)》2017年21期

【摘要】：擅長(zhǎng)都市生活題材的第五代導(dǎo)演夏鋼拍攝的影片《夜色撩人》在故事情節(jié)和人物關(guān)系上較高程度地還原了須一瓜的小說(shuō)《淡綠色的月亮》,但在結(jié)構(gòu)上,除了保留小說(shuō)原有的主線,即通過(guò)突發(fā)事件引發(fā)的女性家庭道德理想的失落,透露出當(dāng)代女性的生存焦慮和獨(dú)立意識(shí)的覺(jué)醒,還將作為輔線的警察謝高置于社會(huì)道德理想的承擔(dān)者的位置,探討了社會(huì)安全感的缺失與重建,從而豐富了作品的社會(huì)學(xué)內(nèi)涵。
[Abstract]:The film by Xia Gang, a fifth-generation director who specializes in urban life, has a high degree of reversion to the story plot and the relationship between the characters, but structurally, the novel "the pale green moon" is restored to a higher degree. In addition to retaining the original main line of the novel, that is, through the loss of the female family moral ideal caused by the unexpected events, it reveals the contemporary women's existential anxiety and the awakening of their independence consciousness. In addition, the police officer Xie Gao, as a subsidiary line, was placed in the position of the bearer of the social moral ideal, and discussed the lack and reconstruction of social security, thus enriching the sociological connotation of the works.
【作者單位】： 南昌大學(xué)科學(xué)技術(shù)學(xué)院;
【基金】：2015年度江西省高校人文社會(huì)科學(xué)研究項(xiàng)目“中國(guó)現(xiàn)當(dāng)代文學(xué)與新世紀(jì)電影的互動(dòng)研究”(項(xiàng)目編號(hào):JC1565)階段性研究成果
【分類(lèi)號(hào)】：J905
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本文編號(hào)：1882846